a time that the Brazilian music scene appears to be unstable and without direction, who survives of the MPB that rose in the last forty years, without purporting to be creative and consistent work, as the market watches the collapse of the majors, overtaken by the phenomenon of the digital age, limited by the lack of quality that the public had over the last twenty years, transforming the country people in cheesy romantic woes of poor, the african roots music and its Axés movements in the buttocks and hips vulgar swarming, thus aiming at the easy money and instant success, behold appear sincere work, made to a closed market, which refuses to embrace the poor, but who pays the price for not getting sponsorships, condemned to ostracism good productions, without reaching a large audience, being restricted closed circuit, without being able to form a vanguard to give a breath on the obvious. From time to time, one finds a Maria Gadu the bars of life, and you realize that in the absence of a stagnant MPB at the heart of his genius time, there are talents that remain unaffected by corrosion of poor quality and the decline of one of the most popular musical genres in the world.
is in this context appears to me that troubled Ricardo Machado, carioca singer, who owns a consistent voice of metallic timbre that when faced with challenge his treble, turns the word into the tune of an aesthetic form wonderful, tasteful reached summits that bring us pure delight to listen to good music Popular Brasileira.
With two independent albums, "Run and Look Heaven" and " Ricardo Machado," the singer offers a clear and sensitive work honestly, without at any time , or flee the proposed projects will fall into the pretentious. Ricardo Machado propose to sing MPB, showing that the songs do not have time interpreters and definite, and that in an infinite collection, rediscovering success wearing a beautiful voice, it is new and unique, almost smell unpublished.
this article, the first album by Ricardo Machado to be presented to us, giving those who take the risk, a pleasant surprise in the art of singing, with no trace of the commitment to market requirements . Simple, sincere, a thin, limpid beauty, the work of Ricardo Machado is an invitation to taste the pleasure of listening to Brazilian popular music.
open up the Tracks in Soft Romanticism
Ricardo Machado, Rio de Janeiro that is divided between singing and profession dentistry, brings with him the roots of opera singer, who was seduced by the popular music, marking this feature in the softening of her singing. Coming from Coral Gama Filho University, has always been a passion for Brazilian music, especially by Gal Costa, an influence that extends the interpretation, in stark melodic lyricism, moving away from the latency passionate. debut album, here renamed "Run and Look Heaven," brings a concise repertoire, with gentle songs, made by several authors, which are interconnected into a whole, where the melody and poetry are inseparable. Even lyrics and melody himself, never one to excel the other, the starting point for the personal style of Ricardo Machado. Few like him pronounce all the syllables of the song, diluting the melody clearly without scratching the delicate music, making the happiness of any songwriter, often overshadowed by the music, illuminating the poetry there is the compositions of the MPB.
" Song Morning Merry "(Haroldo Barbosa - Luiz Reis), opens the album. Song that celebrates love, which gets soft after the storms, which comes as a radiant light in a quiet heart. Ricardo Machado know the exact dose the lyricism of the song, opting for a lyrical intimacy, threatening for a few moments, embark on metal beauty of her voice, holding up the explosion Esté ; practice that can and want
reach, but without losing the delicacy of the moment. The voice opens up for the thrill. "I opened the window and this
sun was suddenly in my life so cold and
have no desire
These celebrations
This emotion
Bright morning light so much blue
So much for my heart "
" All Blue Sea "(Ronaldo Bastos - Flávio Venturini) comes as a blow, extending the range proposed in the first, transforming the poetry in tune, without it the corner of Ricardo Machado makes no sense. The flowery are peppered as mitigating the lyrical invitation.
"When I found myself not even tried to get away
From mistletoe arrested me
Inside your eyes"
Tears Visceral
love soft tracks sung in the first gives way to existentialism, pulsating to the surface of " Response Time (Aldir Blanc - Cristóvão Bastos). Powerful song, which borders on the precipice of the senses, a lacerating dialogue between time and a survivor of the great passions. Seemingly simple, the song requires that breath to climb the stairs of the dialogue, where words are broader than the melody, which often proves to be trapped inside the big sentences. Nana Caymmi crossed with passionate song. Ricardo Machado dialogue softens, becomes closer in their mazes with mastery and out of alleys that you open, keeping the breath of words, contrary to the interpretation of Nana, who at times seems to lose. The vein of passion that exacerbated the song goes far suggests that the softness aesthetic Ricardo Machado insists on changing what he sings. As a disciple of Gal Costa, prefers to turn the tragic into bearable pain in solitary beauty, despair, playfulness in the melody in word synchronized, interconnected in a poem sung. "I answer that it imprisons, I release
That he falls asleep passions, I awake
And time is gnawing jealous of me watching me wanting to learn
As I die of love to try to revive"
If until now the singer showed behaved seductively academic in
fourth track, "Call Me Floor" (Paulinho Moska - Fernando Zarif - White Melo), it deletes everything and loose all the verve hidden, without shame to risk the metal voice at times that treble expand the phrases most compelling music in a delightful malice. So visceral, daring, he strips the song, ripping his message, making it delightfully raw, confusing to listen more prudish and sweeping those who know the various paths that lead to love in its raw form, in essence as early as the very terse sentiment. One of the best moments on the album. And also a bit where he reveals the potential of voice that can keep Ricardo Machado as well as a sudden surprise in an enclosure. "I'm Bate Bate
your door I'm your steak
Bate I'm your man I am your dog
(...) (...)
floor Call me call me Come
I am your butt
Spit, I am your plate "
The Lyricism of Authors Clube da Esquina
" Rising" (Flávio Venturini - Murilo Antunes) restores softness, coming softly, softly. If the mermaids singing brings a hypnotic and fatal blow newts the melody on a cliff that if we throw the rocks of feelings. Ricardo Machado, in its domesticated intimacy, becomes the newt at sea, singing and lonely! "Lightens The morning sun will hide
Burning to clear star
Pearl
reflecting sky Your eyes "
" Crossing "(Milton Nascimento - Fernando Brant), the most definitive song by Milton Nascimento , has the most diverse voices of MPB, wearing since the claustrophobic density of Elis Regina interpretation in epic style of the author. It was so exploited that for a long time became uneventful. Ricardo Machado will in turn her into something obvious, achieving give a unique identity, which he stresses the intuiçãoeo style. It goes through all the pain of stinging cançãoe, when the flowering of melody raises her voice in the verse "let go my tears" and expected the climax of "I want to kill me & rdquo ;, it breaks the tone, bringing it down suddenly, causing the listener to draw a picture in mind will fall into a precipice. Remarkable effect, showing how the singer passionately resists erected by opting for poetic lyricism.
"Loose the voice on the roads, no longer want to stop
My path is stone, how can I dream Dream
made of breeze, the wind comes complete
I'll close my tears, I want to kill me "
From Paulinho da Viola Cartola the
Leaving the world of the miners Clube da Esquina, Ricardo Machado dives into the soft samba by Paulinho da Viola. " Leviano Heart" (Paulinho da Viola), is interpreted concisely while preserving the delicacy of beauty that requires the singer. Quietly, mumbles some acute, not retreating to deconstruct the original proposal. Inserts in the end, a tear of meteoric " Folly" (Vinicius de Moraes - Antonio Carlos Jobim), a finish between the samba and Bossa Nova in Rio. "Oh your heart has been waiting for a mistake and
From a heart that will never be frivolous
Nobody"
" Run and Look Cé u "(Cartola - Dalmo Casteli), the proposal expands the album. The voice shows hot, passing opportunities, risking serious, conceiving a romantic playfulness, as expressed in the melodic syllables in the perception of authorial sensibility. The song lined the entire proposal of the album, sealing the various universes of different authors presented by Ricardo Machado. It is time that identifies with the singer precisãoo intimacy and expansion of its sensitivity, sophistication in the choice of repertoire and his genuine passion for MPB.
"Linda! As has
The sad is absent
There was joy
Run and watch the sky
The sun brings
Morning "
Ricardo Machado shows you safe and comfortable in the universe Cartola. Follow the trail of the master with the track "It happens " (Cartola). Once again flow leaves the metallic timbre, which emerges almost suffocated within the academic intimacy that remains consistent, never hurt the beauty exposed and subtend that lurks in the heart most sublime. Despite more than two tracks, it's as if he fired her here, ending the delicate and sophisticated repertoire, which moved smoothly and with full surround field.
"Forget about our love, see forgets
Because everything in life happens
And I happen to love no longer know
'll cry, you will suffer, and you do not deserve it But
happens "
The tenth track is perhaps the greatest misconception
album. " Morning Song Happy "(Haroldo Barbosa - Luiz Reis), back in a duet with Marcia Coelho, who despite the beauty of voice, seems lower when Ricardo Machado enters, reinforcing the lyrical tone that permeated the first track, making this summit a short time alone. A third voice (Eduardo Coelho), joins the two in a nice closure, but it adds nothing to the sophistication and beauty of the repertoire of interpretations of a large solitary voice. And the final climax comes with " Bachianas Brasileiras No. 5 " (Heitor Villa Lobos), where Ricardo Machado emphasizes the roots of opera singer. The boldness of the proposal does not make the album pretentious, it prints the stamp of good taste, says all the sophistication that has remained from first to last track. Closes a unique work of a singer who with the courage to enter the world of MPB, gives the repertoire chosen its own identity, stripped him of any stigma that it requires a repertoire made of new material.
Far from showing " crooner," Ricardo Machado reveals himself as a singer rooted in personality, pleasant timbre and multiple possibilities. The album is academic, for being the first one in which the singer wants and needs it right. But within this scholarship, there is a rare beauty, a promise of a great voice, one wanting more to listeners.
Credits:
Ricardo Machado - Run and Heaven Look Independent Production Production Coordenaçãoe Directory Selection: Ricardo Machado
Technical Studio: Ricardo Calafate
Technicians Mixing and Mastering: Laurel and Claudio Junior Vanderlan
Arrangements: Junior Vanderlan
Cover Design: Ricardo Machado
Photos: Jorshey Stúdio
Art Final: Claudio Blond
Recorded at Studio
Plant Mixed and mastered at Studio Groove
Ricardo Machado Special Thanks: To my family, Claudio Louro, Vanderlan Junior, Ricardo Calafate, Capistrano Mauritius, Mauritius Rizzo, Marcia Cole, Dudu and everyone who supported this work
Musicians Participants:
Electro-Acoustic Guitar
: Ricardo Caulk (Loved "Song Happy Morning "," All Blue Sea "," Response Time "," Call Me Ground "and" Spring ") and Maurice Rizzo (Range" turns ")
Acoustic Guitar: Maurice Capistrano (Loved "Crossing," "Heart Leviano", "Run and Look at the Sky" and "Bachianas Brasileiras No. 5")
Keyboards and Drums programming: Junior Vanderlan
Vocals: Ricardo Machado
Special Appearances: Marcia Cole (vocals, vocal on "Song of
Happy Morning") and Eduardo Carvalho - Dudu (vocals on "Cancer ; will Happy Morning ") Tracks:
a Happy Morning Song (Haroldo Barbosa - Luiz Reis), 2 All Blue Sea (Ronaldo Bastos - Flávio Venturini), 3 Response Time (Aldir Blanc - Christopher Bastos), 4th Floor Call Me (Paulinho Moska - Fernando Zarif - White Melo), 5 East (Flávio Venturini - Murilo Antunes), 6 Crossing (Milton Nascimento - Fernando Brant), 7 hea will Leviano (Paulinho da Viola) 8 Run and Look at the Sky (Cartola - Dalmo Casteli), 9 turns (Cartola) 10 Morning Song Feliz (Haroldo Barbosa - Luiz Reis) Special Participation Marcia Cole, 11 Bachianas Brasileiras No. 5 (Heitor Villa Lobos)
LISTEN ALBUM (Track to Track):
http://jeocaz.multiply.com/music/item/151/151
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