Monday, September 28, 2009

Starcraft Starflyer Parts

OEDIPUS - THE MOST TRAGIC OF MYTHS AND HUMAN FACES


Greek mythology consists of a vast and rich gallery of characters, divided into gods, demigods and heroes. The Oedipus myth is the most human of all, a synthesis of ancient Greek view on poverty and human tragedy. Oedipus born king, who bears a curse inherited from his father. Away from the mother, he grows up by another family of kings. Handsome, virile and intelligent, his myth avoids the traditional heroes, like Achilles, that theme as the essence of warrior strength and virility of epic adventures. Oedipus has the intelligence as an ally, which makes it fair, deciphering the riddles of the gods and humans, making it through wisdom, leader and winner of his people.
But exactly the greatest enigma, which governs its own life, will be the point Search Oedipus. Caught in the tangle of their truth, Oedipus kills his father Laius and marries his mother, the beautiful Jocasta. Becomes a mighty king, ruling with wisdom justiçae on Thebes. But Oedipus, who committed the acts innocent, is guilty of the murder of his father and incest with his mother. Fate had decided his tragedy, the gods led him to the crimes, that the curse would come true that he was legacy.
One characteristic of the polytheistic religions is that man is born and now lives with the determination of Destiny, the larger entity and sovereign of the gods. The monotheistic claim that man is who, through free will determines his destiny. The Oedipus myth aligned contradictions, because even innocent, he is guilty of inheriting the curse on generations of their family as well as Adin , that of Catholic Christianity cast curse of death on their generation human.
Oedipus is the most human and tragic myths. The victory over the Sphinx, the will to triumph over the curse of the gods, the murder of her father, marrying his mother, and the need to discover the disturbing truths of the human soul make Oedipus the most vulnerable men in the mirror, as well as humanity is to face his own truths. Oedipus is the key to the eternal love between involuntary maAnd son, between truth and falsehood. By discovering who you are, not support the image of the world and of himself, sticking his own eyes. Oedipus, in its tragedy, is the most perfect human conception of mythological creation, the vision that escapes from heróie of the gods, drawing the picture universal psychology of the mind of man and his eternal struggle against the gods created to justify the loneliness of the soul.

Oedipus, the symbol of the Greek Theatre of Tragedy

Initially, the Oedipus myth was only mentioned in the works " Odyssey" and " Iliad" of Homer (ninth century BC). Gradually, his mythological saga was developed, according to some historians, in a poem composed of eighth and seventh centuries BC, which was entitled " Edipodia " and that over time, be lost would definitely.
the Greek Theatre that was appropriated the Oedipus myth, transforming the issue in his greatest tragedy. It was through the theater that the character through the centuries, becoming the symbol of human tragedy, revealed in the whole design, both in his psychology, sexuality, ambiçãoe intelligence.
The profile of the Oedipus myth is the most well-known that Sophocles (496? -406? BC) described in his tragedy "Oedipus the King ", "Oedipus at Colonus "and" Antigone . "Oedipus Rex " describes him as a young and impetuous, that the peak of his apotheosis, wins the Sphinx, kills his father, marries the maAnd becomes the most powerful kings of Thebes. At the height of power and happiness, Oedipus is confronted with the truths of their actions. In Sophocles' play brings a climax of suspense, which develops as a rigid and precise mathematical theorem, a fact which actually reveals is the cruelest of truths. The play ends with the death of Jocasta and Oedipus blindness. In the play "Oedipus at Colonus ," the sovereign appears old and blind, exiled and driven by his daughter Antigone. Finally, " Antigone", last part of the Theban Trilogy , shows the tragedy of Oedipus in the offspring that reaches Antigone, Ismene, Eteocles and Polynices, sons had with his mother.
Aeschylus (525-456 BC) also devoted part of his work in creating plays about Oedipus myth, making them part of the Theban cycle, "Laius & rdquo ;, "Oedipus "," Seven Against Thebes "and" The Sphinx ", the latter being a satirical drama. Finally, Euripides (480? -406 BC), last of the three major Greek tragedians, wrote "The Phoenician " where Oedipus shows an old, living in Thebes, enclosed by their own children.
Thus, Oedipus is synonymous with the greatest tragedy of Greek drama. Fundamental point of his essence. It is the largest human character created by the imaginative genius of the culture of ancient Greece.

The Roots of Tragedy About the Children of Labdacus

The curse that befell Oedipus began with Laius, son of A bdac, wise Theban king. When the king died, Laius was still too young to rule Thebes, which led Lico, loyal follower of the king to assume the regency of the throne. But Lycus took the throne from the Anfiãoe Zeto nephews. Fearing being killed Laius fled for Elida, being welcomed by Pelops, king of the place.
In the realm of Pelops, Laius and Chrysippus, the youngest son and favorite of the king, fell in love violently. Hidden love that young people live with the fury of lovers. Blinded by feelings, Laius decides to kidnap the beautiful Chrysippus. On the Trail, attracts to itself the wrath of Pelops, who pursues relentless lovers. Fearing punishment from his father, Chrysippus committed suicide. Overcome by grief and hatred, Pelops casts a curse that will befall all generations descending of Labdacus, present, past and future. Upon hearing the curse of Pelops, the Gods take care that it is fulfilled, and the Destiny takes the mission of putting it for three generations. After the death of
Chrysippus, Laius returned to Thebes, has waged an uphill battle against the usurpers of the throne, returning it definitely for you. To reign and absolute sovereign, the king decided to take as wife the beautiful and sensitive Jocasta. As soon as he saw it, it became a passion for it, being perfectly matched pela mulher. Juntos, reinaram sobre Tebas, trazendo prosperidade para a cidade, e despertando o respeito do povo.
Feliz ao lado de Jocasta, Laio já não se lembrava da tragédia que se abateu sobre Crisipo. Reconstruíra a vida, fazendo-se justo e bondoso, amante e ardente. Para completar a felicidade, só lhes faltava um filho, que seria herdeiro de toda a opulência de um dos mais prósperos reinos da Grécia.

Édipo Nasce Sob os Presságios do Oráculo

Toda a Tebas regozijou-se quando a bela rainha Jocasta said he expected the coming of the heir. Initially happy with her pregnancy, Laius leaned over the woman's belly grew, suddenly feeling a strong pain. Unwittingly, the king would let themselves down by an unknown sadness, despair by a stranger approached the more the time of birth. Taken by
omen, Laius decided to go to Delphi, where he would consult the temple of Apollo. In oracle, asked about the heir to be born from the womb of Jocasta. Relentlessly, the oracle revealed a terrible prophecy: "The son that the queen was on his belly would kill his own father, and would marry the mother, and finally lead to the ruin palace of Thebes .
Laius was upset before such a tragic revelation. Upon returning to the palace, he found the words of the oracle to Jocasta. The Queen was saddened, heartbroken, no longer felt joy to look at the belly. Even sad, never stopped loving that which it would rise, even though it brought a curse on all.
When the child was born, Jocasta united all the forces of your being to hand it to her husband. Suffering, saw the child being torn from her arms by the force of prophecy. Laius, in silence, took the child to himself and left. Jocasta let himself fall on the bed, crying all the tears of a mother, but with the certainty that preserved the justice of the sovereign. Away from the palace
Laius went next to a slave, to the mountain Cithaeron, with a determination to eliminate child. In the middle of the woods, he looked small. Dared not kill him directly. Determined, violently punched the feet of the newborn, amarrando-os com uma correia, pendurando-o em uma árvore. Ali, deixou o pequeno para que morresse.
Mas o Destino já decidira que a criança não morreria, que cumpriria as palavras dos deuses, proferidas através do oráculo. Ao caminhar aos pés do monte Citerão, um pastor ouviu os choros do pequeno. Compadecido, tomou-o para si. Levou-o para Corinto, entregando-o ao rei Pólibo. O soberano limpou o sangue dos pezinhos da criança, lavando-os com água quente. Viu-o parar de chorar e sorrir na sua inocência infantil. Pólibo levou o pequeno à presence of his wife, Merope. The Queen was taken to happiness, because his belly was never able to conceive a child. Together, the rulers decide to adopt the child. Deposit it in a cradle of white silk. They call him Oedipus, would be created with all the love that refused her real parents.

A Father and Son in Fatal Clash

Oedipus grew up happy in Corinth. He was admired by all. Grown beautiful, bringing a tall stance that all boys imitated. Never revealed to him the true origin. Polyhus Merope and brought him up as the son and legitimate heir to the throne.
But as an adult, he heard rumors that she was adopted. Despite the denial of the parents became suspicious and unsure of who she was. Oedipus never be closed to their truths, as a boy who was chasing her, she was fearful or joyful. Thus, under the suspicion of the rumors that came, came to the oracle of Apollo at Delphi, for the gods to render its hidden truths. Again the oracle was ruthless in his words, saying the young man: "Thou shalt kill your father and marry your own mother. "Faced with the cruel
prophecy Oedipus tried to annul the words of the gods. Desperate, he left Corinth, fleeing Greek roads. He had decided never to return, not to fulfill the prophecy and kill Polyhus marry Merope. It would be eternally wandering exile from Corinth.
But the gods had already decided that the prophecy would be fulfilled. Wandering the streets, Oedipus arrived at the crossroads of Megas, where the paths converge Daul and Thebes. Stop undecided. Where to go? To Thebes? Why feel almost vital to follow the path of that city? On the road, an unexpected surge, the arrogant Polifontes, requiring that the foreigner himself off the road, so that his master, Laius, can pass. Faced with the harsh words of the servant, Oedipus does not move and remained impassive. Angered, the young Polifontes assaults. In defending himself, Oedipus strikes a blow against violent aggressor. Angry, avenging Laius's servant, hitting blows with the stranger. Oedipus turns to Laius, looking at him deeply. Father and son face to face, do not recognize. Dock into a violent fight, beating themselves as fierce enemies. Laio falls under the sword of Oedipus. When falling, bathed in blood, looking for the assailant struck with a strange tenderness. Death takes him in her arms. Oedipus continues to struggle with the heralds of the king, making two of them fall over. Only one flees, escaping the fury of the outsider.
spite of having committed crimes in a fight in self defense, Oedipus feels weird in front of those killed. Continues his wandering, heading to Thebes, where the gods reserved for him the complete fulfillment of the curse. On the road, lay Laius shed blood after the sword of the son.

Decipher the Sphinx Oedipus and married his mother

After still err by roads, Oedipus arrives at Thebes. Find the city in panic. The Sphinx, a monster half woman, half lion-tailed dragãoe wings of a bird of prey, threw a terrible enigma to all who passed along the road, " Which animal has four feet ; s morning, two at noon and three o'clock in the evening? "
Nobody knew the answer. As punishment, she chose a Theban citizen and devoured it, making the population gripped by fear and terror. By finding the Sphinx, Oedipus has accepted the challenge to him. When you hear the riddle, he promptly replied: "The man . In childhood creeps on hands weigh; in adulthood, remain on two feet, and in old age must use a cane to walk. "Given the intelligence
Oedipus, the Sphinx was grieved. Proposed launch you a new puzzle: "They are two sisters. One creates the other. And second, in turn, is generated by the first. Who are they? "
Oedipus answered without hesitation: " The light and dark. Daylight brightens opened in heaven, it generates the darkness of night, which in turn precedes the daylight .
Young answered all the riddles of the Sphinx. Wisely, it reveals the tricks and spells. Embarrassed, she rose to the top of the cliff, throwing himself on the rocks. The suicide of the monster was applauded by the Theban population. Oedipus was acclaimed by the people as their king, since Laius was dead and had left no heirs. Already
King Oedipus sought to know the sad widow of Laius. Sadly, the beautiful Jocasta found himself in his room closed. Impetuous, the new king invaded his privacy. Face to face, Oedipus and Jocasta contemplate themselves, moved by a strange attraction, urged that a recognition of the bowel. Without which they could identify those feelings were confused, we thought the passion fruit. Magnetically attracted to each other, they gave themselves a dance of hugs and kisses burning. Thrilled, joined the naked bodies in one soul. Maee son loved to exhaustion of the senses. In the mind of Oedipus was decided, the widow of Laius was his wife and queen.

In Truth Blindness

For years Oedipus lived happily alongside Jocasta. She bore with four children, two women, and Ismene Antigone, and two men, Eteocles and Polynices. He became a wise ruler and loved by the Theban. But one day, Thebes was beset by a terrible plague. In the fields, the plants were drying, the plants died, leading to hunger at all.
Worried about the tragedy that had befallen his kingdom, Oedipus decided to consult the oracle. He sent Creon, Jocasta's brother, to Delphi. Again, the gods were merciless: "The plague only end when the murder of Laius be avenged."
By knowing the determination of the oracle of Apollo, Oedipus begins a scathing investigation to discover the murderer of Laius. Relentless in the pursuit of truth and justice, Oedipus consult Teiresias, a blind old seer, capable of in the dark your eyes, see the future and the past. Pressed by Oedipus, not left to guess but reveal the disturbing truth, the king of Thebes was the murderer of Laius. Thinking
be the victim of a conspiracy to remove him from power, Oedipus Teiresias expelled from his kingdom. But do not give up on seeking the truth. Seeing the grief of her husband, Jocasta tries to reassure him, because he could not have killed Laius. Tell him that a prophecy had said that her husband would be killed by his own child, but annulled the prophecy that by abandoning the child to death on Mount Cithaeron. Laius, Jocasta said, had died in battle at a crossroads by a stranger. The more he heard
Jocasta, Oedipus more was lost in the truths that it filled the air. Restless, anxious, Oedipus one begins to question the details of the death of Laius. Knows that there was a survivor. Calls for it to be found and come to his presence.
Simultaneously, a messenger arrives from Corinth, announcing the death of Polyhus. Even with the sadness at the news, Oedipus breathing easier, the failed prophecy of the gods, the father does not died by his hands. But the relief is short lived, the messenger reveals to him that he was the son of Polybius, who had been rescued by a shepherd who saw Laio leave it on the mountain Cithaeron. Even a newborn was taken to Corinth and created by the rulers of the city.
Upon hearing this revelation of the messenger from Corinth, Jocasta understand the truth. The man she loved and who conceived four children, was the heir generated by your cursed womb. In desperation, the queen fled to his chambers. The pain of revelation burned his chest. Throughout his life he had dreamed of having the child arms, had it so unworthy as husband and lover. Oedipus was her son. Lost in despair of revelation, the beautiful Jocasta hangs up. Dies without dropping a single groan. In the pale by the arrival of death, the last two tears traverse its length.
In the immense hall of the palace, Oedipus, to get the servant of Laius, to hear him latest revelation, the man recognized at the same king who had killed a stranger in love Megas crossroads. Oedipus finally deciphers the your own puzzle, was the son of Laius, whom he killed, and Jocasta, whom he had married. Desperate before the revelation, Oedipus runs into the apartments of the queen, hoping to embrace it as maAnd ask forgiveness for their shameful mistake. When it comes to the bedroom, the beauty queen is dead, killed by his own hand and guilt. Before the mirror of his truths, Oedipus decides to no longer see the world. The image of his dead wife maAnd would be the last they would see. In an act of desperation, justice and punishment, he tore the brooches that adorned the dress of Jocasta. They pierced with their own eyes, plunging forever into the world of blindness.

Bring A Gap Body Oedipus

To rid Thebes of the plague, Oedipus promised to banish the murderer of Laius the middle of its population. When you reveal the truth, the unfortunate sovereign, he was victim of its own decree. Banned, blind beggar and squalid, Oedipus left on the roads of Greece, to expiate his guilt and curse. In its way, was always driven by his daughter Antigone, who would never abandon his father.
After spending time wandering in many lands, Oedipus arrived at Colonus, in Attica. There, he took refuge in the temple of the Eumenides, where he finally felt relief for his guilt, resting in the happiness of the righteous. Old and homeless, Oedipus had lost everything you can lose a man, youth, maAnd wife, the throne, wealth, vision. Was left to him the unconditional love of Antigone. After seeing Oedipus
wrong and the punishment had forced to live for himself, Apollo, the god who always prophesied to his misery, and through the pitfalls of Destiny, charge you the fulfillment of it, finally had pity on their suffering. The god of light comforted him in recent years, attracting the blessing of the Olympians to the place that would serve him for he had buried.
already old and tired, Oedipus walked to the edge of a cliff, there sat on a rock, dressing up in a shroud. There was a loud bang in the sky. The earth opened smoothly, getting the body purged of suffering and Oedipus. The location of the tomb of the most famous king of Thebes was never revealed. It is only known who is in Attica, and for this reason that land is blessed by the gods of Olympus.

Delivery of The Curse

But the curse upon the descendants of Labdacus not ended in tragedy is ; Dipo. After his father died, Antigone returned to Thebes, to join the brothers, Ismene, Eteocles and Polynices, the only family you have left in the world. By
return to Thebes, Antigone met the brothers, Eteocles and Polynices in serious competition for the throne. In a final confrontation, the two brothers engaged in a bloody struggle and fatal. The result was the death of both.
Creon, the uncle of the brothers fratricidal, Jocasta's brother, inherited the throne of Thebes. Eteocles was the favorite nephew of Creon, so he buried him with full honors, leaving the body of Polynices fallen dead where abandoned, forbidding under pain of death, any person to bury him.
Antigone was uncomfortable with the sort of Polynices, tried on all the arguments, convince the uncle to let her brother be buried, because he knew that without funeral rites, the late prince was doomed to wander for a hundred years by the river of the dead. Faced with the indifference of Creon, Antigone disobeyed his orders, and Polynices buried with their hands. As punishment, the king sentenced her to be buried alive. Even before the entreaties of Ismene, the kindest daughter of Oedipus was cruelly buried alive by the heralds of Creon.
Ismene, the last survivor of the sons of Oedipus and Jocasta, would later killed by the warrior Tideu. Upon reaching the third generation, was achieved by a curse on Pelops Labdacus.

Sunday, September 27, 2009

Homemade Sourcream And Onion Potato Chips

& MOUTHS - GAL COSTA WITH MOUTH IN THE WORLD

In 1977, Gal Costa came in recent years in three different moments of his career: first, in 1974, culminated in two albums, " Season Summer - Live in Bahia , "he shared with Caetano Veloso and Gilberto Gil, and" Singing "where the singer recorded the beauty your voice, choosing to clear a corner which valued the splendor of his unique voice, almost to bring us a recital of luxury. Despite the splendor of the moment, the public rejected criticism of the knockout and the perfection of that work, calling back the rebel Gal Costa accustomed to seeing from the psychedelic " Gal" 1969. The second time resulted in the "Gal Canta Caymmi ", released in March 1976, who was born in the ride's novel " Gabriela" (1975), when Dorival Caymmi composition of the opening theme, "For Modinha Gabriela", exclusively for the singer to interpret. And finally, the third time, the show "Sweet Barbarians" in 1976, which recorded the historic meeting on the stage of Gal Costa, Maria Bethania, Gilberto Gil and Caetano Veloso. Sure, the inspiration of the show "In the Mouth Worldwide " and, consequently, the album "Faces & Bocas", came from the circus scenes, of colorful clothing, and a moment of "flower power " late of "Barbarians Sweets."
"Guys & Bocas", released in 1977, could be a record of uneven show " With Boca in the World", shrugging up and surpassing in quality the show . The singing and rasping treble rebels who signed up on stage, disappeared in all age groups, showing a mature singer in a mellow repertoire. The theme "Flower Power " is almost unnoticeable on the album with a timeless creation existentialist on tracks like "Black Love" and "Guys and Mouth . The hard knocks experimentalism throughout the show, showing the disruption of Gal Costa, final, ready to make it become a great lady of the MPB. "Guys & Bocas" is final, after him, could not go back to the stage of rebellion it once was, but to inaugurate a new, as outgrown the singer herself, tearing off the national scene ready to bloom. The album is this, a contrasting youthful and mature beauty of Gal Costa, who was to become the next year, the highest interpreter of Brazilian popular music in all its aspects. The record is this, a seductive and final rupture of the real Bahia.

With the Mouth in the World - Echoes of the knockout

Gal Costa became, in the late 1960s, the muse of Tropicalia, the movement sang lonely when Friends Caetano Veloso and Gilberto Gil went into exile in London. Of the Tropicalia existentialist philosophy and the psychedelic underground of the knockout, Gal Costa has become a youth icon of bearded intellectuals and ideologically "with no scarf, no document." Gradually the singer grew in prestige and vocal maturity and stage. Her lush sensuality contrasted with the natural intimacy, making it something unique and definitive. The knockout was getting on the road and Gal Costa was more than a singer of a certain sector of Brazilian society.
When he was thirty, sailing triumphantly by the musical universe of renowned Dorival Caymmi, expected and demanded from her most daring flights within the essence MPB. But, stubbornly, she turned back, he wanted to re-embrace that youth that tore through it, forgetting that his beard had been shaved, and bypassed the expensive cleaner trends. The show "The Sweet Barbarians ," 1976, went against the time, and insisted that the dream " flower power" was not over. He was met by fierce criticism. After the show, Maria Bethania had a career if he left without affecting the climate, and Gilberto Gil, after the humiliation by imprisonment for drug possession, has joined Rita Lee, in a unique spectacle. Gal Costa and Caetano Veloso let themselves be taken by the hippie nostalgia that had ended in Woodstock. Bahia The Master made it clear that time with the release of " Odara " a word that has become synonymous with alienation in a Brazil strangled by a military dictatorship.
Unlawful that was demanded of it, Gal Costa has chosen to show a youthful, rebellious to the climate that passed between the knockout and Tropicalia. Guilherme Araújo, then manager of the singer, was against but and insisted she was born " With Boca in the World", a show that caused controversy and contempt of criticism of Rio, in his debut at Teatro Carlos Gomes, Praça Tiradentes, the center Rio de Janeiro. Gal Costa dazzles on stage in a long dress with a forward slash. Vineyard rebellious, provocative, erasing once the effect of the recitals of the "Singing . Returned with a rasping corner, almost dirty, accompanied by strident metals, and to explore the acute exhaustion challenging, recalling the era of "Fa-tal - Gal a Todo Vapor . But the resemblance faded away before the scenic apparatus, something unprecedented in the singer's concerts. The lighting has negative criticism of all, without exceptions. The repertoire, she brought back the icons knockout songs, " Black Pearl" (Luiz Melodia) and "Vapor Barato (Jards Macalé - Waly), and the psychedelic Tropicalia, " Cinema Olympia "(Caetano Veloso). At a time that Maria Bethania publicly declared to be the only singer who could interpret in Brazil Chico Buarque, Gal Costa dared stage, which had never done on disk, the composer singing, doing it in two moments of brilliance and only to "Flower of the Ages " and "What Is ( At Terra Flora )", only for historical interpretation, culminating with the singer alone, the guitar, playing " Please A "was worth all the misconceptions of the show.
" With Boca in the World", which aimed to release his new album "Face & Mouth " suffered severe rejection, which would not affect anything in the disc. So at age 32, the singer promoted the highest break of his career, ending with the show, all the echoes of the knockout. The result proved the following year with her album "Living Water .

Voice, Note Crystal Transparent

"Guys & Bocas " album from 1977, is almost all the songs that played on the show Gal Costa " With the Mouth in the World . Had the excellent arrangements produçãoe Perinho Albuquerque. Unlike the show, the interpretations of the disc went out of the corners and sharp rasping rebels, bringing moments of softness and strength of a mature corner, ready to be explored in all its technique. The cover blended the relaxed era of "flower power " with the sophistication of a woman Balzac. Featured singer in profile, her hair disheveled purposefully on a black background. The photographs, inventing and pouting, justifying the title, were made by Marisa Alvarez Lima. Features ten tracks, three of which are versions of American composers.
The singer began the drive with intense delicacy of "Guys and Mouth " (Caetano Veloso - Maria Bethania), that song alone sets and aligns the entire proposal. Verses loose, existentialism of a more sophisticated than eloquent, intimate interpretation of color in the purchase, but intense Gal Costa. The music draws the perfect translation of a large woman who poses as a singer to follow the life of Brazil:

"But if this neck cords hidden
Of this
breast smothered
this HEART ; the jumbled
appears a bright note
Crystal transparent "

And the crystal voice, explicitly revealed in the wording and interpretation, followed by invading and ripping the tracks. "I refuse " (Rita Lee - Sérgio Luís - Lee Marcucci), gives way to levity Rita Lee ephemeral to perennial youthfulness of Gal Costa. Vibrant, cheerful, almost adolescent, the song is a nice rebellion against loneliness, flinging open the doors of the passion that is between someone without fear. The singer plays with the song, without at any time, fail to take seriously his corner. After all, everything was "on morality of the place "And nobody knew how Bahian tradition of breaking any habit.
The moment of youthful passion gives way to an intimate song, almost epic, "Call Me Crazy ( Crazy He Call's Me ) (Carl Sigman - Bob Russell - version Augusto de Campos). Great success of American music, the version of Augusto de Campos, Concrete poet, is poetic, combining beauty of tone and singing lyricism of Gal Costa. And she sings in the fire of feelings, without walking on it. Move mountains with the sweet voice of a mermaid, and the poetic words of the melody, we received the key to his musical heaven, without daring to call it even a moment of mad. In
"Clarie " (Pericles Cavalcanti), we find the maturity to hit the corner of Gal Costa, leading a moment that in other times, not avoid the knockout of passion. Interpretation of elaborately tearing a supposedly intimate latent. "Clarie " had two public releases, the album and the single compact 6069.177, released by Philips. And in the hope of a new moment that was hidden, brightening the career of the singer toward permanent identity.
the same pace, side A of the LP was finished with "My Eastern Star is ( Tindoró Dindinha )" (Jorge Ben). The world always cheerful Benjor reached safe haven in voice and style of Gal Costa. Composer had their songs recorded by her from the time of Tropicalia. The lightness existentialist, almost beast cricket, the song emphasizes the proposal of the neotropical disc, with bourgeois elegance to hippie balzaquiana who performed breathtaking. Typical music daring the universe of the muse of Tropicalismo and knockout.

Moments of Poetry and Interpretive Density

The B side of the disc was initiated by the mythical " Tigress" (Caetano Veloso) one of the most sublime and compelling interpretations of the singer's career. That year, the song was recorded simultaneously by Caetano Veloso on the album " Bug" and, by Maria Bethania, in "Morning Bird . But the interpretation was contrasted with an intimate intensity imaging, Gal Costa, the song got the exact shade of their transgressive vitality, making it a great success in 1977. The song was the theme of the character of Sonia Braga in the novel "Magic Mirror ," Lauro César Muniz, produced by TV Globo. Legend has it that " Tigress" was made for the actress. Several aspects of the trajectory of Sonia Braga shows up revealing verses, who had worked as an actress in the assembly of the legendary Brazilian musical "Hair " in early 1970. "Tigress " cites other times dated, but on the whole, they disappear under a remarkable and timeless song. Lyrics extensive and poetic moments intense, as Gal Costa knows how to drive perfectly, becoming, with his black mane, tiger of his own verses.

"Rubbing the skin golden brown
From his body against mine
told me that evil is good and very cruel"

And the intensity of the disc continues, reaching a peak in " Black Love ( It's All Over Now, Baby Blue ) "(Bob Dylan - Version Caetano Veloso - Pericles Cavalcanti). Unsettling, dense, deep, thematic symbol of the generation " Flower Power", "Black Love " brings back the era of Gal Costa's knockout, an interpretation that transits among the perfect technique of singing and passion that has always broken in emoçãoo intimacy of the voice. Pungent, almost dead, the world of Bob Dylan came to the poetry of natural MPB. The precipitation in the deep existentialist song not balance destroyer Gal Costa emotive that this interpretation is sublime and unique. She ended here, officially, the loan of her singing to that movement started there in the beginning of everything. And for those who insisted that the dream was not over, it said

"Scratch another match, another life, another light, another color
And there's nothing else, black love"

Final Live

density achieved is diluted in the proposed "My Sweet Love " (Marina - Duda Machado), where the sharp ringing of the singer are used with an unusual field, making the song grow dramatically. Marina Lima was introduced into Brazilian music as a songwriter with extraordinary brilliance. Gal Costa is here jovial, intense, passionate. And if the blood was fresh, all listeners who have bled in that voice did not fail in search of the peak. And the intimate epic
back in "Solitude " (Duke Ellington - Eddie De Lange - Irving Mills - Version Augusto de Campos), the third and final version of the disc. The world is never so lonely as our interpretation of intoxicating siren. Gal Costa mad pain with his sweet voice and sharp, when the theme is loneliness. " Solitude", though intimate, achieved success, becoming the soundtrack of the novel " Dancin 'Days " by Gilberto Braga in 1978. The success was immediate, and the singer was invited to join a chapter the novel, finding himself with the characters of Joan and Sonia Braga Fomm. On the track, another moment of delicacy and intuitive interpretation of emotion.
During the show "With Boca in the World," one of the most applause was when Gal Costa sat at a small bank, and the guitar solo, played "A Favor (Lupicinio '). The crowd went wild. The singer brought to the album that moment of beauty, ending with this song the ten tracks on " Guys & Bocas. " The version presented here was not recorded in the studio, came directly from the stage, live. Cleverly, the album was finished in a tone that gave the feeling of having been made all live in the warmth of the audience that he had heard all the tracks. Gal Costa draws the poignant tone of the universe for loner Lupicinio ', giving him, with the complicity of the public, a dimension of hope in the face of setbacks passion. Following this interpretation, the song became a classic of the MPB.
"Guys & Bocas " he concludes, with sofisticaçãoe beauty, which was only hinted in With Boca in the World. " Consolidates the prestige of Gal Costa, making clear that it was time to take the bare feet of the singer on stage, so he stepped sandals with silver at the heart of Brazilian popular music.

"My face breaks into the scene
Rips life
Display brightness
Acute musical"

Credits:

Guys & Hot Plates
Philips
1977

Production Director: Albuquerque Perinho
Direction Studio: Perinho
Albuquerque Technical Writing: Chocolate, Ary Carvalhaes, Jairo Gualberto and Luiz Cláudio Coutinho
Technical Mixing: Luigi Hoffer
Aides Studio: Julinho, Hannibal and Varella
Assembly: Luiz Cláudio Coutinho
Cover: Aldo Luiz
Pictures: Marisa Alvarez Lima
Artwork: Jorge Vianna
Studio: Regency and Phonogram
Arrangements: Thomas and Albuquerque Perinho Improta

Musicians Participants:

Piano: Thomas Improta
Guitar: Perinho Albuquerque, Vinícius Gomes
Canterbury and Bob Bass: Rubão Sabino and Moacyr Albuquerque
Guitar: Rubão Sabino and Gal Costa (A Favor)
Battery: Robby Silva, Paulinho Braga, Aeneas and Vinicius Costa
Canterbury Folk Guitar: Rick Ferreira
Flute Harmonica Jorginho
: Maurício Einhorn
Percussion: Monica Millet, Bira da Silva, Djalma Correa
trumpet player: Wanderley
-Alto Sax: Tuzé Abreu
Sax-Tenor: Raul Mascarenhas
Sax Solo: Juarez Araujo

Tracks: 1

Guys and Mouth (Caetano Veloso - Maria Bethania), 2 Me refuse (Rita Lee - Sérgio Luís - Lee Marcucci) Call Me Crazy 3 (Crazy He Call's Me) (Carl Sigman - Bob Russell - version of Augustus Campos), 4 Claire (Pericles Cavalcanti), 5 My Star Is East (Tindoró Dindinha) (Jorge Ben), 6 Tigress (Caetano Veloso), 7 Negro Amor (It's All Over Now, Baby Blue ) (Bob Dylan - version Caetano Veloso - Pericles Cavalcanti), 8 My Sweet Love (Marina - Duda Machado), 9 Solitude (Duke Ellington - Eddie De Lange - Irving Mills - version Augusto de Campos), 10 A Favor (Lupicinio ')

Friday, September 25, 2009

Why Doesmy Oovoo Sidebar Only Work

AMNESTY - THE RETURN OF EXILED


With the end of the Institutional Act No. 5 (AI-5), which expired in January 1979, was open the way for it to enact a law to bring amnesty to prisoners, exiles and processed by the so called politically motivated crimes.
The fight for amnesty in Brazil had become intense, beyond the left parties illegal, reaching, since 1975, concrete and important sectors of Brazilian society. If women in 1964, the church and entrepreneurs have joined in demonstrations to receive military coup, the political landscape had changed the face of brutality of the dictatorship established in the country, no longer believed in the lie that was told about a possible Communist revolution. Mothers, wives, children and friends of political prisoners, along with students, politicians, journalists and stronger popular subscriptions, have banded together and formed committees to fight for amnesty, the broad and unrestricted Brazilian exiles all that sad and dark period of military dictatorship.
Pressured by the movements for the amnesty, the government sent in July 1979, a bill to Congress, which provided for the forgiveness of crimes politicians. The government's proposal, which excluded those convicted of terrorism and favored the military and the authorities responsible for acts of torture, had been rejected earlier by the opposition party Democratic Movement Brasileiro (MDB), which required a broad amnesty and blatant.
Even in the face of limited protests and eager to Brazilian society, by 206 votes to 201, was approved Law 6683, enacted on August 28, 1979, by the last military dictatorship of President, Joao Figueiredo. The amnesty law has benefited 4,650 people, causing them to return country to the politicians who in 1964 were taken as the greatest enemies of the military regime: the former governors and Miguel Arraes Brizola. Some time later, the Brazilian airports have been taken by returning one by one, the so-called stateless, one day, to fight against the military dictatorship, left by the back door of Brazil's history. The apotheosis was back in party mood, with wide press coverage. It was the biggest win against the repressive government installed since 1964.
Three decades after enactment of the law in 2009, Antonio Geraldo da Costa, Neguinho, a former marine and militant leftist organizations, was the last political exile to return to Brazil, ending forever the cycle.
The amnesty law promulgated since it had withdrawn some of its articles, and is still controversial, since it left the butchers exempted from the punishment of the holds of the dictatorship that tortured and killed hundreds of people. Even before the protests, was undoubtedly the biggest step to the back of the opposing leaders and historical and bury it for once, the military dictatorship, ends in 1985.

Women to Fight for Home Give Amnesty

After massive march through the streets of Rio de Janeiro, which received the insurgent troops commanded by General coup Olympio Moura the Son, and the overthrow of President Joao Goulart consolidated; began immediately, persecution, expulsion, torture and purges, which hit civilians and military contrary rivers to the coup.
In the first phase of the dictatorship, pre-AI-5, torture, although more discrete, only lost to the forfeitures. After December 1968, promulgated the AI-5, he withdrew the habeas corpus for political prisoners, and as a consequence of the institutionalization of torture banalizaçãoea . Repressive laws such as the National Security Act, or the death penalty for so-called terrorists were implemented. The leftists have lost their civil rights, going into hiding.
In immediate response to the government's repressive measures military, left the established urban guerrillas and kidnapping foreign diplomats in Brazil. Several political prisoners were exchanged for the hostages. In exchange, they were put on planes and sent to any country that would deign to receive them. Once out of Brazil, these political prisoners lost the right to citizenship, becoming stateless. Since then, began, tentatively, that a struggle for amnesty for the imprisoned and persecuted the scheme.
The fight for amnesty not only meant the pursuit of regaining redemocratizaçãoea political rights, but also the return of citizenship to illegal immigrants and stateless persons, and to end torture in the dungeons.
Officially, the fight broke her amnesty of Brazilian women. In 1975, the Organization of United Nations (UN) said that the International Year of Women. In commemoration of the event, Therezinha Godoy Zerbini, a respected lawyer, wife of General Euryale Zerbini, impeached in 1964 for giving its support to the government of John Goulart, founded in São Paulo, Male by Amnesty Movement (FMAP), who became a voice of civil society in the fight against the repressive measures of the system in favor of the order of exception acts against prisoners and political exiles.
Interestingly, the movement started from a traditional military family, confirming that not all of that sector of Brazilian society were in favor of dictatorship established in 1964. Therezinha Godoy Zerbini was always guarded by the police's repressive regime. Was arrested on charges of having procured the loan of the site Ibiúna, where he gave the famous and fateful conference of the National Union of Students (UNE) in 1968. Along with eight other women, the lawyer drafted a manifesto in favor of amnesty, reading it in Mexico City during a UN conference, in commemoration of International Women's Year.

hatch Movements By Amnesty

naçãoa calling on all to fight for amnesty, the women's movement spread to many sectors of society, bringing them to the accessions of Bar Association of Brazil (OAB), the Brazilian Press Association (ABI), the Catholic Church and the Brazilian Center for Analysis and Planning, among others. In 1976, the Brazilian Society for the Advancement of Science, was the applause when three thousand people in the meeting, passed a motion calling for amnesty. In 1978, he founded the city of Rio de Janeiro, the Brazilian Committee for Amnesty, based in ABI. Brazil has adhered, from north to south, to that movement. The struggle reached
also sectors led by politicians who were part of support government, as Senator Teotonio Vilela. When you visit the 84 political prisoners on hunger strike throughout Brazil, the senator came into contact with the sad reality of torture in the country, showing the terror that fell upon those prisoners. Moved, Teotonio Vilela knelt in front of torture victims and apologized for not having seen before such barbarity. The senator would become a strong advocate of democratization in Brazil. In the struggle for amnesty, he went out at rallies across the country, releasing a dove as a symbol of hope. Your gesture will be repeated at the rallies of the Direct Elections Now movement in 1984. Teotonio Vilela go down in history with the nickname of "Minstrel of Alagoas. Seeing
touch so many movements, the government decided to send himself a draft amnesty for Congress to avoid that extended to its greatest enemies, called terrorists, and to safeguard the military and civilian personnel directly involved with Torture in Brazil, avoiding suffering punishment or retaliation in the future.
Thus, the then minister justice, Petronio Portella, drafted the bill in July 1979, sending it to a vote in Congress in August. The final text would be announced in a televised ceremony.
Backstage, opposition to military regime condemned the project and the constraints that brought. From July 22 to August 22, 1979, was held a hunger strike in Brazil for political prisoners, contrary to the law of amnesty project drafted by Petronio Portella. Movements that erupted across the country, the slogans were: " Amnesty Broad, General and Unrestricted .

Enacted Law

Specifically, the project benefited the prisoners who fell in the punishment provided by the National Security Law. From April 1964 to July 1979, 2,429 people had been convicted of that law. They were divided into two groups for the purpose of amnesty:
The first group, comprising 1,729 people, was punished for the crimes of the politicians themselves, they being the clandestine militants who had not been involved in terrorism. Thus, the law benefited immediately, the leader Communist history Prestes, former student leaders such as Vladimir Palmeira, the political leader and former governor of Rio Grande do Sul, Leonel Brizola, the sociologist Herbert de Souza, sister ; of the Henfil, that would be immortalized by the song "Drunk and The Wire ," John Bosco and Aldir Blanc, and several others.
The second group, composed of 700 condemned inmates gathered for bank robbery and acts of terrorism. Facing criticism, Petronio Portella declare that in future, some of them could receive a pardon.
Finally, on August 22, 1979, the bill went to vote in Congress. That day, in Brasilia, three thousand people took to the streets in a rally to demand a general amnesty and unconditional. In the plenary session of Congress, no empty space left by the crowd that filled him. In the galleries, listen to the popular, which resoundingly booed every speech made by the representatives of the National Renewal Alliance (ARENA), the repressive government party. After a tight vote, was approved by 206 votes to 201, an amnesty for politically motivated crimes committed in Brazil.
On August 28, 1979, the military president, Gen. Joao Batista Figueiredo, sanctioned the Law No. 6683, drafted by the government of the dictatorship, which would be known as the Amnesty Law. It was called the forgiveness that the repressive government, winner in 1964, gave his vanquished foes and future winners of democratization in 1985. They were pardoned all citizens punished since April 9, 1964, edition date of the Institutional Act No. 1 (AI-1). Students, intellectuals, teachers, scientists, former military, especially low rank, many deprived of their office, received the benefit of the new law.
But the Law of the amnesty would bring its restrictions. The reuse of public servants and military amnesty, was subject to the decision of special committees created by the respective ministries to examine each case. Gone are classified by the convicted persons " violent crimes or terrorist acts committed by those who resorted to groups armed struggle. Those who committed violent crimes against the left, the military torturers and murderers, have all benefited.
The amnesty law has reached and benefited 4,650 people. He freed political prisoners who were confined in jail in Brazil, benefited deprived of their jobs and duties, which allowed the return of exiles. On November 1, 1979, started arriving at airports, the first political exiles. Miguel Arraes, Herbert de Souza, Brizola, Fernando Gabeira ... Everyone who came was received applause and smiles from under the registration of the national press.
In 1985, Romero Theodomiro dos Santos, a former militant of the Revolutionary Communist Party of Brazil (PCBR), the only political prisoner who had been sentenced to death for killing a sergeant of the Air Force in 1970, was the last political exile to be granted amnesty, pardon the democratization of the country. But curiously, the last political exile to return to Brazil in 2009, thirty years after the promulgation of the Amnesty Law, was the former sailor and militant urban guerrillas, Antonio Geraldo da Costa, Neguinho, aged 75. He had lived until then in exile in Sweden, with a false identity. He did not return earlier because he did not believe that the amnesty was true.
Bringing Brazilians 'stateless' back, the opponents of the regime to release prisoners, ended a period of pain and shame in the history of Brazil. The amnesty tortured, thanked the Amnesty Law, despite challenge it at various points the pardoned torturers never made an apology to the nation, arrogantly continue to urge that complied with the patriotic duty, protecting the nation. Nation that they protected? The minority elite that represented?

Thursday, September 24, 2009

White Stuff By Clitoris

VINCENT SESSION - THE INVENTOR OF THE STYLE OF SEVEN NOVELAS


Vicente Sesso is one of the most important names in Brazilian television drama, which is often overlooked by those who tell the story of television. As Janet Clair and Ivan Ribeiro, Vicente Sesso was the one responsible for modernization soap operas, taking them into the current format.
The author was responsible for the ultimate success of the defunct TV Excelsior, "Blood of My Blood " in 1969. His move to TV Globo, in 1970, was with the novel "70 Pygmalion," the first production of the station in Rio for 19.00 hours with colloquial language, without the resque ; turnover of period melodramas. With this novel, Vicente Sesso inaugurated the style comedy-with-sugar water that prevails at the time until today.
The few novels that the author wrote became big hits, scoring a season. His text is intelligent, gentle and always flanked by a sophisticated humor. A stellar cast is another essential feature in his work, always taking the biggest names in theater and television in its weaving of the season. It was a novel by Vicente Sesso, "My Sweet Girlfriend" (1971), that Regina Duarte was hailed a "sweetheart Brazil." His characters excel by charisma identification with the general public, since the author writes is a transcription of daily life, he created scenes from what he saw around him. Unfortunately
Vicente Sesso traded Brazilian television stations for Latin, writing hits for the public of Argentina, Peru, Chile, Spain and Colombia, among many. Hyped by the great ladies of Brazilian theater, like Fernanda Montenegro and Tonia Carrero, is one of the most respected writers of this generation. In 2009, the SBT has bought the copyrights of three novels of Vicente Sesso for upgrading, among them "A Rose With Love" and "My Sweet Girlfriend . Rediscovering Vicente Sesso is to penetrate the deepest roots of the Brazilian telenovela genre. Even in modern times, the lightness of its simple texts did not allow age, because so comically describes the universal society itself, a reason that makes it successfully accepted at radio stations in other countries. Actor, director, playwright, novelist, adoptive father of actor and director Marcos Paulo Vicente Sesso is a staple of Brazilian television.

Vicente Sesso, Authentic Paulistano

Vicente Sesso was born in Sao Paulo on May 17, 1933. His verve paulistana never ceased to touch on the formation of personality. His father, Francisco Sesso was military, and his mother, Filomena Rotel Sesso, owner of a sophisticated home fashions and hats. The junction of the parents helped build the universe dramas of the author. Vicente Sesso even made the costumes for some of the characters in his novels. Her heroines were bringing courage and the momentum that emanated from the mother. The hard work of parents, forced to be created and educated by a German governess. The housekeeper's strict upbringing has led to five years, to read German.
A passion for theater was inherited from his father, a military focused on the performing arts. Francisco Sesso usually take their children to almost all the shows that passed through Paulicéia. The allure of the theater Sesso patriarch, had him caught friends with several actors. One of the friendships he cultivated was with Italy's Franca Bonni. The actress was riding one part to work with a company in Argentina. In the play had a role as a child, and that the actor-Mirim live, expected from Italy, did not come. Then-Vicente Sesso teen was scheduled to live the character. It was the acting debut of the one who would become a great dramatist of television, theaters in Argentina, a part of Italy. When he returned from tour, his passion for theater since he ran in his veins.
Still a teenager, won a scholarship to study in Europe. In London, England, noted the mechanisms the newest communications vehicle that had landed in Brazil, the television. He saw up close how the works were made on BBC television in London. When he returned to Brazil, learning the scenes featured on television in its infancy.

The Air As dramaturgicnovel

In Brazil, Vicente Sesso, a 18 year old, was working with an amateur theater group. Although very young, ran a competition for the position of stage director, with the function to inaugurate several neighborhood theaters in the city of São Paulo, being one of the winners. In office, he began to pick and drive parts, especially early in the profession.
The artistic life of Vincent Sesso intertwined with the history of Brazilian television. Soon he returned from London, was working in TV Tupi, at the invitation of Cassiano Gabus Mendes. Remained at that station until the departure of Grace Melo, who took him to the TV Paulista, in 1952.
On TV Paulista, now part of "Great Theatres " with groups that were transmitted to pieces Monday. His genius soon emerged in the works. He spent a say in the texts, which he considered bad. Facing criticism, Grace Mello challenged him to write a better text. Accepting the challenge, wrote a piece for Christmas, "Ramos of Boys." By delivering the text, he saw the face of disbelief Grace Melo, who doubted that he was the author. The result was immediate, Vicente Sesso won with the text, the award for best writer of the year. Born a new television drama would write his name in the history of Brazilian television.

Tickets For Major Broadcasters Primordial

still on TV Paulista, Vicente Sesso went on to write the monologues of a program directed by Graça Mello. Became responsible for the channel displayed in theaters. It was deftly creating and adapting several pieces. Perfectionism involved a lot of her theater work. Handled everything thoroughly, from makeup to lighting. Began to design clothes for the characters he created or directed, a trait that would follow in his future novels of the time. The young Vicente Sesso was seen as genial, and owned a temper and demanding. Within a year, adjusted and staged ten texts of William Shakespeare. At the time he began to question whether I wanted to pursue an acting career or a writer. Vicente Sesso
pass through the major Brazilian television stations in the 1960s, always responsible for the gender of teleteatro, where he won awards as well as best director. He returned to TV Tupi, where he began writing s series for young people, as the "Theatre of Fantasia," "The Adventures of Marco Polo," which ran for four years, and " Enchanted Garden . Always follow
Grace Melo, the author went on TV Record, where he learned the most advanced techniques of television, imported from the United States by American engineers. Later, he declare what was on TV Record has learned, in fact, working in television. Vicente Sesso
would become for a time, an independent producer, he was known for being ornery and want to do everything in their way. He served in the television department of McCann Erickson, hired as director.
His debut as a writer of soap operas would happen when he was hired by mítica e então poderosa, TV Excelsior de São Paulo.

O Último Sucesso da TV Excelsior

A TV Excelsior era conhecida pelo esmero que utilizava nas grandes produções. Suas novelas de época diferenciavam das da TV Globo pela qualidade dos textos, muitas vezes com inspiração em clássicos da literatura brasileiro. Seguindo a lógica, quando contratado pela emissora paulista, Vicente Sesso optou pela adaptação de obras de autores brasileiros, desenvolvendo trabalhos de fôlego, already in the style of the telenovela, as "O Guarani ", "Silver Mines " and "Lady ", all based on works by José de Alencar.
In 1966 he wrote and directed the weekly series "The Adventures of Eduardinho " focused on the children and youth. The episodes, presented on Saturday, blended folklore national and international levels with characters both historical and current. It had a cast member, receiving several guest stars. The show how curiosity has also launched the careers of actors Denis Carvalho and Marcos Paulo, the latter's adopted son Vicente Sesso. The actors and directors were present at the time children. The show would be on air until 1968. Originally aired and produced by TV Excelsior, then the TV Paulista / Globe, but without great success from the start.
intense work that the author had made a beginning of a heart attack at age 35. With failing health, Vicente Sesso was forced to stop the activities, away from the television for a long time.
already recovered, again in 1969 to write the plot of "Blood of My Blood " novel that would become a classic in the history of televisãoeo last big hit TV Excelsior, which was to go bankrupt soon after its completion.
" Blood of My Blood" was along the lines of the current soap operas, the first to be written by Vicente Sesso. Melodrama of the time, differed from contemporary novels Glory of Magadan on TV Globo for bringing an engaging and fascinating text, inspired not sheiks emperors or Europeans, but in Brazilian history, with the theme abolitionist who bothered the censure of the military dictatorship, forcing the station to change the broadcast schedule from 19:00 to 20:00. Besides writing the plot, Vicente Sesso created the clothes worn by the actors.
One characteristic of the author's novels is the use of a luxurious cast. " Blood of My Blood" brought big stars of theater and television, which at that time were at the peak of their careers. Francisco Cuoco, who played Lucius Rao, protagonist of the story, It stood definitely as big hunk of soap operas, and soon after, caught by TV Globo. Fernanda Montenegro was the painful Julia, thrilling Brazil. Tonia Carrero, another grande dame of the theater, made his debut in the novels, the role of Pola Renon, the actress would become a favorite author. Were still part of the constellation of stars, Henry Martins, Bruno Nicette, Rosamaria Murtinho Armando Bogus, Mauro Mendonca, Sadi Cabral, Rudolf Mayer, Nivea Maria, Edmundo Lopes, Rita nuclei, Cathedral ; rgio Britto, Aldo May, Nathalia Timberg, Cláudio CorreaI Castro, Enio Carvalho, Carminha Brandão, Nestor de Montemar, Edmundo Lopes, Antonio Pitanga, Rachel Martin, Gilmara Sanche s, Eduardo Abbas, Gladys Mary Eudoxia Acuña, Geny Prado, Silvio Abreu, among others.
In 1995, the SBT has a second version of "Blood of My Blood ," bringing Tarcisio Filho, Santos Lucélia Bia Seidl and the roles of Lúcio Rezende, Julia and Pola Renon, respectively. Although a detailed production of the station, the version not had great success of the first, and Vicente Sesso proved to be dissatisfied with it, getting to declare that his text had been mischaracterized. Completed the cast of the second version, among many, Rubens de Falco, Osmar Prado, Lucinha Lins, Othon Bastos, Denise Fraga, Suzy Rego, Guilherme Leme, Ewerton Castro, Bete Coelho, Paulo Figueiredo, Marcos Caruso, Jussara Freire Jandira Martini, Yara Lins, Edgar Franco, Jayme Periard, Delano Avelar, Vera Zimmermann, Flavia Monteiro, Jandir Ferrari, Louis William, Elisa Lucinda, Rogério Márcico, Marcos Plonka, Caca Rosset, Walter Forster and Irene Ravache. Tonia Carrero, who shone in the original version back in cameo.

Opened Style Novels of 19.00 at TV Globo

The success of "Blood of My Blood " led TV Globo to hire in 1970, Vicente Sesso as a novelist. The author had great challenges, such as writing a novel for the legendary Sergio Cardoso, and create a current story, the termination of the melodramas of the period was on time 19.00. That was "Pygmalion 70 ", Inspired in part by Bernard Shaw, with inversion of the characters. Nando (Sérgio Cardoso) is a humble marketer who works with his mother, Baroness (Wanda Kosmo) and is engaged to Candinha (Suzana Vieira). One day a small car accident causes her to cross the fate of millionaire Cristina (Tonia Carrero). Prompted by the situation, Cristina makes a bet with his father (Alvaro Aguilar), the rude man who transformed into a sophisticated gentleman to present to high society. Christina wins the bet, but falls deeply by Nando.
" 70 Pygmalion" was a big hit with the audience, marking the language style of comedy from 19.00 hours on TV Globo, which persists till today. From then on, every time the novels were written on the lines of the structure outlined by Vicente Sesso. The chemistry between Sergio Cardoso and Tonia Carrero reached the general public, who delighted with two giants of the Brazilian stage, proving to be so fascinating television. The magnetic beauty
Tonia Carrero meant that all Brazilian women to emulate her haircut, calling him a Pygmalion. Suzana Vieira marked his debut on TV Globo, where he would build a bright career.
The great villains have always been part of the plots of Vicente Sesso, without that ridiculous show, in the novel, Carlito, beautifully played by actor Giovenazzi Edney, was the antagonist and villain. The cast, chosen with precision and skill, were still, Felipe Carone, Célia Biar, Eloisa Mafalda, Mark Paul, who was a constant presence in the plots of her father, Maria Luiza Castelli, Betty Faria, Rachel Martins, Norah Fontes, Renato Master, Jacyra Silva, Jardel Mello, Carmen Silva, Ruth de Souza, Ida Gomes, Elizabeth Gasper, Adriano Reys, Herval Rossano, Iris Bruzzi, Eleonor Bruno. Among the cast, there was the unusual presence of journalist Marisa Gabaglia Raja, who was very popular in television journalism in the 1970s. The novel
signed the style of the time, reached the general public next to " Brothers Courage" by Janet Clair, transmitted simultaneously in time, the hourly 20:00 river, turned on the TV Globe, for the first time in top-rated on all other stations; launched fashion and has great success with his soundtrack. Vicente Sesso would become an icon for that time.

born the girlfriend of Brazil

after successful "70 Pygmalion," Vicente Sesso breathed for a few months, returning in 1971 with " My Sweet Girlfriend "novel that would become one of the biggest hits of the time on TV Globo, considered an icon of the genre.
The plot was inspired by various texts that the author had previously presented at other television channels, with the central core, a story that had been presented at the "Fantasy Theater & rdquo ; in the 1950s.
The novel featured as protagonists and Regina Duarte Claudio Marzo, the roles of Patricia and Renato, respectively. It was the third production of TV Globo that he used the actors as a romantic couple, partnership and accepted by the public, started in "Bridal Veil " (1969). The actors came from the cast of the soap opera "Brothers Courage," where the characters Courage Duda and Rita, were removed from the plot for the recording of the novel by Vicente Sesso. Regina Duarte, who had become pregnant during the course of "Brothers Courage," was recovered from her first birth, and shining a light sweetness to the role of orphan raised by artists shoddy, which won him immediately be calling it " girlfriend of Brazil "Affectionate title that chased the actress for nearly a decade, influencing the naming of roles that would be given for TV Globo in 1970.
"My Sweet Girlfriend " featured the most simple ingredients and fascinating style of comedy called "watered-down sugar." It began in the historic city of Ouro Preto, shown by the Republics of traditional students, where he lived Renato, and an amusement park, which housed the sweet and Patricia decided. The meeting of the couple would give about the magic of the city. The high costs of production in Ouro Preto, made the characters move to the city of Rio de Janeiro.
addition to Patricia, Brazil won the charismatic characters, like the mysterious and kindly Aunt Miquita, a seller of apples of love, masterfully played by Célia Biar. To play the character, the actress was used for a makeup that made her much older. Tambémo veteran Sadi Cabral exploded in public taste, the living character of the powerful Peçanha Hippolytus, who confounded by Patricia as a janitor who owned the plant, is passed by His Pepe, starting a friendship with her charismatic and complicity that won the sympathy of viewers. Your Pepe and Patrick became a marching song of the carnival in 1972. The antagonist of the time was the main villain Madame Sarita, played by Vanda Lacerda. The character drew the ire of the public, and the actress suffered from the persecution of the most exalted.
"My Sweet Girlfriend " had cast a cohesive, which enabled a comprehensive gallery of charismatic characters. Among them were the beautiful Maria Claudia, Mario Lago, Suzana Vieira, Marcos Paulo, Heloisa Helena, Renata Fronzi, Roberto Pirillo Paul Padilla, Juan Daniel, Yara Cortes, Daniel Filho, Reynaldo Gonzaga, Dorothy Duval, Í Iris Bruzzi, Elza Gomes, Jardel Mello, Carmen Silva, Rachel Martinez, Urbano Lóes, Carminha Brandãoe Enio Carvalho, actor icon Vicente Sesso universe, a constant presence in his novels. Another curiosity was the presence of Suzana Gonçalves, Suzana Vieira's sister, the actress would turn into a hit TV show Globe, making remarkable characters. She would abandon her career at its peak in 1976, leaving her husband to clear the future state of Rondonia.

The Apogee With A Rose With Love

With "My Sweet Girlfriend ," Vicente Sesso once wrote his name as a great writer of novels of success. Reach its peak with the next story, "A Rose With Love," which would air between 1972 and 1973. By then, the author knew all the techniques of the genre of novels that became a master, to attract large audiences. The plot
fled from traditional romantic couples, showing the history of spinsterhood Serafina Rosa Petrone (Marilia Pera), romantic, clumsy secretary, who lived in a tenement with his parents, Giovanni (Felipe Carone) and Amalia (Lelia Abramo), and Sister Teresa (Maria Nivea), a typical family of Italian immigrants. Serafina's dream was to one day come to marry, in the office where she worked as a secretary, sent every day for a pink itself, so that colleagues thought they had a secret admirer.
Serafina's boss, Claude Geraldi (Paulo Goulart), by whom she sighed, was engaged to the seductive Nara (Jonah Magellan), and was involved in shady dealings, besides being illegal in the coun ; s. To rectify the situation, would have to get married but was separated as Nara and laws of the time did not allow it a second marriage, Claude saw no other option you not to be the one to propose marriage to Serafina, with date and time to end. After many misunderstandings and comic situations, Claude finally let love with the secretary.
Marilia Pera-established itself as a great comedian by Serafina, instead of conquering the great Brazilian public. It was one of the most charismatic roles ever to live on television. Serafina's love and Claude was rocked by the song "Ben " sung by the boy Michael Jackson , which since has become known throughout Brazil. The protagonist couple was a novelty at the time. Paulo Goulart was at its peak of soap opera heartthrob. After this novel, the actor would leave the TV Globo, was hired by TV Tupi. Just go back to the station in 1980. Jonah
Magellan, who in the 1960s was the great global star, returned to Rio after issuing two years on TV Tupi, to live her first villain, leaving behind the stereotype of the heroines the novels of Gloria Magadan. The actress wore throughout the show, a blonde wig, a fashion at the time. The actress Lelia Abramo, living Amalia, an authentic and popular Italian mother, has earned the label on television as an interpreter of great matriarchs immigrants.
Tonia Carrero, almost obligatory presence in soap operas of Vicente Sesso, showed all their glamor on the skin of the sophisticated actress Roberta Vermont, who was involved with Sergio (Marcos Paulo). For the first time in a novel 19.00, was developed the theme of an older woman falling for a younger man. Tonia Carrero Marcos Paulo and have lived with this delicate romance, over the protests of Joan (Vanda Lacerda), mother of boy. Would be the last character in a novel Tonia Carrero, in the 1970s. Tired of television, the actress leave the vehicle, returning only in 1980.
Great emphasis on the participation of Grande Otelo, rare presence in soap operas. The actor has lived the old Pimpinoni, artist and puppet maker, who with their dolls, told stories of life. Pimpinoni is one of the typical characters of the universe Vicente Sesso, charismatic, devoid of vanity and in the twilight of old, wise words to advise and protect those who love to circulate around them.
The cast of the first magnitude, was still left with the presence of Leonardo Villar, José Augusto Branco, Ernie Santos, Ary Fontoura, Rosita Thomaz Lopes, Aurimar Rocha, Roberto Pirillo, Henrietta Brieba, Heloisa Helena, Monah DeLacy, Jacyra Silva, Eleonor Bruno, Miriam Muller, Clea Simoes, Dinorah Marzullo, Gilbert Martin and Nelson Caruso.
Despite the great public success, "A Rose With Love" marked the farewell of him as a novelist Vicente Sesso TV Globo. The author does not accept very well the scheme having to stretch a plot by the audience reached. Later that year, 1973, sign a contract with TV Tupi de São Paulo. Far from the station in Rio, never returned to obtain success for his novels.

brief passage through the TV Tupi

After the success of "A Rose With Love," Vicente Sesso TV back in November 1973 when it debuted another novel of his own, "The Divine ... Wonderful and ", written for the TV show. The author left the scenarios locals to write about the traditional family in Sao Paulo, portrait he was born in a house at Rua Conselheiro Crispiniano, downtown Sao Paulo, knew very well.
The story revolved around three women of different age: the old Haydee (Nathalia Timberg), the young and beautiful Catherine (Beth Mendes) and mature Helena (Nicette Bruno). A testament millionaire who left a typical paulistano palace of the golden age of the coffee barons, and a large fortune, would change forever the lives of these three women. To interpret
Haydee, an old lady, Nathan Timberg had to undergo a heavy make-up, aging her face and gestures. Beside Nicette Bruno, Maria Aparecida Baxter and Yolanda Cartwright, the actress was responsible for the success of the plot, all oped by the tone of the charismatic characters Vicente Sesso.
But the novel did not achieve the same success as its predecessors written by the author for TV Globo. Had several factors that contributed to an outcome warm, without the allure of "A Rose With Love " or "My Sweet Girlfriend . In the fight for the audience, TV Globo hired the director of the novel, Oswaldo Loureiro, who would act as an actor in " Gold Rush." Leaving the direction, Oswaldo Loureiro was replaced by Egberto Luiz.
Another change that affected the course of the story was about the character Catherine, one of the protagonists. Bete Mendes, the actress that played, suffered a major car accident and underwent a long period of convalescence, forcing Vicente Sesso disappear with the character. During the period reestablished, Beth Mendez was hired by Globo TV to experience the protagonist of "The Rebu " by Braulio Pedroso. The actress had played "Beto Rockfeller ," hit the same author. Faced with this impasse, the only returning character to the plot in the last chapter of the novel, in which the direction took the picture editing of chapters already written, she appeared in romantic scenes with actor Ernie Chapman.
Despite all the problems, the novel remained a charismatic and engaging plot, with highlights including the sublime interpretations of Nathan Timberg, Nicette Bruno and John Herbert, and fun-run and Ana Maria Baxter Yolanda Cardoso. The cast included
as always, the presence of big names like the great actor of the Brazilian theater Procopio Ferreira, Georgia Gomide, Arlete Montenegro, Geraldo Del Rey, José Lewgoy, Sadi Cabral Elaine Cristina, Cé read Coutinho, Flávio Galvão, Pepita Rodrigues, Iris Bruzzi, Glauce Graieb, Elizabeth Hartman, Elizabeth Gasper, Nelson Caruso, Leonor Navarro, Eleanor Bruno, Grace Mello, Leonor Lambertini, Cazarré, Benjamin Cattan, Jacyra Sampaio, Marcelo Picchi, Walter Geny Prado and Prado.
After completing "The Divine ... Wonderful and "in 1974, Vicente Sesso accepted an invitation from television Argentina to write a novel inspired by" God bless you "of Juracyr Camargo. In the neighboring country, he would stay for four years, writing and translating his works into Latin the international market.

Return in 1979

Vicente Sesso only go back to writing a novel for the Brazilian public in 1979. This time with a mission to inaugurate the core novels of TV Bandeirantes, extinct since the year 1970. At the time, TV Tupi went into decline, heading for the bankruptcy enact its extinction in 1980. Without competition, TV Globo became the only one to explore the telenovelas. TV Bandeirantes decided to invest heavily in the genre, inviting Vicente Sesso, an author who always attracted big players who enjoyed their texts.
For this important moment in the history of Brazilian television, Vicente Sesso wrote " Face To Face" . The plot revolved around Ingrid von Herbert (Fernanda Montenegro), a long-suffering wife, who had a son when he was a prisoner in a Nazi concentration camp during World War II. Having snatched the child from the arms, Ingrid, now a millionaire, came to Brazil to find his heir. In Brazil, becomes involved with the other characters in the plot, as the rich and decadent Regina (Débora Duarte), who struggled to save his family from misery marrying the rustic farmer Tonho (David Cardoso). Vicente Sesso
achieved a major victory with "Face To Face " Fernanda Montenegro bring back the soap operas. For over a decade, the grande dame of the theater had not acted in a production of gender. Having her in the squad meant great prestige. TV Globo tried to hire her, without success, for many years. Besides
Fernanda Montenegro, the novel had an elaborate production, fetching big stars TV Globo and TV show. And mong them was Deborah Duarte, who is alienated with TV Tupi, leaving the cast of the second version of the mythical "The Right to be Born " where it would make the character Isabel Cristina . At the time the actress was married to the singer and composer Mark Anthony, who worked as an actor in the plot, character living Nando. Antonio Marcos was who sang the opening theme of the novel.
Another novelty was the protagonist of the story, David Cardoso, heartthrob of the national cinema, considered the king of pornochanchadas. The actor was considered a sex symbol of the country. It had great prestige, never even making an interpretation that could be considered satisfactory.
Despite the great effort of the production of TV Bandeirantes, to revive the heyday of the golden age of Vicente Sesso TV Globo, the novel has achieved a relative success, without major indices hearing. He served as seed for the core of the television drama TV Bandeirantes. The major feature of "Face to Face " was undoubtedly his cast: Luis Gustavo, Nathalie Timberg, Irene Ravache, Fulvio Stefanini, Rolando Boldrin, Edson France, Maria Isabel de Liza, Wanda Kosmo, Celia Coutinho, Márcia de Windsor, David Joseph, Carmen Silva, Roberto Pirillo, Fausto Rocha Arlindo Barreto, Ruthner Morales and Raymond Souza.
" Face To Face" was the last novel by Vicente Sesso made to Brazil. Back in 1992, TV Globo, writing the miniseries "Tereza Batista ," an adaptation of Jorge Amado. But his priority remains the market International, where he writes successfully plots shown in Argentina, Peru, United States, Chile, Spain, Colombia, Turkey, Slovenia, Italy Japãoe.
In 1995, the second version of "Blood of My Blood " by the SBT, it displeased him deeply, he refused to see your text to lose its original characteristics. In 2009, agreed to sell to the same station, the copyright of "My Sweet Girlfriend" and "A Rose With Love" to new versions and the rediscovery of his work. Vicente Sesso, and Janet Clair, is one of those authors who deals with the impact of each chapter, not with the whole work. His style is unmistakable from the assembly of the chapter, which leaves the scene of impact to the end, holding the viewer. His work is indispensable for the history of Brazilian television, which is essential to realize the development of soap operas, the largest media outlet in the country.

WORKS

Novels

1969/1970 - Blood of My Blood (TV Excelsior)
1970 - Pygmalion 70 (TV Globo)
1971/1972 - My Sweet Girl (TV Globo)
1972/1973 - A Rose With Love (TV Globo)
1973/1974 - The Divine ... and Wonderful (TV Tupi)
1979 - Face to Face (TV Bandeirantes)
1982 - Veronica: El Rostro Del Amor (International Market)
1995 - Blood of My Blood (SBT)

Minissé Series

1959 - Garden Enchanting (TV Tupi)
1959 - Guarani (TV Excelsior)
1959 - Lady (TV Excelsior)
1992 - Tereza Batista (TV Globo)

Serials

1958/1962 - The Adventures Marco Polo (TV Tupi)
1966/1968 - The Adventures of Eduardinho (TV Excelsior and TV Globo)