Oscar 2011. Results.
1. Guessing for Oscar deal not very smart, but on the eve of the ceremony - and even irritating. I amuse myself in this business to somehow stimulate personal interest in the event, which has long been bored and did not affect the authority of either the winners or the contenders. Having joined in the same race predictions, we compare and twist, create their own sports grounds.
2. Covpadeniya loom typical. Of the twenty-first position was in 17 (efficiency = 81%). And it is unlikely-so-personal achievement: information lies on the surface, even a passerby will select the appropriate.
3. Over the ceremony, the body essentially nothing to say - business as usual, expensive, and angry, predictable and boring, except that I personally very special pleasure for discussion on the live ceremony at the First Channel. Watch a freak show with Local teleznamenitostey - specific cooking. In commenting on the table they go overseas pompous unprofessional, lazy, or simply random people from among the friends of Channel One, which are nonsense and play in the stars, do not understand the subject and not being able to adequately hold the TV. Domestic TV for three hours falls on a line with American TV, and then the superiority of the latter class seems not only overwhelming, but humiliating for the first (for the first).
1. Best Film - "King said!»
2. Best Director - David Fincher (I insist, although Hooper's chances of serious - this position Fires a doublet with «best film»)
3. Best Original Screenplay - David Saydler ("King said!»)
4. Best Adapted Screenplay - Aaron Sorkin ("Social Networking»)
5. Best Actor - Colin Firth ("King said!»)
6. Best Actress - Natalie Portman ("The Black Swan»)
7. Best Actor Actor - Christian Bale ("Soldier»)
8. Best Actress - Melissa Leo ("Soldier»)
9. Best foreign language film - "Beautiful", dir. Alejandro González Iñárritu
10. Best Cinematography - Roger Deakins ("iron grip»)
11. Best Editing - Kirk Baxter, Angus Wall (Social Network)
12. Best Actor - Robert Stromberg, Karen O'Hara ("Alice in Wonderland»)
13. Best Art Costume - Jenny Beavan ("King says! »)
14. Best Makeup - Rick Baker, Dave Elsey ("The Wolf Man»)
15. Best Music - Trent Reznor ("Social Networking»)
16. Best Original Song - Randy Newman ("Toy Story 3»)
17. Best Special Effects - "The Beginning»
18. Best Sound - "Home»
19. Best editing of sound effects - "Home»
20. Best feature Cartoon - "Toy Story 3", dir. Lee Ankrich
21. Best full-length nonfiction film - "internal affair", dir. Charles Ferguson
Monday, February 28, 2011
Saturday, February 26, 2011
What Happened To Russian Bare.com
Oscar 2011. Forecast winners
As in the past year, affair promises to be just between the two films that characterize the two worlds: inflated conservative movies ( «Hurt Locker» ) and violent entertainment with the promise ( «Thread» ). But unlike last year's scenario, in which I was slightly on the "Avatar", the two current leaders, reflecting the struggle dusty respectability ( «King said!» ) and the upcoming youth ( «Social Networking» ) my equally cute, nothing more. Most likely, I wished would win David Fincher, one of the most prominent American film directors last 20 years. In the quest for identity, narrative and image Fincher reached a skill that place in the pantheon of the classics he provided regardless of the buildup of the National Academy. However, this time to beat the King. " Next - 21 position.
1. Best Film - "King said!»
2. Best Director - David Fincher (I insist, although Hooper's chances of serious - this position Fires doublet with the «best film»)
3. Best Original Screenplay - David Saydler ("King said!»)
4. Best Adapted Screenplay - Aaron Sorkin ("Social Network")
5. Best Actor - Colin Firth ("King said!»)
6. Best Actress - Natalie Portman ("The Black Swan»)
7. Best Supporting Actor - Christian Bale ("Soldier»)
8. Best Actress - Melissa Leo ("Soldier»)
9. Best foreign language film - "Beautiful", dir. Alejandro González Iñárritu
10. Best Operator - Roger Deakins ("iron grip»)
11. Best Editing - Kirk Baxter, Angus Wall ("Social Networking»)
12. Best Actor - Robert Stromberg Karen O'Hara ("Alice in Wonderland»)
13. Best Art Costume - Jenny Beavan ("King said!»)
14. Best Makeup - Rick Baker, Dave Elsey ("Wolf Man")
15. Best Music - Trent Reznor ("Social Networking»)
16. Best Original Song - Randy Newman ("Toy Story 3»)
17. Best Special Effects - "The Beginning»
18. Best Sound - "Start"
19. Best editing of sound effects - "Home»
20. Best animated feature - "Toy Story 3", dir. Lee Ankrich
21. Best full-length nonfiction Film - "internal affair", dir. Charles Ferguson
Total: "King says!" - At least 4
«Social Network - about 4
« Start "- 3
« Fighter "- no more than 2
« Toy Story 3 "- no more than 2.
date of the ceremony
28.02.2011, 05.00 MSK
Links:
Oscar 2009: forecast and result
Oscar 2010: forecast and result
As in the past year, affair promises to be just between the two films that characterize the two worlds: inflated conservative movies ( «Hurt Locker» ) and violent entertainment with the promise ( «Thread» ). But unlike last year's scenario, in which I was slightly on the "Avatar", the two current leaders, reflecting the struggle dusty respectability ( «King said!» ) and the upcoming youth ( «Social Networking» ) my equally cute, nothing more. Most likely, I wished would win David Fincher, one of the most prominent American film directors last 20 years. In the quest for identity, narrative and image Fincher reached a skill that place in the pantheon of the classics he provided regardless of the buildup of the National Academy. However, this time to beat the King. " Next - 21 position.
1. Best Film - "King said!»
2. Best Director - David Fincher (I insist, although Hooper's chances of serious - this position Fires doublet with the «best film»)
3. Best Original Screenplay - David Saydler ("King said!»)
4. Best Adapted Screenplay - Aaron Sorkin ("Social Network")
5. Best Actor - Colin Firth ("King said!»)
6. Best Actress - Natalie Portman ("The Black Swan»)
7. Best Supporting Actor - Christian Bale ("Soldier»)
8. Best Actress - Melissa Leo ("Soldier»)
9. Best foreign language film - "Beautiful", dir. Alejandro González Iñárritu
10. Best Operator - Roger Deakins ("iron grip»)
11. Best Editing - Kirk Baxter, Angus Wall ("Social Networking»)
12. Best Actor - Robert Stromberg Karen O'Hara ("Alice in Wonderland»)
13. Best Art Costume - Jenny Beavan ("King said!»)
14. Best Makeup - Rick Baker, Dave Elsey ("Wolf Man")
15. Best Music - Trent Reznor ("Social Networking»)
16. Best Original Song - Randy Newman ("Toy Story 3»)
17. Best Special Effects - "The Beginning»
18. Best Sound - "Start"
19. Best editing of sound effects - "Home»
20. Best animated feature - "Toy Story 3", dir. Lee Ankrich
21. Best full-length nonfiction Film - "internal affair", dir. Charles Ferguson
Total: "King says!" - At least 4
«Social Network - about 4
« Start "- 3
« Fighter "- no more than 2
« Toy Story 3 "- no more than 2.
date of the ceremony
28.02.2011, 05.00 MSK
Links:
Oscar 2009: forecast and result
Oscar 2010: forecast and result
Wednesday, February 23, 2011
Learn How To Make Our Voice Sweets
«You will meet a mysterious stranger", 2010, US-Spain-UK, dir. Woody Allen
Allen in his repertoire. The news is so encouraging to some extent bezynteresna for others, for the third the same - and no news at all. Each time you expect that age will have an effect, that the author changed the sense of proportion and taste. But Allen once again offers a master class on the rate of urban melodrama, based on the sole focus of that Hollywood star and a half hours getting rid of pesky masks and, despite the mandatory satirical carnival, come alive with human faces. In this case, Allen works like a Stakhanovite: not only many, but surely, giving a jackhammer triple norm viewers happy. It seems that the success of the pros in the last all depends on inspiration, and the influx of other ephemeral chance that the author possesses the secret of a grandfather's method, stemming from a forgotten the truth about the appeal of simple things and to make harmony with the world (even if the harmony is based on hypochondria, and the world stands on the windbreaks of incurable complexes, the bitter resentments and unfulfilled hopes). His films are okay and calm as a result of the massage therapist friend who knows all about pressure points of his clientele. Once again the master of skilfully traversed on skinny wooden muscles City Chronicle, scattering blood and for a moment removing fatigue, Returning the illusion of liberation, youth and freshness. We can say that this is only a mechanical effect on the fabric, which comes with experience and practice, as well as possible is a unique case where a person is in place, not on someone else. One might say that Allen has a gift kinokommertsii, cleverly built up a Lifetime franchise, in which the author can freely grow old and endlessly grumble; formula allenovskogo series guarantees Neskuchne pastime. Can be drilled current film, which, as it has long proved a mirror directing introspection, and discover that Allen - the jackal, hiding as a fortune-teller, whose shameless exhortations made in the title of the movie. Sharlatanka durit head person of retirement age - about the future encounter with the mysterious stranger, the arrival of new love, miracles, reincarnation and a happy ending - allowing you to ruin oneself by drink pensioner thrown by her husband, to escape from personal problems napridumannyh in the world cares. The same can be said about Woody Allen, the genius of cinematic illusion, ironically, hinting at the equality of effects achieved by means of pseudo-medicine and healing that lies, which gives a good movie.
After this conclusion somehow do not want to call Allen a deceiver. Besides, his muddled old woman was the only character in the film who really broke some lucky end.
Allen in his repertoire. The news is so encouraging to some extent bezynteresna for others, for the third the same - and no news at all. Each time you expect that age will have an effect, that the author changed the sense of proportion and taste. But Allen once again offers a master class on the rate of urban melodrama, based on the sole focus of that Hollywood star and a half hours getting rid of pesky masks and, despite the mandatory satirical carnival, come alive with human faces. In this case, Allen works like a Stakhanovite: not only many, but surely, giving a jackhammer triple norm viewers happy. It seems that the success of the pros in the last all depends on inspiration, and the influx of other ephemeral chance that the author possesses the secret of a grandfather's method, stemming from a forgotten the truth about the appeal of simple things and to make harmony with the world (even if the harmony is based on hypochondria, and the world stands on the windbreaks of incurable complexes, the bitter resentments and unfulfilled hopes). His films are okay and calm as a result of the massage therapist friend who knows all about pressure points of his clientele. Once again the master of skilfully traversed on skinny wooden muscles City Chronicle, scattering blood and for a moment removing fatigue, Returning the illusion of liberation, youth and freshness. We can say that this is only a mechanical effect on the fabric, which comes with experience and practice, as well as possible is a unique case where a person is in place, not on someone else. One might say that Allen has a gift kinokommertsii, cleverly built up a Lifetime franchise, in which the author can freely grow old and endlessly grumble; formula allenovskogo series guarantees Neskuchne pastime. Can be drilled current film, which, as it has long proved a mirror directing introspection, and discover that Allen - the jackal, hiding as a fortune-teller, whose shameless exhortations made in the title of the movie. Sharlatanka durit head person of retirement age - about the future encounter with the mysterious stranger, the arrival of new love, miracles, reincarnation and a happy ending - allowing you to ruin oneself by drink pensioner thrown by her husband, to escape from personal problems napridumannyh in the world cares. The same can be said about Woody Allen, the genius of cinematic illusion, ironically, hinting at the equality of effects achieved by means of pseudo-medicine and healing that lies, which gives a good movie.
After this conclusion somehow do not want to call Allen a deceiver. Besides, his muddled old woman was the only character in the film who really broke some lucky end.
Monday, February 21, 2011
Boat Trailer Kits Sale
«Fighter", "Iron acumen "," King said! »
These specimens are marked with Hollywood-quality and weak pulse of copyright, which is the advantage of a healthy product, calculated on the consumption of an adult audience. All three paintings confirm sanity qualification overseas academics, made in good faith, with serious intentions for prizes in individual categories, and a demonstration of biased attention to ordeals of human destiny in its various guises. About each tape can talk to, extracting proper and necessary, we can posoperezhivat heroes who come for different reasons in conflict relations with an imperfect reality. Sympathy is, but there is no magic, binding to the reverent contemplation or hot fanaticism. From the mind of these movies will drive mankind.
These specimens are marked with Hollywood-quality and weak pulse of copyright, which is the advantage of a healthy product, calculated on the consumption of an adult audience. All three paintings confirm sanity qualification overseas academics, made in good faith, with serious intentions for prizes in individual categories, and a demonstration of biased attention to ordeals of human destiny in its various guises. About each tape can talk to, extracting proper and necessary, we can posoperezhivat heroes who come for different reasons in conflict relations with an imperfect reality. Sympathy is, but there is no magic, binding to the reverent contemplation or hot fanaticism. From the mind of these movies will drive mankind.
Wednesday, February 9, 2011
Jacksonville Cruising Spots
« Black Swan, 2010, USA, dir. Darren Aronofsky
a lesser extent claims may be addressed to the organizer of the musical part of Clint Mansell, which is based on Tchaikovsky, but, rather, tries to powder Film Symphony sweep. If you dismantle the "Black Swan" on the compound, almost every detail of (the plot, performance, display the party's message The disastrous behind the scenes of show business) leaves much to be desired. History nevrotichki, given carte blanche for the lead role in the canonical representation, and, whether for joy, or surge, pulled off the reel, its natural bends. Examples of obsession in the world cinema more What we all need, and voiced the above story can try any of the author. If it's hot horror of the transformation, we would like to be filmed von Trier, and if the ice socio-thriller about unmasking the ballet world, then - Haneke. For Aronofsky, who by the general concept that even a connoisseur, a ballet background was heavy. The concept of the movie likable and ridiculous at the same time, like Natalie Portman in pointe, which is being quite photogenic special, pretty and cute, made fun of him all balletomanes, however, deadpan professional interests me in the least. More depressing: why climb dancers, preparing for a major role in her life, accompanied by a continuous whining, and generally, anything, just are not bonded exhausting work. I can understand why: this is the key dramatic reception, which is owned by Portman, actress, and proof of what can be found in the film Amos Gitaya five years ago, where Portman seven minutes in a row I cried and blew snot on a close-up, with almost pornographic naturalism. It was believed it should break the heart of the viewer and show the top litsedeyskogo skill. True, some of the leading actors will be even worse. Vincent Cassel aggressive as always, but this time he was still an extremely one-dimensional and insipid. Mila Kunis has brought unnecessary comparison with the "strippers" Verhoeven, establishing itself as an eternal Hutoryanka that appropriate angazhirovat only in movies like "Step Up", a teenage carousel with jumps, candy and light-music.
Aronofsky seemed especially trying to turn the cliche of academic film about ballet, deliberately creating the camp, and trying to impress if not object, then approach. In a sense, the result has been achieved. "Black Swan" became a kind of mutation Jalla - genre, characterized by vulgarity presentation, reckless, and even ridiculous decisions, as well as tupiznoy singers, chosen by external criteria, an excess of repetitions and the rate on the shock episodes. However, Jalla is a significant striking quality - albeit rare, but spectacular scene. In Aronofsky any, although there is the second property of the genre. Black Swan shot specifically slovenly, while the author prescribes Jalla visual encumbrance, presumably, aesthetic Aronofsky could well surprise the decorative pretentiousness ("Pi," "Fountain"), if I want to. Stupid picture, jumping on the mega-plans, there is a rational explanation. If an actress can not do fouettes, the fouettes makes the camera so that the audience would not suspect that the swan is actually has a turkey grace. [Here was needed von Trier, who certainly would not hide behind opostylevshuyu shooting techniques, but rather would have done anything crystal clear, eg, seduced by the dramatic exposure of the real ballerina]. In some ways, the movie is anything that requires a viewer-eater: abuse, mania, sociopathy, drugs, lesbians, hysteria, masturbation, Domestic violence and the troupe, the abundance of stimulants and traumatic mutilations of different persuasion, it is understandable why there is no ballet - would add malicious tongues.
But, despite the clumsy addition of components, opus pro leblyadey queen leaves the impression , and this is important. Cinema is not obliged to compete Life should not be a tool for novice dancers or consolation to old pedagogin. The meaning of entertaining movies - just kick the impression which has always based on the strength of emotions. And more so, well, if the movie is a little common sense, which is present in just Aronofsky, that no posts worth it to go because of her mind and release his gut, even if your head was Haneke or von Trier.
a lesser extent claims may be addressed to the organizer of the musical part of Clint Mansell, which is based on Tchaikovsky, but, rather, tries to powder Film Symphony sweep. If you dismantle the "Black Swan" on the compound, almost every detail of (the plot, performance, display the party's message The disastrous behind the scenes of show business) leaves much to be desired. History nevrotichki, given carte blanche for the lead role in the canonical representation, and, whether for joy, or surge, pulled off the reel, its natural bends. Examples of obsession in the world cinema more What we all need, and voiced the above story can try any of the author. If it's hot horror of the transformation, we would like to be filmed von Trier, and if the ice socio-thriller about unmasking the ballet world, then - Haneke. For Aronofsky, who by the general concept that even a connoisseur, a ballet background was heavy. The concept of the movie likable and ridiculous at the same time, like Natalie Portman in pointe, which is being quite photogenic special, pretty and cute, made fun of him all balletomanes, however, deadpan professional interests me in the least. More depressing: why climb dancers, preparing for a major role in her life, accompanied by a continuous whining, and generally, anything, just are not bonded exhausting work. I can understand why: this is the key dramatic reception, which is owned by Portman, actress, and proof of what can be found in the film Amos Gitaya five years ago, where Portman seven minutes in a row I cried and blew snot on a close-up, with almost pornographic naturalism. It was believed it should break the heart of the viewer and show the top litsedeyskogo skill. True, some of the leading actors will be even worse. Vincent Cassel aggressive as always, but this time he was still an extremely one-dimensional and insipid. Mila Kunis has brought unnecessary comparison with the "strippers" Verhoeven, establishing itself as an eternal Hutoryanka that appropriate angazhirovat only in movies like "Step Up", a teenage carousel with jumps, candy and light-music.
Aronofsky seemed especially trying to turn the cliche of academic film about ballet, deliberately creating the camp, and trying to impress if not object, then approach. In a sense, the result has been achieved. "Black Swan" became a kind of mutation Jalla - genre, characterized by vulgarity presentation, reckless, and even ridiculous decisions, as well as tupiznoy singers, chosen by external criteria, an excess of repetitions and the rate on the shock episodes. However, Jalla is a significant striking quality - albeit rare, but spectacular scene. In Aronofsky any, although there is the second property of the genre. Black Swan shot specifically slovenly, while the author prescribes Jalla visual encumbrance, presumably, aesthetic Aronofsky could well surprise the decorative pretentiousness ("Pi," "Fountain"), if I want to. Stupid picture, jumping on the mega-plans, there is a rational explanation. If an actress can not do fouettes, the fouettes makes the camera so that the audience would not suspect that the swan is actually has a turkey grace. [Here was needed von Trier, who certainly would not hide behind opostylevshuyu shooting techniques, but rather would have done anything crystal clear, eg, seduced by the dramatic exposure of the real ballerina]. In some ways, the movie is anything that requires a viewer-eater: abuse, mania, sociopathy, drugs, lesbians, hysteria, masturbation, Domestic violence and the troupe, the abundance of stimulants and traumatic mutilations of different persuasion, it is understandable why there is no ballet - would add malicious tongues.
But, despite the clumsy addition of components, opus pro leblyadey queen leaves the impression , and this is important. Cinema is not obliged to compete Life should not be a tool for novice dancers or consolation to old pedagogin. The meaning of entertaining movies - just kick the impression which has always based on the strength of emotions. And more so, well, if the movie is a little common sense, which is present in just Aronofsky, that no posts worth it to go because of her mind and release his gut, even if your head was Haneke or von Trier.
Sunday, January 30, 2011
Intertrigo Coconut Oil
Lessons in German Cinema Museum (06/01 February 2011)
Program "German lessons"
cycle of the "Destruction of the Temple": youth under Nazism »
February 1, Tuesday
CHA, concert hall
19-30 LISS / LISSY, Konrad Wolf, 1957, 88 min
February 2, Wednesday
CHA, concert hall
19-30 MOST / DIE BRÜCKE, Bernhard Vicki, 1959, 103 min.
February 3, Thursday
CHA, concert hall
19-30 German lessons / DEUTSCHSTUNDE, Peter Bove, 1970, 118 min.
February 4, Friday
CHA, concert hall
19-30 Tin Drum / DIE BLECHTROMMEL, Volker Schlöndorff, 1979, 142 min.
February 5, Saturday
CHA, concert hall
17-00 PHOTOGRAPHY CLASS (Part 1 +2) / KLASSENPHOTO (Teil 1 +2), Eberhard Fechner, 1971,
85 min . + 100 min.
February 6, Sunday
CHA, concert hall
17-00 WITHOUT STAR SKY / STERN OHNE HIMMEL, Ottokar Runtse, 1980, 87 min.
19-30 GITLERYUNGE SALOMON / HITLERJUNGE SALOMON, Agnieszka Holland, 1989, 105 min.
Program "German lessons"
cycle of the "Destruction of the Temple": youth under Nazism »
February 1, Tuesday
CHA, concert hall
19-30 LISS / LISSY, Konrad Wolf, 1957, 88 min
February 2, Wednesday
CHA, concert hall
19-30 MOST / DIE BRÜCKE, Bernhard Vicki, 1959, 103 min.
February 3, Thursday
CHA, concert hall
19-30 German lessons / DEUTSCHSTUNDE, Peter Bove, 1970, 118 min.
February 4, Friday
CHA, concert hall
19-30 Tin Drum / DIE BLECHTROMMEL, Volker Schlöndorff, 1979, 142 min.
February 5, Saturday
CHA, concert hall
17-00 PHOTOGRAPHY CLASS (Part 1 +2) / KLASSENPHOTO (Teil 1 +2), Eberhard Fechner, 1971,
85 min . + 100 min.
February 6, Sunday
CHA, concert hall
17-00 WITHOUT STAR SKY / STERN OHNE HIMMEL, Ottokar Runtse, 1980, 87 min.
19-30 GITLERYUNGE SALOMON / HITLERJUNGE SALOMON, Agnieszka Holland, 1989, 105 min.
Friday, January 28, 2011
Tropitone Furniture For Sale
My results 2010 (3). Best films of 2008 release 2010g.g., not included in the domestic rental 2010.
Rules
Within the list of "best" covers movies:
a) were issued over the last three calendar years;
b) I saw in the 2010-th year;
c) does not come out in the domestic theatrical distribution in 2010
movie titles are presented in alphabetical order.
opinion about this or that film can be read by clicking on the appropriate link.
best films of manufacture 2008 to 2010.,
not included in the domestic theatrical distribution in 2010
«Aurora» / Aurora /, 2010, Romania, dir. Christie Puyyu
«Adrienne Pal » / Pál Adrienn /, 2010, Hungary-France-Austria-Netherlands, dir. Ágnes Kocsis
«Letters to his father Jacob» / Postia pappi Jaakobille /, 2009, Finland, dir. Klaus Hyare
«reverse» / Rewers /, 2009, Poland, Dir. Borys Lankosh
«Neighbour» / El hombre de al lado /, 2009, Argentina, dir. Mariano Cohn, Gaston Dyuprat
«My Happiness» , 2010, Germany, Ukraine, Netherlands, dir. Sergey Loznica
Links
best films of the 2007-2009g.g. Do not fall into the domestic rental 2009.
best films of 2006 release 2008g.g. Do not fall into the domestic rental 2008.
best films of 2005 release 2007g.g. Do not fall into the domestic rental 2007.
best films of 2004 release 2006g.g. Do not fall into the domestic rental 2006.
Within the list of "best" covers movies:
a) were issued over the last three calendar years;
b) I saw in the 2010-th year;
c) does not come out in the domestic theatrical distribution in 2010
movie titles are presented in alphabetical order.
opinion about this or that film can be read by clicking on the appropriate link.
not included in the domestic theatrical distribution in 2010
«Aurora» / Aurora /, 2010, Romania, dir. Christie Puyyu
«Adrienne Pal » / Pál Adrienn /, 2010, Hungary-France-Austria-Netherlands, dir. Ágnes Kocsis
«Letters to his father Jacob» / Postia pappi Jaakobille /, 2009, Finland, dir. Klaus Hyare
«reverse» / Rewers /, 2009, Poland, Dir. Borys Lankosh
«Neighbour» / El hombre de al lado /, 2009, Argentina, dir. Mariano Cohn, Gaston Dyuprat
«My Happiness» , 2010, Germany, Ukraine, Netherlands, dir. Sergey Loznica
best films of the 2007-2009g.g. Do not fall into the domestic rental 2009.
best films of 2006 release 2008g.g. Do not fall into the domestic rental 2008.
best films of 2005 release 2007g.g. Do not fall into the domestic rental 2007.
best films of 2004 release 2006g.g. Do not fall into the domestic rental 2006.
French Paint Bathroom
My results 2010 (2). Subjective rating of the domestic box office movies of 2010.
Rules
1) All movies released in the theatrical distribution list of the Russian Federation in the period 01.01 - 31.12.2010.
2) The names of bands are formed into groups in accordance with the assigned grade (6 to 0 with step 0,5).
3) Within each group of Russian-language film titles in alphabetical order.
4) In the list there is no division in the domestic and foreign films.
5) My opinion about this or that film can be read by clicking on the appropriate link.
subjective rating of films in the past in the local Cinemas in 2010.
«White Ribbon» / Das Weiße Band - Eine deutsche Kindergeschichte /, 2009, Germany-Austria-France-Italy, dir. Michael Haneke, 5 (6)
«Log into the void" / Enter the Void /, 2009, France-Germany-Italy (with Canada, Japan), dir. Gaspar Noe, 5 (6)
«City of Life and Death» / Nanjing! Nanjing! /, 2009, China-Hong Kong, dir. Lu Chuan, 5 (6)
"Lourdes» / Lourdes /, 2009, Austria-France-Germany, dir. Jessica Hausner, 5 (6)
«Oceans» / Océans /, 2009, France-Switzerland-Spain, dir. Jacques Perrin, Jacques Clusaz, 5 (6)
Poetry » / Shi /, 2010, Republic of Korea, dir. Lee Chang-Dong, 5 (6)
«Ghost» / The Ghost Writer /, 2010, France-Germany-UK, dir. Roman Polanski, 5 (6)
«Wild Herbs » / Les Herbes folles /, 2009, France / Italy, dir. Alain Resnais, 4,5 (6)
«Mother» / Madeo /, 2009, Republic of Korea, dir. Mon Jun-Ho, 4,5 (6)
«Up in the sky» / Up in the Air /, 2009, USA, dir. Jason Raytmen, 4,5 (6)
«Policeman adjective» / Politist, adjectiv /, 2009, Romania, dir. Corneliu Porumboiu, 4,5 (6)
«quitter» / Quchis dgeebi /, 2010, Georgia, dir. Levan Koguashvili, 4,5 (6)
«Tulip» / Tulpan /, 2008, Kazakhstan-Russia-Germany-Poland-Switzerland-Italy, dir. Sergei Dvortsevoy, 4,5 (6)
«Aquarium» / Fish Tank /, 2009, UK, Netherlands, Dir. Andrea Arnold, 4 (6)
«White Material» / White Material /, 2009, the France-Cameroon, dir. Claire Denis, 4 (6)
«Bobro porzhalovat» / Bienvenue chez les Ch'tis /, 2008, France, dir. Danny Bone, 4 (6)
"Lebanon» / Lebanon /, 2009, Israel-France-Germany-Lebanon, dir. Samuel Maoz, 4 (6)
«How I spent this summer» , 2010, Russia, dir. Alexei Popogrebsky, 4 (6)
«Machete / Machete /, 2010, USA, dir. Ethan Manikis, Robert Rodriguez, 4 (6)
«Melody for barrel organ» , 2008, Ukraine, dir. Kira Muratova, 4 (6)
«Serious Man» / A Serious Man /, 2009, US-UK-France Dir. Joel and Ethan Coen, 4 (6)
«Social Networking» / The Social Network /, 2010, USA, dir. David Fincher, 4 (6)
«I want to whistle - whistle» / Eu cand vreau sa fluier, fluier /, 2010, Romania, Sweden, dir. Florin Sherban, 4 (6)
«Soul Kitchen» / Soul Kitchen /, 2009, West Germany, dir. Fatih Akin, 3,5 (6)
«Giant» / Gigante /, 2009, Uruguay-Argentina-Germany-Spain, dir. Adrian Bines, 3,5 (6)
«Idiots and angels » / Idiots and Angels /, 2008, USA, dir. Bill Plympton, 3,5 (6)
«Fang» / Kynodontas /, 2009, Greece, dir. Giorgos Latimos, 3,5 (6)
«Milk sorrow» / La teta asustada /, 2009, Peru, Spain, dir. Claudia Llosa, 3,5 (6)
«Hurt Locker» / The Hurt Locker /, 2008, USA, dir. Kathryn Bigelow, 3,5 (6)
«The Dust of Time» / I skoni tou hronou /, 2008, Greece-Italy-Germany-France-Russia, dir. Theo Angelopoulos, 3,5 (6)
«North» / Nord /, 2009, Norway, dir. Rune Denstad Langlo, 3,5 (6)
«Bodyguards and assassins» / Shi yue wei cheng /, 2009, China-Hong Kong, dir. Teddy Chan, 3,5 (6)
«Retribution / Edge Of Darkness /, 2010, UK, USA, dir. Martin Campbell, 3 (6)
«The Imaginarium of Doctor» / The Imaginarium of Doctor Parnassus /, 2009, UK, Canada, France, dir. Terry Gilliam 3 (6)
«Gainsbourg. Love bully » / Gainsbourg. Vie héroïque /, 2010, France, USA, dir. Joann Sfar, 3 (6)
«Kandahar» , 2009, Russia, dir. Andrew Kavun, 3 (6)
«Class» / Klass /, 2007, Estonia, Dir. Ilmar Raag, 3 (6)
«Team,» / The A-Team /, 2010, USA, dir. Joe Carnahan, 3 (6)
«The Lovely Bones» / The Lovely Bones /, 2009, US-UK-New Zealand, dir. Peter Jackson, 3 (from 6)
«monsters» / Monsters /, 2010, UK, dir. Gareth Edwards, UK, 3 (6)
«My little girl does not want ...» / Non ma fille, tu n'iras pas danser /, 2009, France, dir. Christophe Honore, 3 (6)
«Home» / Inception /, 2010, US-UK, dir. Christopher Nolan, 3 (6)
«Unmanaged» / Unstoppable /, 2010, USA, dir. Tony Scott, 3 (6)
«Lonely Man» / A Single Man /, 2009, USA Dir. Tom Ford, 3 (6)
«Tyson» , 2008, USA, dir. James Toback, 3 (6)
«Wall Street: Money Never Sleeps» / Wall Street: Money Never Sleeps /, 2010, USA, dir. Oliver Stone, 3 (6)
«Film-socialism" / Film socialisme /, 2010, France-Switzerland, dir. Jean-Luc Godard, 3 (6)
«Prey» / Predators /, 2010, USA, dir. Nimrod Antal, 3 (6)
«Chelsea on the rocks» / Chelsea On The Rocks /, 2008, USA, dir. Abel Ferrara, 3 (from 6)
«Alien» , 2010, Russia, dir. Anton Bormatov, 3 (6)
«American» / The American /, 2010, USA, dir. Anton Corbijn, 2,5 (6)
«More than a friend» / The Switch /, 2010, USA, dir. Josh Gordon Will Speck, 2,5 (6)
«Brest Fortress» , 2010, Russia-Belarus, dir. Alexander Kott, 2,5 (6)
«Pretty good man» / En ganske snill mann /, Norway, dir. Hans Petter Moolanda, 2,5 (6)
«Lust» / Bakjwi /, 2009, Republic of Korea, dir. Park Chan wook, 2,5 (6)
«Piranha 3D» / Piranha /, 2010, USA, dir. Alexander Azha, 2,5 (6)
«Robin Hood» / Robin Hood /, 2010, US-UK Dir. Ridley Scott, 2,5 (6)
«Skyline» / Skyline /, 2010, USA, dir. Colin Strouse, Greg Strauss, 2,5 (6)
«Tetro» / Tetro /, 2009, US-Argentina-Spain-Italy, dir. Francis Ford Coppola 2.5 (out of 6)
«Slayer vnutri vary» / The Killer Inside Me /, 2010, SSHA-Sweden-UK-Canada, directed by Mother Uinterbottom, 2,5 (around 6)
«Chloe» / Chloe /, 2009, SSHA, Canada, France, directed by Atom Эgoyan, 2,5 (6)
«Girl with the Dragon Tattoo» / Män som hatar kvinnor /, 2009, Denmark-Sweden-Germany, Norway, dir. Niels Arden Oplev, 2 (6)
«Iron Man 2» / Iron Man 2 / 2009, USA, dir. Jon Favreau, 2 (6)
«Women Without Men» / Zanan-e bedun-e mardan /, 2009, Germany-Austria-France-Italy-Ukraine, Morocco, dir. Shirin Neshat, 2 (6)
«Mister Nobody» / Mr. Nobody /, 2009, Canada-Belgium-France-Germany, Dir. Jaco van Dormael, 2 (6)
«Cops in a deep reserve» / The Other Guys /, 2010, USA, dir. Adam McKay, 2 (6)
«Expendables» / The Expendables /, 2010, USA, dir. Sylvester Stallone, 2 (6)
«Burnt Sun 2: », 2010, Russia-Germany-France, dir. Nikita Mikhalkov, 2 (6)
«Centurion» / Centurion /, 2010, UK, dir. Neal Marshall, 2 (6)
«Cherie» / Chéri /, 2009, UK-France-Germany, dir. Stephen Frears, 2 (6)
«Another Sky» , 2010, Russia, dir. Dmitry Mamula, 1,5 (6)
«Stoker» , 2010, Russia, dir. Alex Balabanov, 1,5 (6)
«Oatmeal» , 2010, Russia, dir. Alex Fedorchenko, 1,5 (6)
«Room in Rome» / Habitación en Roma /, 2010, Spain, dir. Julio Medem, 1 (6)
«Mammoth» / Mammoth /, 2009, Sweden-Denmark-Germany, dir. Lucas Mudisson, 1 (6)
«Spring Fever» / Chun feng chen zui de ye wan /, 2009, China-France, dir. Lou E, 1 (6)
«Salt» / Salt /, 2010, USA, dir. Phillip Noyce 1 (6)
«Europe-Asia» , 2008, Russia, dir. Ivan Dykhovichniy, 0,5 (6)
«Marriage» , 2009, Russia, dir. Constantine Seliverstov, 0,5 (6)
Links
Subjective rating of movies that took place in the domestic Cinemas in 2009.
subjective rating of films in the past in the local Cinemas in 2008.
Subjective rating of movies that took place in the domestic Cinemas in 2007.
subjective rating of films in the past in the local Cinemas in 2006.
1) All movies released in the theatrical distribution list of the Russian Federation in the period 01.01 - 31.12.2010.
2) The names of bands are formed into groups in accordance with the assigned grade (6 to 0 with step 0,5).
3) Within each group of Russian-language film titles in alphabetical order.
4) In the list there is no division in the domestic and foreign films.
5) My opinion about this or that film can be read by clicking on the appropriate link.
«White Ribbon» / Das Weiße Band - Eine deutsche Kindergeschichte /, 2009, Germany-Austria-France-Italy, dir. Michael Haneke, 5 (6)
«Log into the void" / Enter the Void /, 2009, France-Germany-Italy (with Canada, Japan), dir. Gaspar Noe, 5 (6)
«City of Life and Death» / Nanjing! Nanjing! /, 2009, China-Hong Kong, dir. Lu Chuan, 5 (6)
"Lourdes» / Lourdes /, 2009, Austria-France-Germany, dir. Jessica Hausner, 5 (6)
«Oceans» / Océans /, 2009, France-Switzerland-Spain, dir. Jacques Perrin, Jacques Clusaz, 5 (6)
Poetry » / Shi /, 2010, Republic of Korea, dir. Lee Chang-Dong, 5 (6)
«Ghost» / The Ghost Writer /, 2010, France-Germany-UK, dir. Roman Polanski, 5 (6)
«Wild Herbs » / Les Herbes folles /, 2009, France / Italy, dir. Alain Resnais, 4,5 (6)
«Mother» / Madeo /, 2009, Republic of Korea, dir. Mon Jun-Ho, 4,5 (6)
«Up in the sky» / Up in the Air /, 2009, USA, dir. Jason Raytmen, 4,5 (6)
«Policeman adjective» / Politist, adjectiv /, 2009, Romania, dir. Corneliu Porumboiu, 4,5 (6)
«quitter» / Quchis dgeebi /, 2010, Georgia, dir. Levan Koguashvili, 4,5 (6)
«Tulip» / Tulpan /, 2008, Kazakhstan-Russia-Germany-Poland-Switzerland-Italy, dir. Sergei Dvortsevoy, 4,5 (6)
«Aquarium» / Fish Tank /, 2009, UK, Netherlands, Dir. Andrea Arnold, 4 (6)
«White Material» / White Material /, 2009, the France-Cameroon, dir. Claire Denis, 4 (6)
«Bobro porzhalovat» / Bienvenue chez les Ch'tis /, 2008, France, dir. Danny Bone, 4 (6)
"Lebanon» / Lebanon /, 2009, Israel-France-Germany-Lebanon, dir. Samuel Maoz, 4 (6)
«How I spent this summer» , 2010, Russia, dir. Alexei Popogrebsky, 4 (6)
«Machete / Machete /, 2010, USA, dir. Ethan Manikis, Robert Rodriguez, 4 (6)
«Melody for barrel organ» , 2008, Ukraine, dir. Kira Muratova, 4 (6)
«Serious Man» / A Serious Man /, 2009, US-UK-France Dir. Joel and Ethan Coen, 4 (6)
«Social Networking» / The Social Network /, 2010, USA, dir. David Fincher, 4 (6)
«I want to whistle - whistle» / Eu cand vreau sa fluier, fluier /, 2010, Romania, Sweden, dir. Florin Sherban, 4 (6)
«Soul Kitchen» / Soul Kitchen /, 2009, West Germany, dir. Fatih Akin, 3,5 (6)
«Giant» / Gigante /, 2009, Uruguay-Argentina-Germany-Spain, dir. Adrian Bines, 3,5 (6)
«Idiots and angels » / Idiots and Angels /, 2008, USA, dir. Bill Plympton, 3,5 (6)
«Fang» / Kynodontas /, 2009, Greece, dir. Giorgos Latimos, 3,5 (6)
«Milk sorrow» / La teta asustada /, 2009, Peru, Spain, dir. Claudia Llosa, 3,5 (6)
«Hurt Locker» / The Hurt Locker /, 2008, USA, dir. Kathryn Bigelow, 3,5 (6)
«The Dust of Time» / I skoni tou hronou /, 2008, Greece-Italy-Germany-France-Russia, dir. Theo Angelopoulos, 3,5 (6)
«North» / Nord /, 2009, Norway, dir. Rune Denstad Langlo, 3,5 (6)
«Bodyguards and assassins» / Shi yue wei cheng /, 2009, China-Hong Kong, dir. Teddy Chan, 3,5 (6)
«Retribution / Edge Of Darkness /, 2010, UK, USA, dir. Martin Campbell, 3 (6)
«The Imaginarium of Doctor» / The Imaginarium of Doctor Parnassus /, 2009, UK, Canada, France, dir. Terry Gilliam 3 (6)
«Gainsbourg. Love bully » / Gainsbourg. Vie héroïque /, 2010, France, USA, dir. Joann Sfar, 3 (6)
«Kandahar» , 2009, Russia, dir. Andrew Kavun, 3 (6)
«Class» / Klass /, 2007, Estonia, Dir. Ilmar Raag, 3 (6)
«Team,» / The A-Team /, 2010, USA, dir. Joe Carnahan, 3 (6)
«The Lovely Bones» / The Lovely Bones /, 2009, US-UK-New Zealand, dir. Peter Jackson, 3 (from 6)
«monsters» / Monsters /, 2010, UK, dir. Gareth Edwards, UK, 3 (6)
«My little girl does not want ...» / Non ma fille, tu n'iras pas danser /, 2009, France, dir. Christophe Honore, 3 (6)
«Home» / Inception /, 2010, US-UK, dir. Christopher Nolan, 3 (6)
«Unmanaged» / Unstoppable /, 2010, USA, dir. Tony Scott, 3 (6)
«Lonely Man» / A Single Man /, 2009, USA Dir. Tom Ford, 3 (6)
«Tyson» , 2008, USA, dir. James Toback, 3 (6)
«Wall Street: Money Never Sleeps» / Wall Street: Money Never Sleeps /, 2010, USA, dir. Oliver Stone, 3 (6)
«Film-socialism" / Film socialisme /, 2010, France-Switzerland, dir. Jean-Luc Godard, 3 (6)
«Prey» / Predators /, 2010, USA, dir. Nimrod Antal, 3 (6)
«Chelsea on the rocks» / Chelsea On The Rocks /, 2008, USA, dir. Abel Ferrara, 3 (from 6)
«Alien» , 2010, Russia, dir. Anton Bormatov, 3 (6)
«American» / The American /, 2010, USA, dir. Anton Corbijn, 2,5 (6)
«More than a friend» / The Switch /, 2010, USA, dir. Josh Gordon Will Speck, 2,5 (6)
«Brest Fortress» , 2010, Russia-Belarus, dir. Alexander Kott, 2,5 (6)
«Pretty good man» / En ganske snill mann /, Norway, dir. Hans Petter Moolanda, 2,5 (6)
«Lust» / Bakjwi /, 2009, Republic of Korea, dir. Park Chan wook, 2,5 (6)
«Piranha 3D» / Piranha /, 2010, USA, dir. Alexander Azha, 2,5 (6)
«Robin Hood» / Robin Hood /, 2010, US-UK Dir. Ridley Scott, 2,5 (6)
«Skyline» / Skyline /, 2010, USA, dir. Colin Strouse, Greg Strauss, 2,5 (6)
«Tetro» / Tetro /, 2009, US-Argentina-Spain-Italy, dir. Francis Ford Coppola 2.5 (out of 6)
«Slayer vnutri vary» / The Killer Inside Me /, 2010, SSHA-Sweden-UK-Canada, directed by Mother Uinterbottom, 2,5 (around 6)
«Chloe» / Chloe /, 2009, SSHA, Canada, France, directed by Atom Эgoyan, 2,5 (6)
«Girl with the Dragon Tattoo» / Män som hatar kvinnor /, 2009, Denmark-Sweden-Germany, Norway, dir. Niels Arden Oplev, 2 (6)
«Iron Man 2» / Iron Man 2 / 2009, USA, dir. Jon Favreau, 2 (6)
«Women Without Men» / Zanan-e bedun-e mardan /, 2009, Germany-Austria-France-Italy-Ukraine, Morocco, dir. Shirin Neshat, 2 (6)
«Mister Nobody» / Mr. Nobody /, 2009, Canada-Belgium-France-Germany, Dir. Jaco van Dormael, 2 (6)
«Cops in a deep reserve» / The Other Guys /, 2010, USA, dir. Adam McKay, 2 (6)
«Expendables» / The Expendables /, 2010, USA, dir. Sylvester Stallone, 2 (6)
«Burnt Sun 2: », 2010, Russia-Germany-France, dir. Nikita Mikhalkov, 2 (6)
«Centurion» / Centurion /, 2010, UK, dir. Neal Marshall, 2 (6)
«Cherie» / Chéri /, 2009, UK-France-Germany, dir. Stephen Frears, 2 (6)
«Another Sky» , 2010, Russia, dir. Dmitry Mamula, 1,5 (6)
«Stoker» , 2010, Russia, dir. Alex Balabanov, 1,5 (6)
«Oatmeal» , 2010, Russia, dir. Alex Fedorchenko, 1,5 (6)
«Room in Rome» / Habitación en Roma /, 2010, Spain, dir. Julio Medem, 1 (6)
«Mammoth» / Mammoth /, 2009, Sweden-Denmark-Germany, dir. Lucas Mudisson, 1 (6)
«Spring Fever» / Chun feng chen zui de ye wan /, 2009, China-France, dir. Lou E, 1 (6)
«Salt» / Salt /, 2010, USA, dir. Phillip Noyce 1 (6)
«Europe-Asia» , 2008, Russia, dir. Ivan Dykhovichniy, 0,5 (6)
«Marriage» , 2009, Russia, dir. Constantine Seliverstov, 0,5 (6)
Subjective rating of movies that took place in the domestic Cinemas in 2009.
subjective rating of films in the past in the local Cinemas in 2008.
Subjective rating of movies that took place in the domestic Cinemas in 2007.
subjective rating of films in the past in the local Cinemas in 2006.
Tuesday, January 25, 2011
Skating Pain In Arch Of Foot
oscar.go.com
site where, they say, show ceremony announcement of nominees reads like oscar go home. Once not before the ceremony .
site where, they say, show ceremony announcement of nominees reads like oscar go home. Once not before the ceremony .
Thursday, January 20, 2011
Cheats Soul Silver R4
Update
After a truly intense, full of computer problems and very little free time, finally returning to these parts!
luuuuunga I have a list of things to do, including continuing the collection of Cape Sounion, calmly I hope to do it all.
After a truly intense, full of computer problems and very little free time, finally returning to these parts!
luuuuunga I have a list of things to do, including continuing the collection of Cape Sounion, calmly I hope to do it all.
Subscribe to:
Posts (Atom)