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FERNANDO PESSOA - MULTIPLE SELVES A POET

Owner of a unique personality, a soul psychological plural, mysterious and mystical, Fernando Pessoa became the greatest poet of language Portuguese. Lord of the absolute beauty of words and the truths of the human essence, his poetry touches everyone regardless of race or social class. Its message is universal identification, playing indelibly human sensitivity.
Considered alongside Pablo Neruda, the greatest poet of the twentieth century, Fernando Pessoa was one of those responsible for the Portuguese culture reached the contemporary world, giving more fame to the literature of his country than Luis de Camoes himself. The world surrenders to his poetry. Fernando Pessoa
shared his work with various characters he created, giving them names and distinct personalities. The so-called heterônimos, doctor Ricardo Reis, Alberto Caeiro the peasant and the engineer Alvaro Campos, among the most famous poetic voices were leaving the genius of the poet, who enriched his great work.
Being the most read poet of the Portuguese language, with a translated work successfully in several languages, Fernando Pessoa lived a quiet life, without love stories recorded, without facts or scandalous personal dramas. He spent time with artists of Portuguese modernism, such as Almada Negreiros and Sá Carneiro. To survive in the trade worked as translator and as a developer of advertising agencies. Justified professions parallel to its Written by saying: "Being poet and writer is not profession but a vocation . His enigmatic personality won the discretion to life, exploding in the beauty of his work.
Ironically, Fernando Pessoa just published a book in life, " Message," a collection of poems dedicated to the heroes of the Portuguese, and the ultimate dream of Sebastianism: The Fifth Empire. The book had about thirty pages, nothing on a twenty-five thousand manuscripts he left in part by ranking, within its mythical ark.
Fernando Pessoa died at age 47. His death not caused a stir because it was a virtual unknown. His work gradually was being taken from the ark magic and discovery around the world. Dust of the manuscripts, it has proved a dazzling world and the infinite greatness of the human soul. Even today, unpublished poems continue to emerge from the chests. Your personality, how much more work left to read, isolated on a level unattainable in a mysterious magnetism unabated. Person not only was part of the human race, but was its own essence of the soul.

Childhood and Adolescence in South Africa

Fernando Antonio Nogueira Pessoa was born in Chiado, Lisbon, in a building across from the Teatro Nacional de Sao Carlos, on June 13, 1888. Born on the day of Saint Anthony, the most popular saint of Lisbon, the boy was named, Fernando Antonio in his honor. Fernando due to the name of the holy baptism, Fernando de Bulhões, Antonio and the canonical name. He was the son of civil servant and a music critic, Joaquim de Seabra Pessoa, and Maria Magdalena Pinheiro Nogueira Pessoa.
Son of a small family of aristocrats, the boy had his life changed Fernando to five years in 1893, when his father died of tuberculosis. Following the tragedy, lost his younger brother, George, in 1894, who did not complete a full year. Faced with adversity, Maria Magdalena was forced to auction the furniture and move to a more modest house on Rua de São Marçal.
In 1895, his mother remarried by proxy, with Captain John Michael Rose, Consul of Portugal in Durban, South Africa Due South stepfather's profession, the small the family moved to Durban in 1896, where he would live for many years.
was in South Africa, then a colony of Britain, that Fernando Pessoa acquired an English education that would influence the rest of your life. It was in Durban that saw Wake her talent for literature. In 1903, when applying to the University of the Cape of Good Hope, do not get a good rating, but it gets the best mark in the test of English style. At fifteen, he receives the test, the Queen Victoria Memorial Prize Award (Queen Victoria). Since that time, the poet has demonstrated his talent for writing in English, starting the production of several poems in this language.

Participation in Cultural Life Portuguese

Fernando Pessoa only would return to Portugal in 1905. He'd come alone, to live with her grandmother and two aunts Dionysia at Rua da Bela Vista in Lisbon. The following year, in 1906, would enroll in the course on literature. At this time it comes into contact with leading writers of Portuguese modernism.
her grandmother dies Dionysia in 1907, leaving him a small inheritance. With the money, the poet establishes a small typography, Typography, Ibis Publishing Company - Steam Shop. To manage it, he abandons the course of letters, but the business does not prosper, and in a few months then bankruptcy. From then on he worked as a translator and a foreign correspondent in commercial places. Profissãoo work that the rest of your life. Fernando
Person has an interest in the work of Cesario Verde and Father Antonio Vieira. In 1912, takes on the activity of essayist and literary critic, debuting with the "New Portuguese Poetry Sociologically Considered ," published by "Eagle & rdquo ;, official organ of the Portuguese Renaissance. For this magazine, would even the articles " Reincidindo ..." and " The New Portuguese Poetry in its psychological aspect."
Soon disconnects from the Renaissance group, allying themselves to the younger generation, Mário de Sá Carneiro, Almada Negreiros, which would mark the Portuguese modernism. With friends, he founded the magazine " Orpheus" in 1917. In 1921 he collaborates with the single issue of "Futurist Portugal." In 1921 it launched the "Contemporary . In 1924, directs the Ruy Vaz " Athena." In 1927 he writes for the "Presence "where shall give notice of his verses. This time working with texts for newspapers. Going to work with an advertising agency that would exercise activity from 1925 to 1935, the year of his death.

Life Without Large Passions and Caters To Occultism

Fleeing the stereotype of the lives of great poets, who mostly lived large and troubled romances, Fernando Pessoa had a love life blank, which led some comments about an alleged homosexuality, sometimes dumped in some poems, or even the absence of a sex life. He never married.
A single woman was part of his biography, Ophelia Queiroz, coworker, who had a brief affair and exchanged love letters. Ophelia was addressed to him in letters as Ferdinand Personne, or "Monsieur Personne . Later, Agostinho da Silva, who personally met Fernando Pessoa, the poet confided recount that you regret having written love letters to Ophelia, as he had done heteronym moved by fantasy, without ever having had a passion by it. When he saw Ophelia, a needy woman, was hopelessly in love with he became aware of the ruse of fictional love living and put an end to it, to do a real woman in love and suffer.
If your love life has been made in mystery, mysticism and the occult tambémo that it practiced left large gaps in data. His alleged links with Freemasonry and the Rosicrucian never been proved, not knowing the poet no affiliation to these schools in their stores or fraternities. What has registered is a public defense of these organizations, made by him in " Diário de Lisboa "against the persecutions of the Estado Novo in 1935.
Fernando Pessoa set astrological charts for most of its heterônimos and Portugal. Astrological consultations made for himself. During her studies of astrology would have made more than a thousand horoscopes. Das
called occult sciences, Fernando Pessoa proved to be a profound scholar, having given a reasonable library of esoteric subjects annotated, and the writings of his own. Proclaimed himself a Christian Gnostic and inducted into the Order of Knights Templar in Portugal. It was a great admirer of Jacques de Molay, last Grand Master of the Templars were burned alive at the stake. He said in defense of the martyr of the Knights of the Temple which everybody should fight " his three killers - Ignorance, Bigotry and the Tyranny .

heteronyms of Fernando Pessoa

The aesthetic beauty of the work of Fernando Pessoa is due to the creation of the different and remarkable heteronyms. In them the poet's self is diluted in writing, breaking down into poetic personalities and complex set of personalities. Once you have written in private, with a single publication on life, writing full of prosodic innovations is not achieved by his contemporaries. When revealed, would bring him international fame, building a large element of world literature.
Fernando Pessoa is the division of self, leading to extreme limits the growth of personality, making the false identity of each of them in real, making them immiscible.
heterônimos The best known in the work of Fernando Pessoa were three: Alvaro de Campos, Ricardo Reis and Alberto Caeiro. Upon them the poet himself wrote in a letter to Adolfo Casais Monteiro:
" I created, then a coterie nonexistent. Ricardo Reis was born in 1887, can not remember the day and month (...), in Porto, is a doctor and is currently in Brazil. Alberto Caeiro was born in 1889 and died in 1915, born in London but has lived almost his entire life in the countryside. He had no profession or education almost all. Álvaro de Campos was born in Tavira on October 15, 1890 (at 1.30 hours in the afternoon, tell me Ferreira Gomes, and it is true, therefore, made the horoscope for that hour is right). This, as we know it is a naval engineer (for Glasgow) (...). Caeiro was of medium height, and although really thin (died of tuberculosis), did not seem as fragile as it was. Ricardo Reis is a little, but very little, lower, harder, drier. Alvaro de Campos is tall (1.75 m tall, more than I cm 2) thin and a little tending to bend. Shaven face all - Caeiro colorless blond, blue eyes, kings of a vague dark mate; fields between white and dark, vaguely sort of a Portuguese Jew, hair, however, smooth and usually departed next, carbon century. Caeiro, as he said, had more education than almost none - only primary education; died early and her father and mother, (...). He lived with an old aunt, great-aunt. Ricardo Reis, educated a Jesuit college, is as I said, doctor, has lived in Brazil since 1919, because it spontaneously relocate to be monarchical. It is a Latin scholar by education of others, and a semi-Hellenistic education by itself. Álvaro de Campos was an ordinary high school education and then was sent to Scotland to study engineering, mechanics first and then ship. A holiday made the trip to the East which resulted in the Opiário. He taught her Latin Beira an uncle who was a priest. "
with distinct personalities and stories own lives, each heteronomous will take you to one type and subject of poetry. Alberto Caeiro, master, keeper of sheep, has a philosophical poetry. He was killed by his demiurge in the same year it was created in the journal Orpheus. " Alvaro de Campos is a futuristic engineer, farmer and progress of the machine, his poetry is more critical. Ricardo Reis, the monarchy, Horace cultivates in his poems and classical tradition. There is a fourth heteronym of great importance the work of the poet, Bernardo Soares, who is seen as more like Fernando Pessoa, hence, often regarded as pseudo-heteronomous. Bernardo Soares, the social misfit, scribble their impressions and fragments of Lisbon in "The Book of Disquiet .
Fernando Pessoa died on November 30, 1935, the Hospital of St. Louis of the French in London, his hometown. The causes of death would be a "hepatic colic, associated with liver cirrhosis, the result of long gatherings at the" Martinho da Arcada "And" Brasileira do Chiado, "watered aguardente.Tinha to 47 years old. It is said that in the last moments of life, wrote in English, the last sentence: "I know not what Will tomorrow bring -" Do not know what tomorrow will bring, & rdquo ; .

[275] - Poems inconjunct - Alberto Caeiro

When it comes to spring
If I'm already dead, flowers blossom from
Similarly
And the trees will not be less green than last spring.
Reality does not need me. I feel a tremendous joy

To think that my death has no meaning
If I knew died tomorrow
And Spring was the day after tomorrow, I would die happy
because she was the day after tomorrow.
If this is your time, when she had to come but in his time?
I like everything to be real and it's all right;
And like for that was, even if I did not like.
So if you die now die happy,
Because everything is real and everything is right. Latin
can pray over my coffin, if they wish.
If they want, they can sing and dance round him.
not have preferences for when we can not have preferences.
it is, when is the case, will it be what it is.

Passage of Time (Grafts) - Álvaro de Campos

kiss on the mouth all the prostitutes,
Kiss on the eyes all souteneurs,
My passivity lies at the feet of all murderers
And my cover to hide the English withdrawal to all thieves.
Everything is the raison d'etre of my life.

committed all the crimes,
Vivi inside of all crimes
(I was not one or the other in the vice,
But the very people vice-practiced among them, and these
hours are more arc-of-the triumph of my life). I multiplied

me, to feel,
To feel I needed to feel everything,
overflow, not but did pour me
Despi me, I handed rne,
And there in every corner of my soul an altar to a different god.

The arms of all athletes suddenly squeezed my female
And I fainted at the thought of muscles assumed.

were given in my mouth kisses of all meetings,
beckoned my heart tissues of all farewells,
All appeals of obscene gestures and glances
Beat me in full throughout the body based in the sexual centers. I
all ascetics, all-in-part of posts, as they all forgotten, And all
pederasts - absolutely everyone (not missed any).
Rendez-vous in red and black on the bottom of my soul, hell!

(Freddie, I called you Baby, because you were blond, white, and I loved you,
How many empresses and princesses reign of deposed you were to me!)
Mary, whom I read in Burns day how sad to feel live,
Mary, you know how many couples barely honest, how many happy families,
you lived in my eyes and my arm wrapped around him and my conscience uncertain
His quiet life, the their suburban houses with gardens,
Their unexpected half-holidays ...
Mary I I'm unhappy ...
Freddie, I'm unhappy ...
Oh, all ye, all ye casual, time-consuming,
How many times have ye thought of thinking of me, without the fossil
Ah, how little I was in what you are, how rather, how little -
Yes, and what have I been, my subjective universe,
O my sun, my moon, my stars, my time
O outside of me lost in a maze of God!

everything passes, everything in a parade for me,
And every city in the world, rustling up inside of me ...
Court my heart, my heart market
My heart room on the Exchange, stop my heart from the Bank,
My heart rendez-vous all mankind, My heart
bank garden, tavern,
Inn, dungeon thing any number
(Here estuvo en el Manolo going Visper al jib) My
heart club room, the audience, doormat, currency, gangway,
Bridge, cancels tour, walking, travel, auction, fair, camp,
wicket My Heart, My Heart
order, letter
My Heart, luggage, satisfaction, delivery,
my heart And the margin, lirrite the scoresheet, the index, there
Eh-eh-la, hey-la, my bazaar coraç ; will.

All lovers kissed in my soul,
All vagrants slept a moment on me,
All despised touched for a moment on my shoulder,
crossed the street, my arm, all the old and the sick,
And there was a secret that I said all the killers.

We live in Countless - Ricardo Reis

we live in many;
If I think or feel, I ignore
Who thinks or feels.

am only place where you feel or think.

I have more than one soul. There are more I
than myself.
Existo however
Indifferent to all.
I get them to shut up: I speak.

impulses cross
of what I feel or not feel
Struggle in who I am.
I ignore it. Nothing
dictate to whom I know: I 'screvo.

Vacancy in Blue Large Unleashed - Fernando Pessoa

Vaga, blue wide releases, a cloud
going wrong.
My past does not return.
It's not what I'm crying.

What cry is different.
Get more into the soul of soul.
But how, without us in the sky, A cloud floats
calm. And this reminds


sadness And the memory which is sad, I give

miss the richness of emotion that weaves the time.

But in truth, what bitter cries
In my anxiety
Higher than the cloud arrears
It is beyond nostalgia.

not know what is not consent
The soul that knows it well.
seen the pain that lie
pain that my soul has.

Chronology

1888 - born on June 13 in Lisbon, Portugal, Fernando Antonio Nogueira Pessoa.
1893 - born in January, his brother Jorge. On July 13, her father dies, victim of tuberculosis.
1894 - Die brother George in January, shortly before completing a year.
1895 - In July, the little poet writes his first poem. John Michael Rose, her mother's suitor, is appointed Acting Consul in Durban, South Africa, departing for the region. In December, the Consul marries the mother of Fernando Pessoa, by proxy.
1896 - Party with the family to Durban. In November comes the sister, Henrietta Magdalene.
1897 - The poet enters primary school.
1898 - Birth of second sister in October.
1899 - Joins Durban High Scholl. Creates the pseudonym Alexander Search.
1900 - born Luis Miguel, the third brother of the poet.
1901 - Passed the examination of Cape High Scholl Examination. Die middle sister. One begins to write poetry in English. Along with the family, in part to an August visit to Portugal.
1902 - born in Lisbon, Brother John Mary. In September, back to Durban.
1903 - Pays examination for admission to the University of Cape Town, getting the best score in English test, winning the Prize Queen Victoria.
1904 - born in August, Sister Mary Clare. Concludes the study in South Africa
1905 - Alone, returns permanently to Lisbon, passing to live with her grandmother Dionysia.
1906 - Tuition on the course on literature, in Lisbon. Die Sister Maria Clara.
1907 - Give up the course on literature. Grandmother dies Dionysia. Opens for a short period, a printing press.
1908 - Begin working as a foreign correspondent in commercial offices.
1910 - writes poetry and prose in English, Portuguese, French.
1912 - Literary magazine published an article on " Eagle."
1914 - Creates the heterônimos Alvaro de Campos, Ricardo Reis and Alberto Caeiro. Write the poems of "The Keeper of Sheep " and "Book of Disquiet .
1915 - In the first issue of " Orpheus, the poet Alberto Caeiro kills.
1916 - Suicide to his friend Mario de Sá Carneiro.
1920 - know Ophelia Queiroz. The brothers and mother return to Portugal. Depressed, thinking of interning in a nursing home. Ophelia breaks.
1921 - Founds the publisher Olisipo, which he published poems in English.
1924 - Ruy Vaz directs the magazine Athena. "
1925 - dies on March 17 in Lisbon, the mother of the poet.
1927 - Passes to collaborate with the magazine Presence. "
1929 - Back to relate to Ophelia Queiroz.
1931 - Rompe again with his girlfriend.
1934 - is published his book " Message."
1935 - hospitalized in a hospital, on November 29 with a diagnosis of hepatic colic. Died on day 30

Staph Infection Of Belly Button

APOLLO, GOD OF LIGHT

Of all the deities of Olympus, none received many honors in ancient Greece as the god Apollo. Son of Zeus (Jupiter) and Leto (Latona), God has become, over time, the main deity worshiped by the Hellenic civilization. Gradually, various functions assigned to it, causing it to acquire many faces.
Considered the next generation of Olympians, the more important the equivalent of his father, Zeus, lord of the gods, becoming more revered than the uncles, Poseidon (Neptune), king of the seas and Hades (Pluto), lord of the underworld. Considered the god of light, Apollo, gradually stole the functions of Helios (Sun), undermining the worship that god.
In ancient Greece the light was seen as essential to the development of civilization. It was through her that lightened the darkness of the earth and man. The fire, which transmitted light and heat, was regarded as a vital element in the psychological construct of man. So much from the theft of Prometheus to the flame of the gods, that human consciousness was awakened. By harnessing the light, Apollo guarantee of food crops, and to illuminate the human mind, took the men from the darkness of ignorance, making the triumphant face of the arts, medicine and philosophy. Without the light of Apollo, Greece would be dead, perpetuated in darkness.
Divinity of Indo-European origin, to be introduced in Greece, retained much of its primitive functions. The primitive nucleus of the myth of Apollo brought in essence the explanation of the primary necessities of life, because the light warranty agriculture and navigation. Apollo was the one who protected the existence of man of natural phenomena that led to the formation of a society that survived the camp, livestock and sea. When Greek civilization was developed, creating advanced urban cores, dipped in politics and philosophy, Apollo also acquired new functions, leaving early to become protector arts, medicine, music and poetry.
Through Apollo, the gods take on a human face. God comes to represent the beauty and obsession Greek perfection. Apollo becomes the desired image of beauty, endlessly pursued in numerous statues that are conferred. Becomes the symbol of victory over the beautiful ugly, scholar on the vulgar, the philosophy of ignorance, of light over darkness.
Driving a car pulled by horses gifted by Helios, the sun, Apollo sails the sky, bringing light to men. Beside his subjects, the Muses, inspiring poets and artists, teaches men the art of medicine, and symbolizes the harmony of perfect beauty, the essence of the Greek ideal.

The Multiple Roles Primitives

Leto, after living a passionate affair with Zeus, totally lost the peace. Pregnant lord of the gods, she was persecuted by Hera (Juno), wife of the jealous lover. Leto walked to every corner of Greece, to escape the queen of Olympus. Arrived on the island of Delos, where she would give birth to twins Apollo and Artemis (Diana). When the gods were born, before the island and barren desert, has become fertile and flowery. Apollo was carrying the light, life and beauty.
At the beginning of Greek civilization, fire and light elements were considered essential, vital to human progress. Without light there would be only darkness. When the cult of Apollo was introduced in Greece, was likened to Helios, the sun Helios If it was own solar star hovered in the sky, Apollo was light, the driver of the heat on soil. The light guarantee survival, as it were triggered several phenomena, which led many functions of Apollo. Clarity, the seas could be navigated, if Poseidon was the lord of the seas, lord of storms, earthquakes and tsunamis, Apollo was the orientation. None Greek mariner dared to go to sea without invoking the protection of the sun god. Apollo stole, well, the cults of Poseidon. As the Greek islands represented a larger economic force than the continental land, the cult of Apollo became tougher inside.
If the light was essential to ensure the pastures, agricultural crops, once again the Greeks invoked the protection of Apollo, which assumed the functions of the goddess of agriculture, Demeter (Ceres) . The first harvest of spring was dedicated to Apollo by great festivities. The farmers thanked well, the return of Apollo and the world order winter.
One of mythological legends attributed the fall and winter the abduction of Core (Proserpine) by Hades, god of the dead. The girl's mother, Demeter, was uncomfortable about having her daughter to live in the kingdom of Hell. Disgusted, abandoned the goddess of agriculture land, which was ravaged by famine. To mediate the situation, Zeus ordered Core lived six months of the year and six months at Erebus on Olympus, with his mother. So when Core was returning from the underworld, the earth flourished again, bringing the spring. Another legend
Attribution winter Apollo, who once a year traveling to the country of the Hyperborean, bringing with it Helios. In the land of good men and fair, Apollo lived happy, harmonious to the echo of the chants of corals and their Hyperborean boys. When the vacation ended, Apollo returned to the world, and he turned the sun began to spring. Thanks to this legend, Apollo was attributed to the change of seasons.
Thus, shepherds, sailors, farmers, and promoted religious ceremonies in honor of Apollo, where they offered sacrifices to God. Multiply crops, and lead the shepherds, guiding the Mariners were the functions that were part of the primitive myth of Apollo.

The Protector God of Music and Poetry

In the mid-ninth century BC, Greek civilization reached great development. The light was still essential in the Hellenic culture. Gradually, she stopped being mythologized acts only on a basic primitive civilization, advanced to enlighten the mind of a people who became sophisticated and erudite. The light on consciousness Plucking the man of darkness, making him the knowledge and perfection to life, the arts and diseases. Apollo became the god that illuminated human wisdom. At
primitive functions of Apollo were joined by new ones, many of which contrasted with each other. He became the protector god of arts and inspiring artists. It became the symbol of Greek lore, who imposed their culture on the people around.
The legend of Apollo and Marsyas dispute reflected the victory of Greek culture on Asian culture. For the Greeks the flute an instrument was rude, unable to keep up the beautiful songs of the great Greek poets who extolled the epic of their heroes. The lira was considered as a perfect instrument, the Hellenes elected its sound as the purest, most harmonious that they could produce. The Apollo was attributed to his invention. The flute from Asia, has become an instrument to arouse the jealousy of the Greek musicians.
Legend has it that one day, Apollo was called to a noble assembly atop Mount Parnassus, where lived the nine Muses, with his lyre to compete with a famous flute, Marsyas, who arrived from Phrygia. The flute of Marsyas came a sound coarse and vulgar. The lyre of Apollo heard a high sound, perfect harmony and beauty irresistible. Charmed with the lyre of Apollo, the Muses declared it winner, hailing it the protector god of music, poetry and poets.
To punish the audacity of Marsyas, the Phrygian, Apollo skinned him alive, then lifted his body at the entrance of a cave, for all to see the end of an imperfect sound and admired the Greek lyre as the most perfect instruments. The legend represents the superiority of Greek culture in the face of Asia.
The association of Apollo with the Muses became part of the myth of the god of light. Absolute shield of the arts, the Muses were acting as intermediaries of God. They were the poets who called on direct protection. Also through the muses, doctors invoked the protection of Apollo.

God of Medicine and Medical

With the evolution of medicine in Greece, the god Apollo was chosen to guard. The Greeks saw doctors as the artists who performed the their talent on human life, on the physiology of the body.
medicine was regarded as an art, health was nothing more than harmony between the external body and soul, between the various anatomical parts of man and mind, an art so fine as to mutual music. The doctor was a mediator as well as a musician, took care of dissonances that disturbed the harmony and beauty. It was up to protect the Apollo medicine and doctors. When
born Asclepius (Aesculapius), son of Apollo and Coronis, the god of light and art to his son passed allocation guard of medicine. Asclepius wisdom inherited from the father. Educated by the centaur Chiron wise, soon developed the art of medicine, discovering antidotes syrups and wild plants, drinking miraculous taken from the roots. Preparing balms that overcame serious illness, and ointments that relieved the most terrible wounds. The fame of great
physician Asclepius traveled throughout Greece. The place where he lived, Epidaurus, began to receive visitors from all parties, who came in search of healing their ills. Gradually, the Greeks began to worship the son of Apollo, forgetting to Zeus, the lord of Olympus. Worried about the power of Asclepius on human life, jealous of the worship directed to him, fearing that there was more death among the sick, which would free the protection of the gods, Zeus decided to strike down grandson with its rays. For this, the Cyclops asked to do so.
In revenge, Apollo exterminated the Cyclopes, returning to assume the role of protector of Medicine, who was assigned to the child. It was up to God not only healing but also cause disease and pestilence.

Images Apollo

The god of arts and inspiring artists, became a symbol of beauty and obsessive quest to find the Greeks their perfection. Apollo now has the image of beautiful statues carved anatomical perfect. The Greek divine came to be represented in human figures. Unlike the ancient religions had gods that hybrids, partly animal, partly human, or the Semites who did not allow the worship of a divine image as the Greeks did the mirror of the gods its image.
Apollo was the god of light, art and beauty. The statues paying homage to him brought a perfect beauty, a symbol of the Greek ideal. Inspiration was found in the gyms of athletes, where men showed their naked bodies when practicing sports. The statues of Apollo brought a perfect nakedness, sometimes cut by a mantle. For they were carved, the artists got together the finest young men, each selecting a body part more perfect, adding what was most beautiful in human anatomy.
When the work was carved from the god of light, everything was carefully studied, the lineament between the head and trunk, the perfection of the torso as compared to members, the perfect symmetry between the forehead and chin, the head and hair. Gathering the data, created the image of a god of beauty ideology, which represented the ideal pursued by the Hellenic civilization at its apogee of culture. The most beautiful statues of Apollo were produced in the fifth and fourth centuries BC, as the famous statue of Apollo Belvedere, an unknown author, or the work of Praxiteles (370? - 330? BC) , modeled on the traits of seven beautiful boys Athenians.

Amores fiery

god Apollo was a brash, fiery and passionate constantly. Within this wildness, and lived loves suffered tragic ends, marking the human tragedy and the passions.
Greek Sexuality and loving their customs, also reflected in the legends of Apollo. The Greek custom of resorting to child abuse as sexual initiation, which was considered of profound social uplift an aristocratic older man taking a young man as a lover, not just passing it the secrets of sex, as the cultural, military and religious. The myth of Apollo which served to be legitimized this practice in Greek society.
Of all the Olympian gods, Apollo is one that has highest number of gay love. The most famous were those who lived with him and Ciparisso Jacinto. Jacinto lived with an intense love, after winning a dispute with the boy's heart Zephyr. When I practiced throwing discs with her lover, Apollo was surprised by the vengeance of Zephyr, who blew the disc thrown against the face of Jacinto. By losing the loved one to death, Apollo transformed the shed blood in a purple flower, with cup-shaped lily, which he called hyacinth.
Ciparisso threw darts with Apollo, fatally when a pet deer who gave him the god. Desperate, the young mistress cried incessantly, asking that Apollo never dried her tears. To meet the demand, Apollo Ciparisso transformed into a cypress tree which formed its resin droplets of tears in the trunk.
The legend of love's best-known myth of Apollo is that he lived with Daphne. When faced with the beauty of the nymph, the god was struck by their passion. He declared himself to her, made him the tenderest vows love, but not to the heart of the beautiful. Lonely, Dafne swore never to belong to man, making a vow of chastity to the gods. Before the siege of Apollo, the nymph has refused to break the oath he had made. Rejected the love of the most beautiful of the gods and tried to follow his path.
But Apollo was lost passion. I could not see anything except the body of the young, the smell intoxicating. Determined to possess such a delicate beauty, Apollo initiated a prosecution determined to Daphne. Desperate, she entered the woods, fleeing when the impetuosity of God. But Apollo had the speed of light on his feet, reaching the beautiful nymph. Desperate, without seeing an exit, Daphne prayed to Gaia (Earth), which protects the body from having deflowered by that love wild. The goddess mother answered the cries of the nymph. Apollo evil touched her body, she felt her skin to wrinkle, to tighten up, cut by deep grooves. Given the silence suddenly realized that the beloved Apollo had been transformed into a tree. Heartbroken, God hugged the tree, which he called daphne, a name in their language meant laurel. In honor of the beloved, said The laurel tree sacred. Its leaves, once the hair from Daphne, would be used to purify the priests and crown those who obtained great victories in arts, sports and battles.

The Symbol of the Great Greek

facing a multitude of assignments that were given to Apollo, the most important was the prophecy. God of light, which means everything under its clarity could not be mysteries. The Apollos were built the most important and famous temples of ancient Greece. Their priests practiced the art of divination, predicting the future of the faithful.
The temple of Apollo at Delphi was the largest temple in Greece. The oracle was receiving people from all walks of life, coming from the four corners of the country. Military leaders did not engage in battles that were asked without guidance to priests. Mariners dared not face the sea without being advised by the oracle of the god of light, like kings, aristocrats and the people, seeking to unveil the future and know how far they would succeed in business in love, in war and travel.
By reading the entrails of sacrificed animals, priests predicted the future from those who resorted to them in the name of Apollo, it was them who put the prophetic words on the lips. The oracle of Delphi became a major center of pilgrimage and prophetic of Greece. Every nine years, the inhabitants of Delphi celebrating the mythical victory of Apollo over the legendary serpent Python. People of all Greek cities went to the spot where a pompous ceremony relived the fight of God and the serpent, representing the victory of light over darkness.
God of light on the essence of the myth, Apollo was who, in their primitive functions, bringing good harvests, and the shepherds tending their flocks and guided sailors while in the midst of the sea. In its role as god of a developed civilization, illuminating the artists, inspired poets, musicians and sculptors; protected the doctors, watched over by the balance of men's health; unfold the future, predicting it to those who paid him homage and all the functions mentioned sacrifícios.Por, Apollo was representation of the absolute victory of intelligence over ignorance. It is the symbol of the god who came closest to the obsession of the Greek ideal of perfection in search of beauty.

Are Facewash Supposed To Sting

PSYCHOSIS

The contemporary cinema produced many classics over the years, and most of them revolved around a beautiful hist ria of love or life of the heroes of history, real or imagined. " Psycho" ( Psycho), Alfred Hitchcock, flees to the standards of cinema epic, the great love stories, being a thriller, dense, intriguing, that generates a bad be apprehensive about who attends. Even with the ingredients that subvert the standards of the great movies, "Psycho " conquered the public, won fans worldwide, with unanimous critical and audience, becoming one of the most acclaimed films of all time.
elements of suspense weave an electrifying psychological plot, which holds and surprises the audience. Never the black part of the human soul was so clearly explored, where the image brings all the elements that build the minds of the characters, full of nuances and corrupted the morals of no return.
The movie was based on a novel by Robert Bloch, author of popular books and without literary value. Alfred Hitchcock anonymously bought the rights to the book, paying between nine and eleven thousand dollars, depending on version. When the master of suspense presented the project to adapt the story of Robert Bloch, met with resistance producers at Paramount, who refused to invest in a literature considered vulgar. Faced with the refusal, Hitchcock decided to produce the film himself. After acquiring the rights, he bought all the copies available in the market, preventing it to be read by people, which contributed to the suspense and the outcome of the film were not disclosed.
" Psycho" was opposed by major producers not only come from a broadsheet, but even the title, which was considered bizarre and of little interest to attract large audiences. Hitchcock followed his intuition and genius, producing a masterpiece of world cinema. Scenes anthology, as the murder of Janet Leigh's character in the shower, still stir the sensibilities of those who watch it.
" Psychosis" is mainly composed by her fabulous photo gallery, printing the truths and dangers around the characters. The feeling is that the imminent danger will jump back to the characters at any time, bringing a final for their sins. Nobody is immune to the story that appears in the shadows mind.
Debuting in American theaters in 1960, " Psycho" remains one of the most watched films in the world. Several sequences were made from the eighties. In the late nineties, a new version hit the screens. But none managed to scratch or beat the original. " Psychosis is one of those untouchable masterpieces, final, a gem that brightens the movie theater.

The Embezzlement of Marion Crane

Robert Bloch's novel turned out to be weak, had a good story, but poorly told. It was left to Alfred Hitchcock, through the image, give the exact dimension of an amazing story. The true soul of each character was revealed before the camera from the master of suspense.
By assuming the film, Hitchcock had a budget of eight hundred thousand dollars. Faced with budget constraints, the British director did not hire big stars. We used a team of actors with whom already worked in his television series, presented by American networks.
Several actresses were quoted to do the role of Marion Crane, among them Lana Turner, Piper Laurie, Eva Marie Saint, Hope Lange and Martha Hyer. All of them blond and lean, a constant image in the heroines of the old master. But the final choice fell on the beautiful Janet Leigh, who find in Marion Crane, his character in the final film.
Marion Crane (Janet Leigh) is living a normal life, is secretary of a property in Phoenix, Arizona. Pretty woman, model professional, she lives a romance with a young Sam Loomis (John Gavin). With the lover she lives in love and tender moments. One of the most beautiful scenes of the film is the moment of love between the young and beautiful couple. While not revealing the nakedness of the actors, the moment is an implicit eroticism, considered daring for 1960. Hitchcock had told Janet Leigh who touched the face of John Gavin as if from a sexual act. reassured the actress, saying he had already prepared the actor for the scene. When the beautiful played her straight man, an involuntary erection of the actor embarrassed and amused the team. Later, Janet Leigh, John Gavin knew had not been warned of more intimate gesture of the scene.
But not everything was clear in the mind of the beautiful Marion Crane. Dark moments of naivety contrasted with an ambitious intelligence insider. Very soon, the dark side of youth will weave a big hit. The opportunity to release their awareness of the established moral, happens when one day witness a great deal from the boss, who received forty thousand dollars in cash. That afternoon, a sweltering Friday, Marion does not stand up, hereby defraud his master's money, dreaming can enjoy it with her lover, Sam Loomis.
's mind Marion Crane works quickly after stealing the money. Excuses to the boss to leave early. She leaves the building carrying a package with the forty thousand dollars. He knew that the embezzlement would only be discovered on Monday. Had the weekend to escape. Decides to leave for the city of Fairvale, Calif., where he is Sam. The beautiful woman follows in his car to meet the beloved.

Death in the Shower

The road follows Marion Crane seem endless, lost in the follies of fate. After driving all day, she feels exhausted. It is driven by the goal of not being picked up, the advantage of two days of his crime and his discovery. Still follow a few miles, when the fatigue joins a downpour. Without visibility on the road, she seeks a place to stop. It is suddenly attracted by a sign that said "Bates Motel . It seemed the ideal place to rest and wait for the rain to pass. The beautiful fugitive goes to the motel.
Images of the Bates Motel bring a gloomy atmosphere. The establishment had been isolated after a detour at Highway made almost disappearing. Everything seems decadent, revealing an atmosphere veiled in mystery and danger. Marion is received by Norman Bates (Anthony Perkins), a handsome young man, but a look dark and weird. It registers with the false name Marie Samuels. Suddenly the meeting with Bates seems an act of moral redemption in the face of the world. Gently, the boy talks to a guest. He speaks briefly of life, its pitfalls. It shows a shy young man, dominated by his mother, a woman old and sick, who cares. At that time already
remorse affects the soul of the fugitive. Suddenly no longer made sense forty thousand dollars, the flight, the embezzlement. A conversation with Norman Bates is ambiguous in determining the fate of Marion Crane, through her, decides to return the next day and return the money. What she does not know is that plunged into a road of no return, and life no longer gives you time to fix the mistakes. From the window of her room, she was the voice of an old woman, who looked severely discuss with the child. Marion
staying in the apartment number 1. The images give a claustrophobic feeling that one is being observed. This feeling is reinforced when Norman Bates remove a picture from the wall, through it observes the beautiful woman to undress, headed for the bathroom. The shower
Marion Crane would go down in cinema history, producing an anthology of the most scenes of the cinema. Backs to the door, she let the water run over the body, not realizing when someone enters. Suddenly turns to a plastic curtain in the bathroom, are suddenly open by a giant shadow, bringing a knife in his hand, lifted into the air. Marion Crane out a scream of panic. At the sound of a soundtrack that would become classic, made by Bernard Herrmann, watched the girl being brutally stabbed. Slowly, life leaves the woman, who let go falling in the bathtub until it falls completely lifeless.
The shower scene is the most complex " Psycho," was so important that the reason the movie was shot in black and white because Hitchcock was concerned that the scene got too shocking if done in color, lost in the exaggerated amount of blood that gushed.
Janet Leigh was not naked on stage, wearing a slinky outfit to skin. To give greater accuracy, a stuntman was hired, who did the nude scenes necessary to make them more realistic.
For the jets of water were captured by the camera with greater intensity, we used a shower of two meters in diameter, shot from below. How was the black and white, chocolate syrup was used to simulate blood, and the sound of stabbing a melon vine of being stabbed.
But the climate that would make this scene in one of the most famous movie, was not acquired through the music of Bernard Herrmann, element essential tensãoe suspense over the murder of Marion Crane. The scene of his death in the shower used seventy different positions of cameras, taking seven days to shoot. Since then, a simple shower was never the same in the minds of people.
Marion Crane's body is wrapped by the killer in plastic curtain in the bathroom, being loaded into the trunk of the car. Thus, the victim is played with your car in a swamp. It remains to watching the film a question, who killed the unfortunate woman? Norman Bates? Or his possessive mother?

Another Death in the Bates Motel

After the death of Marion Crane, comes into play another protagonist, Lila Crane (Vera Miles), sister of the murdered woman. She will look for the dead. Lila Loomis suspects that Sam is responsible for the mysterious disappearance of her sister. A week later, she seeks the boy Fairvale. Together they will uncover the death of Marion.
Another key character is introduced in the plot, Milton Arbogast (Martin Balsam), hired by Marion's boss, who to give the coup, tries, through its services detective, recovering stolen money. Realizing that the people closest to the runaway are worried about their disappearance, Arbogast begins to investigate the motels that had the path she would have used. After a thorough investigation, he arrives at the Bates Motel.
Norman Bates denies he received guests at the time of the disappearance of Marion. Arbogast discovers he lied to check the guest register. Deduces that she is registered under the false name Marie Samuels. Up that moment, Sam Loomis was the main suspect in the disappearance of Marion. From a phone booth, the detective tells Lila that Sam is innocent.
willed to uncover the truth, Arbogast back to the Bates Motel. Scenes electrifying show their steps to climb the stairs to the second floor of the mysterious and shadowy house where Norman Bates lives with her mother. But the detective is discovered, being attacked and killed by the same mysterious person who had murdered a few days before Marion Crane.

The Mother of Norman Bates

The sudden silence of Milton Arbogast bothers Lila Crane and Sam Loomis. Determined to unravel the disappearance of his lover, Sam goes to the Bates Motel, looking for a track, including Arbogast. Back frustrated because you did not find anyone, except one elderly lady, and sick, the window on the second floor of the house.
Tired of running through tracks without exits, Sam and Lila decide to seek the sheriff of the place, Al Chambers (John Mclntire). The sheriff, upon hearing the strangers, calls for Norman Bates, wanting information about the detective Arbogast. Norman said the detective was at the motel, to ask some questions, but then withdrew, not more coming.
The mystery is following a psychologically ball labyrinth. Norman Bates tells the mother that she will have to move to the basement. It's never shown his face lady Bates. Sometimes if you hear his voice. At this crossroads of the film, the shy boy, submissive mother is almost exonerated by the viewer, and the mother declared guilty. Almost deduced that protects the poor guy a murderous mother.
Chambers tells Lila and Sam found no one at the motel, and Norman Bates. Dissatisfied with the investigations, the youth decided to return to the motel, because there is sure that will find the clues they had discovered and Arbogast, mysteriously disappeared soon after.
Sam Lavender and rent a room in the Bates Motel, register as husband and wife. While Bates is distracted by Sam, Lila investigates the motel. In the fourth number one discovers traces of the presence of his sister. Lila goes to the compartments of the house, now with the certainty that Marion was there.
Realizing the ruse of the couple, Norman Bates reacts with violence, attacking Sam, leaving him on the floor. Desperate, he runs toward the mysterious house, looking for Lila Crane in the premises where it was. To sense the approach of the boy, the girl is hiding, not knowing what is about to reveal the biggest secret of the film. Lila seems to hear the voice of a lady. Sure you will find Bates, she walks into the basement. By entering, you see a lady sitting in a chair, facing backwards. When approaching, the chair rotates and reveals not an old lady, but a mummified body. She was the mother Norman Bates.
Lila screams in horror at the sight of so loathsome corpse. The light hanging from the ceiling of the basement rocks. Emerges a figure with arm raised, bringing a knife, ready to be driven into the body of the young intruder. He is dressed as a woman, but it was not a woman. It was Norman Bates, embodying the personality of the mother. Ready to kill Lila, Bates is prevented by Sam, who holds him from behind. Deranged Norman Bates goes into convulsions, falling to the ground. Your secret is unveiled, and with it, the whole mystery the film.

The Image and Mind

tragedy and madness of Norman Bates is explained by a psychiatrist at the county court. Psychoanalysis fascinated Alfred Hitchcock, here the psychological resource lends credibility to the story, making the complex, away from the linearity of the book by Robert Bloch. In
voice of the psychiatrist is made the revelation in the life of Norman Bates. The young stranger, distressed and lonely, had had an incestuous love for his mother and possessive. When she took a lover, Norman not supported, blinded by jealousy and anger at seeing the two together in bed, he poisoned them. Your sick mind has shut himself in a strange world where he fantasized about being the mother, living and dressing like her. In the unconscious of his mind, he killed all the women who had an interest in, like the mãea kill them out of jealousy. Returning the time of the crime, was seized by remorse and guilt before the horrors committed by the "mother". After each murder, he talked with his mother, catching fervent discussions. Thus, Norman Bates did not kill Marion Crane and Milton Arbogast. It was his mother he had created in the mind who had done it.
The last scene of the film shows Marion Crane's car being withdrawn from within the marsh. In the suitcase is the girl's body and nearly forty million dollars. Closed
is one of the most complex and brilliant films of all time. Norman Bates chased forever the career of Anthony Perkins, and he returned in the eighties, to play the character in movies sequence, and without very significant aesthetic value and artistic as the original. Anthony Perkins never took off the specter of Norman Bates, being associated with it throughout his career.
Janet Leigh does not appear in any movie, but the death scene of Marion Crane was the biggest of his career. It was nominated for best supporting actress and Golden Globe in the same category.
Alfred Hitchcock, who appears in the movie wearing a cowboy hat , earned prestige and fifty million dollars in ticket sales. " Psycho" was elected by the American Film Institute (AFI) as the 18th best movie of all time. It is considered the largest and most aesthetic of the genre of suspense. It is revered worldwide by thousands of people. A masterpiece of cinema!

Credits:

Psychosis

Director: Alfred Hitchcock
Year: 1960
Country: United States
Ge nero: Thriller
Length: 107 minutes / black and white
Original title: Psycho
Screenplay: Joseph Stefano , Based on the novel by Robert Bloch
Production: Alfred Hitchcock
Music: Bernard Herrmann
Director of Photography: John L. Russell
Art Direction: Robert Clatworthy and Joseph Hurley
Costume Designer: Rita Riggs and Helen Colvig
Editing: George Tomasini
Special Effects: Clarence Champagne
Estú dio: Shamley Productions
Distribution: Paramount Pictures
Cast: Anthony Perkins, Janet Leigh, John Gavin, Vera Miles, Martin Balsam, John Mclntire, Simon Oakland, Vaughn Taylor, Frank Albertson, Lurene Tuttle, Patricia Hitchcock, John Anderson, Alfred Hitchcock
Synopsis: Secre ; estuary (Janet Leigh) steals $ 40,000 to marry. During the flight, stops at an old motel, where he is lovingly attended by owner (Anthony Perkins), but he hears the voice of the boy's mother, saying, you do not want the presence of a stranger. But what actually hear is something so bizarre that it could not imagine that he would not live to see the next day.

Alfred Hitchcock

Considered one of the largest and most brilliant film directors of all time, Alfred Joseph Hitchcock was born in London, England, on August 13, 1899.
Born into a humble family, his father, William Hitchcock, sold fruits and vegetables. He and his two brothers received a strict Catholic education. The dogmas of Catholicism were repeatedly psychologically challenged in some of his films. Because her father died when she was 14 years, was forced to leave the Jesuit school he attended, going to work as a cable manufacturer company in Henley, where he developed the work of advertising and graphic design.
Alfred Hitchcock's career in film began in 1920 when he began working at Famous Players-Lasky, Paramount Pictures, where did the pictures that appeared dialogues of silent movies. He learned to create scripts and edit movies. Already in 1922, performed his first film, " Number 13," which was never completed. The following year he went to Berlin, where he worked in UFA (Universum Film AG), until 1925. It was in this studio that he performed the first complete film, "The Pleasure Garden " in 1925.
The first major success would come with " The Lodger: A Story of the London Fog " (The Pensioner ), 1927's, which was based on the crimes of Jack the Ripper. It was the beginning of his immersion in the world of suspense. It was this film that made the first appearance on the scene, a fact that would become characteristic of his work.
would come from the hands of Hitchcock's first British sound film, " Blackmail" in 1929. The previous year, had their first born daughter, Patricia, from her marriage to Alma Reville, his assistant director.
Alfred Hitchcock was gaining prestige in British cinema, making several successful movies. His work caught the attention of David O. Selznick, who called him to work in Hollywood. Began to stage the American career of a great filmmaker, who was loved and revered worldwide. His film debut was in the U.S. " Rebecca "in 1940, already getting Oscar nomination for best picture. So they came successive major movies, which immortalized the filmmaker. In 1955 he became a naturalized American.
Master of suspense, Alfred Hitchcock movie universe gives rise to endless analysis and quality entertainment as part of the real movie, even popular, never lost the vein of art. The teacher would receive in 1980 from Queen Elizabeth II, the KBE Order of the British Empire, becoming Sir Alfred Hitchcock. Four months after receiving the award on April 29, died of kidney failure in Los Angeles.

filmography of Alfred Hitchcock:

Feature Film

1922 - Number 13
1923 - Always Tell Your Wife
1925 - The Pleasure Garden (The Garden of Delights)
1926 - The Mountain Eagle
1927 - The Lodger: A Story of the London Fog (The Pensioner)
1927 - Downhill
1927 - The Ring (The Ring)
1928 - Easy Virtue
1928 - The Farmer ' s Wife (The Farmer's Wife)
1928 - Champagne (Champagne)
1929 - The Manxman (The Islanders)
1929 - Blackmail (Blackmail and Confession)
1930 - Elstree Calling
1930 - An Elastic Affair
1930 - Juno and the Paycock
1930 - Murder! (Murder)
1931 - The Skin Game
1931 - Mary
1932 - Rich n Strange (Rich and Strange)
1932 - Number Seventeen (The Mystery at No. 17)
1933 - Waltzes From Vienna (Vienna Waltzes)
1934 - The Man Who Knew Too Much (The Man Who Knew Too Much)
1935 - The 39 Steps (The 39 Steps)
1936 - Secret Agent (Secret Agent)
1936 - Sabotage (The Husband was the Guilty)
1937 - Young and Innocent (Young and Innocent)
1938 - The Lady Vanishes (The Lady Vanishes)
1939 - Jamaica Inn (The Inn Maldita)
1940 - Rebecca (Rebecca, Unforgettable Women )
1940 - Foreign Correspondent (Foreign Correspondent)
1941 - Mr, & Mrs. Smith (Mr. and Mrs. Smith)
1941 - Suspcion (Suspected)
1942 - Saboteur (Sabotage)
1943 - Shadow of a Doubt (The Shadow of a Doubt)
1944 - Lifeboat (A Boat and nine destinations)
1945 - Spellbound (Spellbound - Spellbound)
1946 - Notorious (Codename Notorius)
1947 - The Paradine Case (Agony of Love)
1948 - Rope (Feast Evil)
1949 - Under Capricorn (Under Capricorn)
1950 - Stage Fright (Awe Backstage)
1951 - Strangers on a Train (Strangers)
1953 - I Confess (The Torture of Silence)
1954 - Dial M for Murder (Dial M for Murder)
1954 - Rear Window (Rear Window)
1955 - To Catch a Thief (To Catch a Thief)
1955 - The Trouble With Harry (The Third Shot)
1956 - The Nab Who Knew Too Much (The Man Who Knew Too Much)
1956 - The Wrong Man ( The Wrong Man)
1958 - Vertigo (Vertigo)
1959 - North by Northwest (North By Northwest)
1960 - Psycho (Psycho)
1963 - The Birds (The Birds)
1964 - Marnie (Marnie, Confessions of a Thief)
1966 - Tom Curtain (Torn Curtain)
1969 - Topaz (Topaz)
1972 - Frenzy (Frenesi)
1976 - Family Plot (Plot Macabre)

Short Film

1929 - Sound Test for Blackmail
1944 - Aventure Malgache
1944 - Bon Voyage
1944 - The Fighting Generation (uncredited) 1945 - Watchtower Over Tomorrow (not credited)