Friday, September 25, 2009

Why Doesmy Oovoo Sidebar Only Work

AMNESTY - THE RETURN OF EXILED


With the end of the Institutional Act No. 5 (AI-5), which expired in January 1979, was open the way for it to enact a law to bring amnesty to prisoners, exiles and processed by the so called politically motivated crimes.
The fight for amnesty in Brazil had become intense, beyond the left parties illegal, reaching, since 1975, concrete and important sectors of Brazilian society. If women in 1964, the church and entrepreneurs have joined in demonstrations to receive military coup, the political landscape had changed the face of brutality of the dictatorship established in the country, no longer believed in the lie that was told about a possible Communist revolution. Mothers, wives, children and friends of political prisoners, along with students, politicians, journalists and stronger popular subscriptions, have banded together and formed committees to fight for amnesty, the broad and unrestricted Brazilian exiles all that sad and dark period of military dictatorship.
Pressured by the movements for the amnesty, the government sent in July 1979, a bill to Congress, which provided for the forgiveness of crimes politicians. The government's proposal, which excluded those convicted of terrorism and favored the military and the authorities responsible for acts of torture, had been rejected earlier by the opposition party Democratic Movement Brasileiro (MDB), which required a broad amnesty and blatant.
Even in the face of limited protests and eager to Brazilian society, by 206 votes to 201, was approved Law 6683, enacted on August 28, 1979, by the last military dictatorship of President, Joao Figueiredo. The amnesty law has benefited 4,650 people, causing them to return country to the politicians who in 1964 were taken as the greatest enemies of the military regime: the former governors and Miguel Arraes Brizola. Some time later, the Brazilian airports have been taken by returning one by one, the so-called stateless, one day, to fight against the military dictatorship, left by the back door of Brazil's history. The apotheosis was back in party mood, with wide press coverage. It was the biggest win against the repressive government installed since 1964.
Three decades after enactment of the law in 2009, Antonio Geraldo da Costa, Neguinho, a former marine and militant leftist organizations, was the last political exile to return to Brazil, ending forever the cycle.
The amnesty law promulgated since it had withdrawn some of its articles, and is still controversial, since it left the butchers exempted from the punishment of the holds of the dictatorship that tortured and killed hundreds of people. Even before the protests, was undoubtedly the biggest step to the back of the opposing leaders and historical and bury it for once, the military dictatorship, ends in 1985.

Women to Fight for Home Give Amnesty

After massive march through the streets of Rio de Janeiro, which received the insurgent troops commanded by General coup Olympio Moura the Son, and the overthrow of President Joao Goulart consolidated; began immediately, persecution, expulsion, torture and purges, which hit civilians and military contrary rivers to the coup.
In the first phase of the dictatorship, pre-AI-5, torture, although more discrete, only lost to the forfeitures. After December 1968, promulgated the AI-5, he withdrew the habeas corpus for political prisoners, and as a consequence of the institutionalization of torture banalizaçãoea . Repressive laws such as the National Security Act, or the death penalty for so-called terrorists were implemented. The leftists have lost their civil rights, going into hiding.
In immediate response to the government's repressive measures military, left the established urban guerrillas and kidnapping foreign diplomats in Brazil. Several political prisoners were exchanged for the hostages. In exchange, they were put on planes and sent to any country that would deign to receive them. Once out of Brazil, these political prisoners lost the right to citizenship, becoming stateless. Since then, began, tentatively, that a struggle for amnesty for the imprisoned and persecuted the scheme.
The fight for amnesty not only meant the pursuit of regaining redemocratizaçãoea political rights, but also the return of citizenship to illegal immigrants and stateless persons, and to end torture in the dungeons.
Officially, the fight broke her amnesty of Brazilian women. In 1975, the Organization of United Nations (UN) said that the International Year of Women. In commemoration of the event, Therezinha Godoy Zerbini, a respected lawyer, wife of General Euryale Zerbini, impeached in 1964 for giving its support to the government of John Goulart, founded in São Paulo, Male by Amnesty Movement (FMAP), who became a voice of civil society in the fight against the repressive measures of the system in favor of the order of exception acts against prisoners and political exiles.
Interestingly, the movement started from a traditional military family, confirming that not all of that sector of Brazilian society were in favor of dictatorship established in 1964. Therezinha Godoy Zerbini was always guarded by the police's repressive regime. Was arrested on charges of having procured the loan of the site Ibiúna, where he gave the famous and fateful conference of the National Union of Students (UNE) in 1968. Along with eight other women, the lawyer drafted a manifesto in favor of amnesty, reading it in Mexico City during a UN conference, in commemoration of International Women's Year.

hatch Movements By Amnesty

naçãoa calling on all to fight for amnesty, the women's movement spread to many sectors of society, bringing them to the accessions of Bar Association of Brazil (OAB), the Brazilian Press Association (ABI), the Catholic Church and the Brazilian Center for Analysis and Planning, among others. In 1976, the Brazilian Society for the Advancement of Science, was the applause when three thousand people in the meeting, passed a motion calling for amnesty. In 1978, he founded the city of Rio de Janeiro, the Brazilian Committee for Amnesty, based in ABI. Brazil has adhered, from north to south, to that movement. The struggle reached
also sectors led by politicians who were part of support government, as Senator Teotonio Vilela. When you visit the 84 political prisoners on hunger strike throughout Brazil, the senator came into contact with the sad reality of torture in the country, showing the terror that fell upon those prisoners. Moved, Teotonio Vilela knelt in front of torture victims and apologized for not having seen before such barbarity. The senator would become a strong advocate of democratization in Brazil. In the struggle for amnesty, he went out at rallies across the country, releasing a dove as a symbol of hope. Your gesture will be repeated at the rallies of the Direct Elections Now movement in 1984. Teotonio Vilela go down in history with the nickname of "Minstrel of Alagoas. Seeing
touch so many movements, the government decided to send himself a draft amnesty for Congress to avoid that extended to its greatest enemies, called terrorists, and to safeguard the military and civilian personnel directly involved with Torture in Brazil, avoiding suffering punishment or retaliation in the future.
Thus, the then minister justice, Petronio Portella, drafted the bill in July 1979, sending it to a vote in Congress in August. The final text would be announced in a televised ceremony.
Backstage, opposition to military regime condemned the project and the constraints that brought. From July 22 to August 22, 1979, was held a hunger strike in Brazil for political prisoners, contrary to the law of amnesty project drafted by Petronio Portella. Movements that erupted across the country, the slogans were: " Amnesty Broad, General and Unrestricted .

Enacted Law

Specifically, the project benefited the prisoners who fell in the punishment provided by the National Security Law. From April 1964 to July 1979, 2,429 people had been convicted of that law. They were divided into two groups for the purpose of amnesty:
The first group, comprising 1,729 people, was punished for the crimes of the politicians themselves, they being the clandestine militants who had not been involved in terrorism. Thus, the law benefited immediately, the leader Communist history Prestes, former student leaders such as Vladimir Palmeira, the political leader and former governor of Rio Grande do Sul, Leonel Brizola, the sociologist Herbert de Souza, sister ; of the Henfil, that would be immortalized by the song "Drunk and The Wire ," John Bosco and Aldir Blanc, and several others.
The second group, composed of 700 condemned inmates gathered for bank robbery and acts of terrorism. Facing criticism, Petronio Portella declare that in future, some of them could receive a pardon.
Finally, on August 22, 1979, the bill went to vote in Congress. That day, in Brasilia, three thousand people took to the streets in a rally to demand a general amnesty and unconditional. In the plenary session of Congress, no empty space left by the crowd that filled him. In the galleries, listen to the popular, which resoundingly booed every speech made by the representatives of the National Renewal Alliance (ARENA), the repressive government party. After a tight vote, was approved by 206 votes to 201, an amnesty for politically motivated crimes committed in Brazil.
On August 28, 1979, the military president, Gen. Joao Batista Figueiredo, sanctioned the Law No. 6683, drafted by the government of the dictatorship, which would be known as the Amnesty Law. It was called the forgiveness that the repressive government, winner in 1964, gave his vanquished foes and future winners of democratization in 1985. They were pardoned all citizens punished since April 9, 1964, edition date of the Institutional Act No. 1 (AI-1). Students, intellectuals, teachers, scientists, former military, especially low rank, many deprived of their office, received the benefit of the new law.
But the Law of the amnesty would bring its restrictions. The reuse of public servants and military amnesty, was subject to the decision of special committees created by the respective ministries to examine each case. Gone are classified by the convicted persons " violent crimes or terrorist acts committed by those who resorted to groups armed struggle. Those who committed violent crimes against the left, the military torturers and murderers, have all benefited.
The amnesty law has reached and benefited 4,650 people. He freed political prisoners who were confined in jail in Brazil, benefited deprived of their jobs and duties, which allowed the return of exiles. On November 1, 1979, started arriving at airports, the first political exiles. Miguel Arraes, Herbert de Souza, Brizola, Fernando Gabeira ... Everyone who came was received applause and smiles from under the registration of the national press.
In 1985, Romero Theodomiro dos Santos, a former militant of the Revolutionary Communist Party of Brazil (PCBR), the only political prisoner who had been sentenced to death for killing a sergeant of the Air Force in 1970, was the last political exile to be granted amnesty, pardon the democratization of the country. But curiously, the last political exile to return to Brazil in 2009, thirty years after the promulgation of the Amnesty Law, was the former sailor and militant urban guerrillas, Antonio Geraldo da Costa, Neguinho, aged 75. He had lived until then in exile in Sweden, with a false identity. He did not return earlier because he did not believe that the amnesty was true.
Bringing Brazilians 'stateless' back, the opponents of the regime to release prisoners, ended a period of pain and shame in the history of Brazil. The amnesty tortured, thanked the Amnesty Law, despite challenge it at various points the pardoned torturers never made an apology to the nation, arrogantly continue to urge that complied with the patriotic duty, protecting the nation. Nation that they protected? The minority elite that represented?

Thursday, September 24, 2009

White Stuff By Clitoris

VINCENT SESSION - THE INVENTOR OF THE STYLE OF SEVEN NOVELAS


Vicente Sesso is one of the most important names in Brazilian television drama, which is often overlooked by those who tell the story of television. As Janet Clair and Ivan Ribeiro, Vicente Sesso was the one responsible for modernization soap operas, taking them into the current format.
The author was responsible for the ultimate success of the defunct TV Excelsior, "Blood of My Blood " in 1969. His move to TV Globo, in 1970, was with the novel "70 Pygmalion," the first production of the station in Rio for 19.00 hours with colloquial language, without the resque ; turnover of period melodramas. With this novel, Vicente Sesso inaugurated the style comedy-with-sugar water that prevails at the time until today.
The few novels that the author wrote became big hits, scoring a season. His text is intelligent, gentle and always flanked by a sophisticated humor. A stellar cast is another essential feature in his work, always taking the biggest names in theater and television in its weaving of the season. It was a novel by Vicente Sesso, "My Sweet Girlfriend" (1971), that Regina Duarte was hailed a "sweetheart Brazil." His characters excel by charisma identification with the general public, since the author writes is a transcription of daily life, he created scenes from what he saw around him. Unfortunately
Vicente Sesso traded Brazilian television stations for Latin, writing hits for the public of Argentina, Peru, Chile, Spain and Colombia, among many. Hyped by the great ladies of Brazilian theater, like Fernanda Montenegro and Tonia Carrero, is one of the most respected writers of this generation. In 2009, the SBT has bought the copyrights of three novels of Vicente Sesso for upgrading, among them "A Rose With Love" and "My Sweet Girlfriend . Rediscovering Vicente Sesso is to penetrate the deepest roots of the Brazilian telenovela genre. Even in modern times, the lightness of its simple texts did not allow age, because so comically describes the universal society itself, a reason that makes it successfully accepted at radio stations in other countries. Actor, director, playwright, novelist, adoptive father of actor and director Marcos Paulo Vicente Sesso is a staple of Brazilian television.

Vicente Sesso, Authentic Paulistano

Vicente Sesso was born in Sao Paulo on May 17, 1933. His verve paulistana never ceased to touch on the formation of personality. His father, Francisco Sesso was military, and his mother, Filomena Rotel Sesso, owner of a sophisticated home fashions and hats. The junction of the parents helped build the universe dramas of the author. Vicente Sesso even made the costumes for some of the characters in his novels. Her heroines were bringing courage and the momentum that emanated from the mother. The hard work of parents, forced to be created and educated by a German governess. The housekeeper's strict upbringing has led to five years, to read German.
A passion for theater was inherited from his father, a military focused on the performing arts. Francisco Sesso usually take their children to almost all the shows that passed through Paulicéia. The allure of the theater Sesso patriarch, had him caught friends with several actors. One of the friendships he cultivated was with Italy's Franca Bonni. The actress was riding one part to work with a company in Argentina. In the play had a role as a child, and that the actor-Mirim live, expected from Italy, did not come. Then-Vicente Sesso teen was scheduled to live the character. It was the acting debut of the one who would become a great dramatist of television, theaters in Argentina, a part of Italy. When he returned from tour, his passion for theater since he ran in his veins.
Still a teenager, won a scholarship to study in Europe. In London, England, noted the mechanisms the newest communications vehicle that had landed in Brazil, the television. He saw up close how the works were made on BBC television in London. When he returned to Brazil, learning the scenes featured on television in its infancy.

The Air As dramaturgicnovel

In Brazil, Vicente Sesso, a 18 year old, was working with an amateur theater group. Although very young, ran a competition for the position of stage director, with the function to inaugurate several neighborhood theaters in the city of São Paulo, being one of the winners. In office, he began to pick and drive parts, especially early in the profession.
The artistic life of Vincent Sesso intertwined with the history of Brazilian television. Soon he returned from London, was working in TV Tupi, at the invitation of Cassiano Gabus Mendes. Remained at that station until the departure of Grace Melo, who took him to the TV Paulista, in 1952.
On TV Paulista, now part of "Great Theatres " with groups that were transmitted to pieces Monday. His genius soon emerged in the works. He spent a say in the texts, which he considered bad. Facing criticism, Grace Mello challenged him to write a better text. Accepting the challenge, wrote a piece for Christmas, "Ramos of Boys." By delivering the text, he saw the face of disbelief Grace Melo, who doubted that he was the author. The result was immediate, Vicente Sesso won with the text, the award for best writer of the year. Born a new television drama would write his name in the history of Brazilian television.

Tickets For Major Broadcasters Primordial

still on TV Paulista, Vicente Sesso went on to write the monologues of a program directed by Graça Mello. Became responsible for the channel displayed in theaters. It was deftly creating and adapting several pieces. Perfectionism involved a lot of her theater work. Handled everything thoroughly, from makeup to lighting. Began to design clothes for the characters he created or directed, a trait that would follow in his future novels of the time. The young Vicente Sesso was seen as genial, and owned a temper and demanding. Within a year, adjusted and staged ten texts of William Shakespeare. At the time he began to question whether I wanted to pursue an acting career or a writer. Vicente Sesso
pass through the major Brazilian television stations in the 1960s, always responsible for the gender of teleteatro, where he won awards as well as best director. He returned to TV Tupi, where he began writing s series for young people, as the "Theatre of Fantasia," "The Adventures of Marco Polo," which ran for four years, and " Enchanted Garden . Always follow
Grace Melo, the author went on TV Record, where he learned the most advanced techniques of television, imported from the United States by American engineers. Later, he declare what was on TV Record has learned, in fact, working in television. Vicente Sesso
would become for a time, an independent producer, he was known for being ornery and want to do everything in their way. He served in the television department of McCann Erickson, hired as director.
His debut as a writer of soap operas would happen when he was hired by mítica e então poderosa, TV Excelsior de São Paulo.

O Último Sucesso da TV Excelsior

A TV Excelsior era conhecida pelo esmero que utilizava nas grandes produções. Suas novelas de época diferenciavam das da TV Globo pela qualidade dos textos, muitas vezes com inspiração em clássicos da literatura brasileiro. Seguindo a lógica, quando contratado pela emissora paulista, Vicente Sesso optou pela adaptação de obras de autores brasileiros, desenvolvendo trabalhos de fôlego, already in the style of the telenovela, as "O Guarani ", "Silver Mines " and "Lady ", all based on works by José de Alencar.
In 1966 he wrote and directed the weekly series "The Adventures of Eduardinho " focused on the children and youth. The episodes, presented on Saturday, blended folklore national and international levels with characters both historical and current. It had a cast member, receiving several guest stars. The show how curiosity has also launched the careers of actors Denis Carvalho and Marcos Paulo, the latter's adopted son Vicente Sesso. The actors and directors were present at the time children. The show would be on air until 1968. Originally aired and produced by TV Excelsior, then the TV Paulista / Globe, but without great success from the start.
intense work that the author had made a beginning of a heart attack at age 35. With failing health, Vicente Sesso was forced to stop the activities, away from the television for a long time.
already recovered, again in 1969 to write the plot of "Blood of My Blood " novel that would become a classic in the history of televisãoeo last big hit TV Excelsior, which was to go bankrupt soon after its completion.
" Blood of My Blood" was along the lines of the current soap operas, the first to be written by Vicente Sesso. Melodrama of the time, differed from contemporary novels Glory of Magadan on TV Globo for bringing an engaging and fascinating text, inspired not sheiks emperors or Europeans, but in Brazilian history, with the theme abolitionist who bothered the censure of the military dictatorship, forcing the station to change the broadcast schedule from 19:00 to 20:00. Besides writing the plot, Vicente Sesso created the clothes worn by the actors.
One characteristic of the author's novels is the use of a luxurious cast. " Blood of My Blood" brought big stars of theater and television, which at that time were at the peak of their careers. Francisco Cuoco, who played Lucius Rao, protagonist of the story, It stood definitely as big hunk of soap operas, and soon after, caught by TV Globo. Fernanda Montenegro was the painful Julia, thrilling Brazil. Tonia Carrero, another grande dame of the theater, made his debut in the novels, the role of Pola Renon, the actress would become a favorite author. Were still part of the constellation of stars, Henry Martins, Bruno Nicette, Rosamaria Murtinho Armando Bogus, Mauro Mendonca, Sadi Cabral, Rudolf Mayer, Nivea Maria, Edmundo Lopes, Rita nuclei, Cathedral ; rgio Britto, Aldo May, Nathalia Timberg, Cláudio CorreaI Castro, Enio Carvalho, Carminha Brandão, Nestor de Montemar, Edmundo Lopes, Antonio Pitanga, Rachel Martin, Gilmara Sanche s, Eduardo Abbas, Gladys Mary Eudoxia Acuña, Geny Prado, Silvio Abreu, among others.
In 1995, the SBT has a second version of "Blood of My Blood ," bringing Tarcisio Filho, Santos Lucélia Bia Seidl and the roles of Lúcio Rezende, Julia and Pola Renon, respectively. Although a detailed production of the station, the version not had great success of the first, and Vicente Sesso proved to be dissatisfied with it, getting to declare that his text had been mischaracterized. Completed the cast of the second version, among many, Rubens de Falco, Osmar Prado, Lucinha Lins, Othon Bastos, Denise Fraga, Suzy Rego, Guilherme Leme, Ewerton Castro, Bete Coelho, Paulo Figueiredo, Marcos Caruso, Jussara Freire Jandira Martini, Yara Lins, Edgar Franco, Jayme Periard, Delano Avelar, Vera Zimmermann, Flavia Monteiro, Jandir Ferrari, Louis William, Elisa Lucinda, Rogério Márcico, Marcos Plonka, Caca Rosset, Walter Forster and Irene Ravache. Tonia Carrero, who shone in the original version back in cameo.

Opened Style Novels of 19.00 at TV Globo

The success of "Blood of My Blood " led TV Globo to hire in 1970, Vicente Sesso as a novelist. The author had great challenges, such as writing a novel for the legendary Sergio Cardoso, and create a current story, the termination of the melodramas of the period was on time 19.00. That was "Pygmalion 70 ", Inspired in part by Bernard Shaw, with inversion of the characters. Nando (Sérgio Cardoso) is a humble marketer who works with his mother, Baroness (Wanda Kosmo) and is engaged to Candinha (Suzana Vieira). One day a small car accident causes her to cross the fate of millionaire Cristina (Tonia Carrero). Prompted by the situation, Cristina makes a bet with his father (Alvaro Aguilar), the rude man who transformed into a sophisticated gentleman to present to high society. Christina wins the bet, but falls deeply by Nando.
" 70 Pygmalion" was a big hit with the audience, marking the language style of comedy from 19.00 hours on TV Globo, which persists till today. From then on, every time the novels were written on the lines of the structure outlined by Vicente Sesso. The chemistry between Sergio Cardoso and Tonia Carrero reached the general public, who delighted with two giants of the Brazilian stage, proving to be so fascinating television. The magnetic beauty
Tonia Carrero meant that all Brazilian women to emulate her haircut, calling him a Pygmalion. Suzana Vieira marked his debut on TV Globo, where he would build a bright career.
The great villains have always been part of the plots of Vicente Sesso, without that ridiculous show, in the novel, Carlito, beautifully played by actor Giovenazzi Edney, was the antagonist and villain. The cast, chosen with precision and skill, were still, Felipe Carone, Célia Biar, Eloisa Mafalda, Mark Paul, who was a constant presence in the plots of her father, Maria Luiza Castelli, Betty Faria, Rachel Martins, Norah Fontes, Renato Master, Jacyra Silva, Jardel Mello, Carmen Silva, Ruth de Souza, Ida Gomes, Elizabeth Gasper, Adriano Reys, Herval Rossano, Iris Bruzzi, Eleonor Bruno. Among the cast, there was the unusual presence of journalist Marisa Gabaglia Raja, who was very popular in television journalism in the 1970s. The novel
signed the style of the time, reached the general public next to " Brothers Courage" by Janet Clair, transmitted simultaneously in time, the hourly 20:00 river, turned on the TV Globe, for the first time in top-rated on all other stations; launched fashion and has great success with his soundtrack. Vicente Sesso would become an icon for that time.

born the girlfriend of Brazil

after successful "70 Pygmalion," Vicente Sesso breathed for a few months, returning in 1971 with " My Sweet Girlfriend "novel that would become one of the biggest hits of the time on TV Globo, considered an icon of the genre.
The plot was inspired by various texts that the author had previously presented at other television channels, with the central core, a story that had been presented at the "Fantasy Theater & rdquo ; in the 1950s.
The novel featured as protagonists and Regina Duarte Claudio Marzo, the roles of Patricia and Renato, respectively. It was the third production of TV Globo that he used the actors as a romantic couple, partnership and accepted by the public, started in "Bridal Veil " (1969). The actors came from the cast of the soap opera "Brothers Courage," where the characters Courage Duda and Rita, were removed from the plot for the recording of the novel by Vicente Sesso. Regina Duarte, who had become pregnant during the course of "Brothers Courage," was recovered from her first birth, and shining a light sweetness to the role of orphan raised by artists shoddy, which won him immediately be calling it " girlfriend of Brazil "Affectionate title that chased the actress for nearly a decade, influencing the naming of roles that would be given for TV Globo in 1970.
"My Sweet Girlfriend " featured the most simple ingredients and fascinating style of comedy called "watered-down sugar." It began in the historic city of Ouro Preto, shown by the Republics of traditional students, where he lived Renato, and an amusement park, which housed the sweet and Patricia decided. The meeting of the couple would give about the magic of the city. The high costs of production in Ouro Preto, made the characters move to the city of Rio de Janeiro.
addition to Patricia, Brazil won the charismatic characters, like the mysterious and kindly Aunt Miquita, a seller of apples of love, masterfully played by Célia Biar. To play the character, the actress was used for a makeup that made her much older. Tambémo veteran Sadi Cabral exploded in public taste, the living character of the powerful Peçanha Hippolytus, who confounded by Patricia as a janitor who owned the plant, is passed by His Pepe, starting a friendship with her charismatic and complicity that won the sympathy of viewers. Your Pepe and Patrick became a marching song of the carnival in 1972. The antagonist of the time was the main villain Madame Sarita, played by Vanda Lacerda. The character drew the ire of the public, and the actress suffered from the persecution of the most exalted.
"My Sweet Girlfriend " had cast a cohesive, which enabled a comprehensive gallery of charismatic characters. Among them were the beautiful Maria Claudia, Mario Lago, Suzana Vieira, Marcos Paulo, Heloisa Helena, Renata Fronzi, Roberto Pirillo Paul Padilla, Juan Daniel, Yara Cortes, Daniel Filho, Reynaldo Gonzaga, Dorothy Duval, Í Iris Bruzzi, Elza Gomes, Jardel Mello, Carmen Silva, Rachel Martinez, Urbano Lóes, Carminha Brandãoe Enio Carvalho, actor icon Vicente Sesso universe, a constant presence in his novels. Another curiosity was the presence of Suzana Gonçalves, Suzana Vieira's sister, the actress would turn into a hit TV show Globe, making remarkable characters. She would abandon her career at its peak in 1976, leaving her husband to clear the future state of Rondonia.

The Apogee With A Rose With Love

With "My Sweet Girlfriend ," Vicente Sesso once wrote his name as a great writer of novels of success. Reach its peak with the next story, "A Rose With Love," which would air between 1972 and 1973. By then, the author knew all the techniques of the genre of novels that became a master, to attract large audiences. The plot
fled from traditional romantic couples, showing the history of spinsterhood Serafina Rosa Petrone (Marilia Pera), romantic, clumsy secretary, who lived in a tenement with his parents, Giovanni (Felipe Carone) and Amalia (Lelia Abramo), and Sister Teresa (Maria Nivea), a typical family of Italian immigrants. Serafina's dream was to one day come to marry, in the office where she worked as a secretary, sent every day for a pink itself, so that colleagues thought they had a secret admirer.
Serafina's boss, Claude Geraldi (Paulo Goulart), by whom she sighed, was engaged to the seductive Nara (Jonah Magellan), and was involved in shady dealings, besides being illegal in the coun ; s. To rectify the situation, would have to get married but was separated as Nara and laws of the time did not allow it a second marriage, Claude saw no other option you not to be the one to propose marriage to Serafina, with date and time to end. After many misunderstandings and comic situations, Claude finally let love with the secretary.
Marilia Pera-established itself as a great comedian by Serafina, instead of conquering the great Brazilian public. It was one of the most charismatic roles ever to live on television. Serafina's love and Claude was rocked by the song "Ben " sung by the boy Michael Jackson , which since has become known throughout Brazil. The protagonist couple was a novelty at the time. Paulo Goulart was at its peak of soap opera heartthrob. After this novel, the actor would leave the TV Globo, was hired by TV Tupi. Just go back to the station in 1980. Jonah
Magellan, who in the 1960s was the great global star, returned to Rio after issuing two years on TV Tupi, to live her first villain, leaving behind the stereotype of the heroines the novels of Gloria Magadan. The actress wore throughout the show, a blonde wig, a fashion at the time. The actress Lelia Abramo, living Amalia, an authentic and popular Italian mother, has earned the label on television as an interpreter of great matriarchs immigrants.
Tonia Carrero, almost obligatory presence in soap operas of Vicente Sesso, showed all their glamor on the skin of the sophisticated actress Roberta Vermont, who was involved with Sergio (Marcos Paulo). For the first time in a novel 19.00, was developed the theme of an older woman falling for a younger man. Tonia Carrero Marcos Paulo and have lived with this delicate romance, over the protests of Joan (Vanda Lacerda), mother of boy. Would be the last character in a novel Tonia Carrero, in the 1970s. Tired of television, the actress leave the vehicle, returning only in 1980.
Great emphasis on the participation of Grande Otelo, rare presence in soap operas. The actor has lived the old Pimpinoni, artist and puppet maker, who with their dolls, told stories of life. Pimpinoni is one of the typical characters of the universe Vicente Sesso, charismatic, devoid of vanity and in the twilight of old, wise words to advise and protect those who love to circulate around them.
The cast of the first magnitude, was still left with the presence of Leonardo Villar, José Augusto Branco, Ernie Santos, Ary Fontoura, Rosita Thomaz Lopes, Aurimar Rocha, Roberto Pirillo, Henrietta Brieba, Heloisa Helena, Monah DeLacy, Jacyra Silva, Eleonor Bruno, Miriam Muller, Clea Simoes, Dinorah Marzullo, Gilbert Martin and Nelson Caruso.
Despite the great public success, "A Rose With Love" marked the farewell of him as a novelist Vicente Sesso TV Globo. The author does not accept very well the scheme having to stretch a plot by the audience reached. Later that year, 1973, sign a contract with TV Tupi de São Paulo. Far from the station in Rio, never returned to obtain success for his novels.

brief passage through the TV Tupi

After the success of "A Rose With Love," Vicente Sesso TV back in November 1973 when it debuted another novel of his own, "The Divine ... Wonderful and ", written for the TV show. The author left the scenarios locals to write about the traditional family in Sao Paulo, portrait he was born in a house at Rua Conselheiro Crispiniano, downtown Sao Paulo, knew very well.
The story revolved around three women of different age: the old Haydee (Nathalia Timberg), the young and beautiful Catherine (Beth Mendes) and mature Helena (Nicette Bruno). A testament millionaire who left a typical paulistano palace of the golden age of the coffee barons, and a large fortune, would change forever the lives of these three women. To interpret
Haydee, an old lady, Nathan Timberg had to undergo a heavy make-up, aging her face and gestures. Beside Nicette Bruno, Maria Aparecida Baxter and Yolanda Cartwright, the actress was responsible for the success of the plot, all oped by the tone of the charismatic characters Vicente Sesso.
But the novel did not achieve the same success as its predecessors written by the author for TV Globo. Had several factors that contributed to an outcome warm, without the allure of "A Rose With Love " or "My Sweet Girlfriend . In the fight for the audience, TV Globo hired the director of the novel, Oswaldo Loureiro, who would act as an actor in " Gold Rush." Leaving the direction, Oswaldo Loureiro was replaced by Egberto Luiz.
Another change that affected the course of the story was about the character Catherine, one of the protagonists. Bete Mendes, the actress that played, suffered a major car accident and underwent a long period of convalescence, forcing Vicente Sesso disappear with the character. During the period reestablished, Beth Mendez was hired by Globo TV to experience the protagonist of "The Rebu " by Braulio Pedroso. The actress had played "Beto Rockfeller ," hit the same author. Faced with this impasse, the only returning character to the plot in the last chapter of the novel, in which the direction took the picture editing of chapters already written, she appeared in romantic scenes with actor Ernie Chapman.
Despite all the problems, the novel remained a charismatic and engaging plot, with highlights including the sublime interpretations of Nathan Timberg, Nicette Bruno and John Herbert, and fun-run and Ana Maria Baxter Yolanda Cardoso. The cast included
as always, the presence of big names like the great actor of the Brazilian theater Procopio Ferreira, Georgia Gomide, Arlete Montenegro, Geraldo Del Rey, José Lewgoy, Sadi Cabral Elaine Cristina, Cé read Coutinho, Flávio Galvão, Pepita Rodrigues, Iris Bruzzi, Glauce Graieb, Elizabeth Hartman, Elizabeth Gasper, Nelson Caruso, Leonor Navarro, Eleanor Bruno, Grace Mello, Leonor Lambertini, Cazarré, Benjamin Cattan, Jacyra Sampaio, Marcelo Picchi, Walter Geny Prado and Prado.
After completing "The Divine ... Wonderful and "in 1974, Vicente Sesso accepted an invitation from television Argentina to write a novel inspired by" God bless you "of Juracyr Camargo. In the neighboring country, he would stay for four years, writing and translating his works into Latin the international market.

Return in 1979

Vicente Sesso only go back to writing a novel for the Brazilian public in 1979. This time with a mission to inaugurate the core novels of TV Bandeirantes, extinct since the year 1970. At the time, TV Tupi went into decline, heading for the bankruptcy enact its extinction in 1980. Without competition, TV Globo became the only one to explore the telenovelas. TV Bandeirantes decided to invest heavily in the genre, inviting Vicente Sesso, an author who always attracted big players who enjoyed their texts.
For this important moment in the history of Brazilian television, Vicente Sesso wrote " Face To Face" . The plot revolved around Ingrid von Herbert (Fernanda Montenegro), a long-suffering wife, who had a son when he was a prisoner in a Nazi concentration camp during World War II. Having snatched the child from the arms, Ingrid, now a millionaire, came to Brazil to find his heir. In Brazil, becomes involved with the other characters in the plot, as the rich and decadent Regina (Débora Duarte), who struggled to save his family from misery marrying the rustic farmer Tonho (David Cardoso). Vicente Sesso
achieved a major victory with "Face To Face " Fernanda Montenegro bring back the soap operas. For over a decade, the grande dame of the theater had not acted in a production of gender. Having her in the squad meant great prestige. TV Globo tried to hire her, without success, for many years. Besides
Fernanda Montenegro, the novel had an elaborate production, fetching big stars TV Globo and TV show. And mong them was Deborah Duarte, who is alienated with TV Tupi, leaving the cast of the second version of the mythical "The Right to be Born " where it would make the character Isabel Cristina . At the time the actress was married to the singer and composer Mark Anthony, who worked as an actor in the plot, character living Nando. Antonio Marcos was who sang the opening theme of the novel.
Another novelty was the protagonist of the story, David Cardoso, heartthrob of the national cinema, considered the king of pornochanchadas. The actor was considered a sex symbol of the country. It had great prestige, never even making an interpretation that could be considered satisfactory.
Despite the great effort of the production of TV Bandeirantes, to revive the heyday of the golden age of Vicente Sesso TV Globo, the novel has achieved a relative success, without major indices hearing. He served as seed for the core of the television drama TV Bandeirantes. The major feature of "Face to Face " was undoubtedly his cast: Luis Gustavo, Nathalie Timberg, Irene Ravache, Fulvio Stefanini, Rolando Boldrin, Edson France, Maria Isabel de Liza, Wanda Kosmo, Celia Coutinho, Márcia de Windsor, David Joseph, Carmen Silva, Roberto Pirillo, Fausto Rocha Arlindo Barreto, Ruthner Morales and Raymond Souza.
" Face To Face" was the last novel by Vicente Sesso made to Brazil. Back in 1992, TV Globo, writing the miniseries "Tereza Batista ," an adaptation of Jorge Amado. But his priority remains the market International, where he writes successfully plots shown in Argentina, Peru, United States, Chile, Spain, Colombia, Turkey, Slovenia, Italy Japãoe.
In 1995, the second version of "Blood of My Blood " by the SBT, it displeased him deeply, he refused to see your text to lose its original characteristics. In 2009, agreed to sell to the same station, the copyright of "My Sweet Girlfriend" and "A Rose With Love" to new versions and the rediscovery of his work. Vicente Sesso, and Janet Clair, is one of those authors who deals with the impact of each chapter, not with the whole work. His style is unmistakable from the assembly of the chapter, which leaves the scene of impact to the end, holding the viewer. His work is indispensable for the history of Brazilian television, which is essential to realize the development of soap operas, the largest media outlet in the country.

WORKS

Novels

1969/1970 - Blood of My Blood (TV Excelsior)
1970 - Pygmalion 70 (TV Globo)
1971/1972 - My Sweet Girl (TV Globo)
1972/1973 - A Rose With Love (TV Globo)
1973/1974 - The Divine ... and Wonderful (TV Tupi)
1979 - Face to Face (TV Bandeirantes)
1982 - Veronica: El Rostro Del Amor (International Market)
1995 - Blood of My Blood (SBT)

Minissé Series

1959 - Garden Enchanting (TV Tupi)
1959 - Guarani (TV Excelsior)
1959 - Lady (TV Excelsior)
1992 - Tereza Batista (TV Globo)

Serials

1958/1962 - The Adventures Marco Polo (TV Tupi)
1966/1968 - The Adventures of Eduardinho (TV Excelsior and TV Globo)