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« Black Swan, 2010, USA, dir. Darren Aronofsky

a lesser extent claims may be addressed to the organizer of the musical part of Clint Mansell, which is based on Tchaikovsky, but, rather, tries to powder Film Symphony sweep. If you dismantle the "Black Swan" on the compound, almost every detail of (the plot, performance, display the party's message The disastrous behind the scenes of show business) leaves much to be desired. History nevrotichki, given carte blanche for the lead role in the canonical representation, and, whether for joy, or surge, pulled off the reel, its natural bends. Examples of obsession in the world cinema more What we all need, and voiced the above story can try any of the author. If it's hot horror of the transformation, we would like to be filmed von Trier, and if the ice socio-thriller about unmasking the ballet world, then - Haneke. For Aronofsky, who by the general concept that even a connoisseur, a ballet background was heavy. The concept of the movie likable and ridiculous at the same time, like Natalie Portman in pointe, which is being quite photogenic special, pretty and cute, made fun of him all balletomanes, however, deadpan professional interests me in the least. More depressing: why climb dancers, preparing for a major role in her life, accompanied by a continuous whining, and generally, anything, just are not bonded exhausting work. I can understand why: this is the key dramatic reception, which is owned by Portman, actress, and proof of what can be found in the film Amos Gitaya five years ago, where Portman seven minutes in a row I cried and blew snot on a close-up, with almost pornographic naturalism. It was believed it should break the heart of the viewer and show the top litsedeyskogo skill. True, some of the leading actors will be even worse. Vincent Cassel aggressive as always, but this time he was still an extremely one-dimensional and insipid. Mila Kunis has brought unnecessary comparison with the "strippers" Verhoeven, establishing itself as an eternal Hutoryanka that appropriate angazhirovat only in movies like "Step Up", a teenage carousel with jumps, candy and light-music.

Aronofsky seemed especially trying to turn the cliche of academic film about ballet, deliberately creating the camp, and trying to impress if not object, then approach. In a sense, the result has been achieved. "Black Swan" became a kind of mutation Jalla - genre, characterized by vulgarity presentation, reckless, and even ridiculous decisions, as well as tupiznoy singers, chosen by external criteria, an excess of repetitions and the rate on the shock episodes. However, Jalla is a significant striking quality - albeit rare, but spectacular scene. In Aronofsky any, although there is the second property of the genre. Black Swan shot specifically slovenly, while the author prescribes Jalla visual encumbrance, presumably, aesthetic Aronofsky could well surprise the decorative pretentiousness ("Pi," "Fountain"), if I want to. Stupid picture, jumping on the mega-plans, there is a rational explanation. If an actress can not do fouettes, the fouettes makes the camera so that the audience would not suspect that the swan is actually has a turkey grace. [Here was needed von Trier, who certainly would not hide behind opostylevshuyu shooting techniques, but rather would have done anything crystal clear, eg, seduced by the dramatic exposure of the real ballerina]. In some ways, the movie is anything that requires a viewer-eater: abuse, mania, sociopathy, drugs, lesbians, hysteria, masturbation, Domestic violence and the troupe, the abundance of stimulants and traumatic mutilations of different persuasion, it is understandable why there is no ballet - would add malicious tongues.

But, despite the clumsy addition of components, opus pro leblyadey queen leaves the impression , and this is important. Cinema is not obliged to compete Life should not be a tool for novice dancers or consolation to old pedagogin. The meaning of entertaining movies - just kick the impression which has always based on the strength of emotions. And more so, well, if the movie is a little common sense, which is present in just Aronofsky, that no posts worth it to go because of her mind and release his gut, even if your head was Haneke or von Trier.