Dina Safed was one of the largest Brazilian actresses who had the theater, cinema and television. Owner of a singular interpretation, with strong emotions to the surface, assayed by a construction of text on intelligent voice, a look at seduction and strong magnetic physical presence both on stage as through the lens of cinema or television. Talking Dina Sfat always brings a pain driven by nostalgia. Your personal magnetism makes it unforgettable, professional talent made her one of Hollywood's most beloved and worshiped by the general public and the critics. He lived most of his youth and early maturity under the heavy hand of military dictatorship, which fought vigorously, always supporting the left pursued at the time, never to join any party or tendency. Figure
restless and controversy, Safed Dina always had the courage to speak his mind and support your vision Brazil and the world, even when it pleased the current social or ideological. In his private life was discreet, not getting carried away by the sensational scandals and love of the spotlight. She was married 17 years to actor Paul Joseph, with whom he had three daughters: Bel Kutner, Ana and Clara. Dina
Sfat belongs to a generation of actresses who appeared with the engaged theater of the early sixties, who later won the television when it was signed as cultural vehicle in Brazil. It became the favorite actress of mythical author Janet Clair, and one of the most requested by Dias Gomes. He never balked at doing different roles, breaking with the tradition of the Manichean heroines of soap operas, playing villains, prostitutes, women suffering, all centered on their way to be sharp and smart and forward his art. Safed
Dina wore a mysterious beauty, cast from the personality. Big eyes, which bore a look that penetrated the soul of those who put you in the front and the public that it was left mesmerized. Unfortunately
Dina Sfat left too soon, at the height of the essence of woman who opened to maturity of life. In a country with little memory, has left a rich legacy and always ready to be rediscovered. At age 50, Dina Sfat crossed the stage beyond the curtain of life, joining the gallery of the myths of Brazil, being one of the most charismatic and talented actress that we have. He took his penetrating voice, her anxiety about life, leaving us stuck in a latent longing for a great woman. Dina Safed, with its big eyes and endless, seduces the stage now of heaven, the angels of art!
The Theatre debut in 1960's
Kutner Dina de Souza was born in Sao Paulo, October 28, 1938. The daughter of Polish Jewish immigrants, nobody could imagine that the girl was 16, when he began working in a laboratory for analysis, would become one of the most important actresses of the twentieth century Brazilian . His official debut was in the play " The Queen and the Rebels " in Sao Paulo in 1957, under the direction of Maurice Francini. Professionalized themselves from the play "Antigone America "in 1960 under the direction of Antonio Abujamra. After the show, returned to amateur theater as part of a group of student academic center college of engineering at Mackenzie. In the group did in 1962, two pieces of Bertolt Brecht: "He Who Says Yes , He Who Says No ," directed by Anthony Ghigonetto and "The Ms. Carrara rifles, "directed by Emilio Di Biasi.
Historically, Dina Sfat discovered his talent for the arts, always dreaming of being an actress. In 1962 he came into contact with the historical Teatro de Arena. Was called in 1963 to join the cast of "The Best Judge, King " by Lope de Vega, directed by Augusto Boal. Very young, and to avoid exposure of the family, the actress changed her name Kutner to Safed, a tribute to his mother's hometown. Official birth of the actress Dina Safed.
Theater Committed to Fight Against Military Dictatorship
In the Arena Theatre, joined the cast of famous pieces from the 1960s, as " Tartuffe" (1964), Moliere's, " Arena Conta Zumbi " (1965), Music Gianfrancesco Guarnieri and Augusto Boal, which he won the Governor of São Paulo as best actress. Still under the direction of Augusto Boal, would " The Inspector General" (1966), Nikolai Gogol, and "Arena Conta Tiradentes " (1967), by Gianfrancesco Guarnieri and Augusto Boal. In 1967, Dina Safed accept a challenge, Itala Nandi replace the actress cast in the play "The King of Sail" by Oswald de Andrade, played for the legendary theater workshop, by José Celso Martinez Corrêa ; a. With this piece, the actress would conquer not only the public São Paulo, as a critique of Rio de Janeiro.
In the political arena, Brazil entered the darkest phase of its history when the military seized power through a coup in 1964.
Interventions the Arena Theatre and the Theatre Workshop, which were fundamental to the artist not be quiet, operating under the yoke of dictatorship. It is called the committed and politicized theater that troubled decade. Dina Safed was one of the actresses in the group who was vehement in expressing demands for freedom and against oppression of the regime. His concern with life made not ever abandon the struggle for democratization of the country while the military dictatorship was in power, his consistency intelligently made is not associating the Left Party some, while assuming their flags publicly.
Already in 1980, when the dictatorship was taking its last gasps, Dina Safed, then great icon of Brazilian theater, dared to say in public, a powerful military, which was afraid of them. It was a bold affront to
truculence of an illegitimate government. In 1984 he came to announce that a candidate would leave the post of vice president of Brazil by the Brazilian Communist Party (PCB), a provocative statement true, since the acronym was in hiding, being part of so-called democratic front of the Brazilian Democratic Movement Party (PMDB). Even being seen by the military as a feminist leader linked to the extreme left, Dina Sfat never affiliated to any faction or party symbol. It was a woman who knew how to watch your time and fight against oppression, always seeking the freedom of a better world. Live a few years to see the fruits of their struggle when democracy flourished anew in the country, with the end of military rule in 1985.
The Actress at the Film
In the beginning of my career, Dina revealed his great Sfat talent to perform on camera. It marked his film debut in 1966 in the movie "The Body Burning" by Walter Hugo Khouri. In 1969, Dina Safed lived with great prominence and talent, the guerrilla Cy, of " Macunaíma ," a film inspired by the homonymous work of Mário de Andrade, directed by Joaquim Pedro de Andrade. In the film, acted with the actor Paul Joseph, an old acquaintance from the time of the Arena Theatre, and from then formalize a stable relationship of husband and wife.
In film, the actress would act in such classics as " Family Album" (1981), Braz Chediak film, based on the homonymous work by Nelson Rodrigues; " Eros, the God of Love "(1981), Walter Hugo Khouri," Guts Of Heart "(1982), Ana Carolina. His latest film, "The Jewish " by Jom Tob Azulay, based on the life of Antonio Jose da Silva, Luso-Brazilian writer of the eighteenth century who died in the fire the Inquisition, was made in Portugal in the second half of the 1980s, already sick with the actress. Unfinished for lack of funds, the film would only release in 1996, seven years after the death of the actress. The dramatic dimension
Dina Sfat reached the light of the screens with a magnetism that few Brazilian actresses did. His gaze dominates the big screen as if to hypnotize the audience into a singular fascination.
Great Star of Brazilian Television
But it was through television, which won Dina Sfat love of all Brazilians. Characters who lived epoch in the history of soap operas. Even before the hit television show, ever have been deceived by linear characters and caricatures. Risked great roles, free of the usual heroes of television drama. His television debut was in the Brazilian soap opera "Love Has Face Woman" in 1966 Cassiano Gabus Mendes, based on original Castellar Nene, produced by TV Tupi. For the station in São Paulo, he still had "Jealousy "(1966), the Thalma de Oliveira, and" The Intruder "(1967), written by Geraldo Vietri. Passed by the defunct TV Excelsior on " Puppets" (1967), from Ivan Ribeiro. In 1969, he was directed by Daniel Filho, the novel "The Chained " by Janet Clair, director of custom in the period fell out with TV Globo and TV Record and aired by TV Rio's performance
Dina Safed in the movie " Macunaíma " drew the attention of Days Gomes, who invited in 1970 to star in his novel "Red summer." It was the debut of actress on TV Globo, covered with great success, making her stay in Rio station until his death in 1989. During the recording of the novel, the actress was pregnant with her first daughter, Bel Kutner. Masterfully, he made another great character Dias Gomes, the novel "On Earth As in Heaven" (1970), becoming one of Hollywood's favorite
playwright. In 1971, return to play a character of Jane Clair, in "The Man Who Must Die" alongside Tarcisio Meira, Glória Menezes. Since then, the author would order its presence in various roles outstanding, tailor-made for her, how dense and crazy friends, the "concrete jungle " (1972) , a character that has gained wide popularity at the time, affecting the Brazilian audience with his passionate insanity. Dina Safed had this character, the possibility to develop their full potential outlined by the passion that emanated from the self.
In 1975, made a small cameo in the novel "Gabriela , Walter George Durst, based on the novel by Jorge Amado. Despite appearing in just the first chapter, living one-eyed prostitute, the actress has dominated the scene, scoring a big hit among the public. Walter Avancini, the director of the novel, was preferred by Dina Safed, said that, never refuse any role being proposed for it.
In 1977, Janet Clair wrote a paper tailored to the actress, the fascinating Amanda, protagonist of the novel "The Astro . The show became a classic of Brazilian television drama. Dyne Safed ended the 1970s as hired exclusively for TV Globo, an honor only for the greats of the era, Tarcisio Meira, Glória Menezes, Francisco Cuoco and Regina Duarte.
Sfat Dina attended the last novel written by Jane Clair, "I promise " in 1983. In the plot, had as one of his daughters, the then rookie Malu Mader.
In 1979 he accepted the challenge of Paloma Gurgel, central character of the novel "The Giants ," Lauro César Muniz. Difficult text, rather charismatic, had rejected the public and the actress herself. Still, the role of a woman who committed euthanasia on twin brother and committed suicide to evade the laws and the prison, Dina Safed had one of the most dense and the sublime splendor dramatic in Brazilian television.
His last television work was the Laura of "Baby on Board " in 1988, a novel by Carlos Lombardi. Greatly weakened by cancer, the actress bravely fought her to complete this knew would be his last job. Affected by severe pain, their participation was quite low in the plot, she bravely completed a few months before eventually dying. His passage through the television, was one of the biggest milestones in the history of soap operas. Daniel Filho say that Dina Sfat often complained and hated doing certain characters, but never the misinterpreted.
Personality
Favorite of the great authors, directors, critics and audiences, Dina Sfat seduced Brazil and the countries where the Brazilian television drama was exported. She was a woman who never left his or her privacy invaded, and a caring and dedicated mother to three daughters, Bel, Ana and Clara, the fruits of her marriage to Paul Joseph, which lasted 17 years. In intimacy, the star gave way to the loving and caring mother. In public life, his sentences sparked great controversy, as the maid with homosexuals, when it held that the theaters were being taken by them, leaving no room for anyone. The statement was made with humor, not homophobia at a time that debuted several gay-themed pieces for the stage in Brazil. The public gay, which he had great worship, and she responded intelligently explained what he had said.
In 1985, trying to break in a soap opera and theater, she decided to dedicate the year to the daughters, leaving them to Portugal, where residence would fix for some time. His trip to Europe was interrupted by the discovery of a cancer in 1986. Fighter, Dina Sfat decided to adopt unconventional treatments against the disease, which had the disapproval friends, fearing for her health and the spread of the disease.
Sick, the actress has never stopped working. Traveling for treatment to the Soviet Union, alongside Daniel Son, made the documentary "Dina Safed in the Soviet Union" (1988), who spoke among other things, incipient perestroika.
Back in Brazil, he threw himself headlong into the novel "Baby on Board ", where he was already greatly weakened. The actress knew had reached the twilight of an exceptional life, facing the stage and art, and brought the dream to end that, what would be his last job. At
few, their participation was reduced in the novel, but she ended the work bravely, with dignity peculiar to him. The last chapter of "Baby on Board " aired on February 11, 1989, Dina Sfat died on March 20 that year, after 50 years of age. Shortly before he died, he launched his autobiography "Dina Safed - Palmas why would I want , "written with journalist Mara Caballero, once again throwing controversies, the latest in a great career, done by a great woman, moved by art and passion Others No one has inherited her theatrical technique, Dina Safed was unique in the Brazilian scene. Seductively unforgettable! TV
Telenovelas:
1966 - Love Has Face of a Woman (TV Tupi)
1966 - Jealousy (TV Tupi)
1967 - The Intruder (TV Tupi)
1967/1968 - Puppets (TV Excelsior)
1969 - The Chained (TV Record)
1970 - Red Summer (TV Globo )
1970/1971 - On Earth As in Heaven (TV Globo)
1971/1972 - The Man Who Must Die (TV Globo)
1972/1973 - Selva de Pedra (TV Globo)
1973 / 1974 - The Bones of the Baron (TV Globo)
1974/1975 - Fire On Earth (TV Globo)
1975 - Gabriela (TV Globo)
1976 - Saramandaia (TV Globo)
1977/1978 - Astro (TV Globo)
1979/1980 - The Giants (TV Globo)
1983/1984 - I Promise (TV Globo)
1988/1989 - Baby on Board (TV Globo)
miniseries:
1982 - Avenida Paulista (TV Globo)
1984 - Rabo de Saia (TV Globo)
Series:
1971 & ndash , The Pearl (Special Case - TV Globo)
1972 - Shadow of Suspicion (Special Case - TV Globo)
1973 - Deserted Beaches (Special Case - TV Globo)
1973 - The Price of Each One (Special Case - TV Globo)
1976 - Who Was Shirley Temple? (Special Case - TV Globo)
1978 - The Way of Stones Green (Special Case - TV Globo)
1978 - The Death And Death of Quincas Berro D'Água (Special Case - TV Globo)
1979 - Applause - Episode Bridal Veil (TV Globo)
1980 - Malu Mulher - Episódio The troublemakers (TV Globo)
1983 - Mandrake (Special Case - TV Globo)
Cinema
1966 - Burning The Body
1966 - Three Love Stories
1968 - Edu Heart of Gold
1968 - Life Provisional
1969 - Macunaíma
1970 - Lost and Damned
1970 - Garden of War
1970 - The Gods and The Dead
1971 & ndash ; The Baron in Othello Cheap
Billions of 1971 - Gaudencio, the Centauro dos Pampas
1971 - The Flag Captain Against Dr. Moura Brazil
1971 - Blame
1973 - Tati, A Garota
1981 - Eros, the God of Love
1981 - Family Album
1982 - The Man of Brazil wood
1982 - Tension in Rio
1982 - Guts Of Heart
1988 - Fable de la Bella Palomera
1996 - The Jewish (made in 1988)
Theatre
Interpretation:
1957 - The Queen and the Rebels
1960 - Antigone America
1962 - He Who Says Yes, He Who Says not
1962 & ndash , The Guns of Ms. Carrara
1963 - The Best Judge, the King
1964 - Son of Dog
1964 - After the Fall
1964 - 1965
Tartuffe - Arena Conta Zumbi
1966 - Inspector General
1967 - Arena Conta Tiradentes
1967 - The King of Sailing
1967 - The Conspirators
1970 - Black Comedy
1973 - Dorothy Goes to War
1974 - The Collector
1975 - Mandrake
1977 - Six Characters in Search of An Author
1979 - Punched a knife
1980 - Transaminases
1981 - The Maids
1982 - Hedda Gabler
1984 - Irresistible Adventure
1986 - Florbela Espanca (Performed Portugal)
production will:
1982 - Hedda Gabler
1986 - No Pay, No Pay
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